Speaking to the Eye: Sight and Insight Through Text and Image (1150-1650) (Medieval Identities: Socio-Cultural Spaces)

Veerle Fraeters, Jurgen Pieters, Ineke van 'T Spijker, Maria Eugenia Gongora, Jeroen Deploige, Jose van Aelst, Youri Desplenter, Steven Vanderputten, Barbara Baert, Stijn Bussels, Caroline van Eck, and Lise Gosseye.

ISBN 10: 2503534201 / ISBN 13: 9782503534206

Editore: Brepols, 2013

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2013 Brepols hardcover edition. Some reading wear else good condition.

Contents:

1) The Mediating Power of Images and Texts: The Dynamics of Sight and Insight in Medieval and Early Modern Literature and Art,
2) Image of Thought: Hugh of Saint-Victor and Richard of Saint-Victor on Thinking,
3) Seeing and Knowing, Reading and Imagining in the Liber divinorum operum by Hildegard of Bingen,
4) The Appearance of Queen Reason: Construction and Pragmatics of the Imagery in Vision 9 of Hadewijch,
5) How Gendered was Clairvoyance in the Thirteenth Century? The Case of Simon of Aulne,
6) Visualizing the Spiritual: Images in the Life and Teachings of Henry Suso (c. 1295-1366),
7) Programming Women's Prayer: Textual and Pictorial Components in Middle Dutch Psalters,
8) The Cloaked Lady of Floreffe: Allegorizing Monastic History in the Fifteenth-Century Chronique de Floreffe,
9) Nourished by Inwardness: The Beato Chiarito Tabernacle (c. 1340),
10) The Diptych of the Lentulus Letter: Building Textual and Visual Evidence for Christ's Appearance,
11) Groaning Paintings and Weeping Viewers: A Gellian Perspective on Visual Persuasion,
12) Reading Blindly: Huygens in the Wake of Augustine.

Codice articolo XH-BEXF-P31D

Dati bibliografici

• Titolo: Speaking to the Eye: Sight and Insight Through Text and Image (1150-1650) (Medieval Identities: Socio-Cultural Spaces)
• Editore: Brepols
• Data di pubblicazione: 2013
• Lingua: Inglese
• ISBN 10: 2503534201
• ISBN 13: 9782503534206
• Rilegatura: Hardcover
• Condizione: Good
• Cataloghi dei venditori:
  • Medieval Studies

Descrizione articolo

Riassunto

This volume takes as its focus the paradoxical double-bind of textuality and visuality in the culture of the high and late Middle Ages and early modernity. In a series of case studies contributors explore the historical and theoretical implications of the idea that texts and images alike 'speak to the eye'. Some scholars have proclaimed the coming of a 'visual turn' to explain the boom in conferences, books, and even specialized journals that take as their topic the theoretical or historical study of visual culture. The notion of visual culture may seem self-evident, not merely from our own twenty-first-century perspective but also when applied to earlier periods of western European history. However, the nature and status of the visual media, as well as the ways in which these were received, experienced, and appropriated, underwent several major changes betweenthe twelfth and the seventeenth centuries. Contemporary sources describe and define the experience of reading texts and images as involving a mixture of visual and aural impulses that address both the inner eye and the outer senses. This volume sets out explicitly to investigate the specific, sensuous nature of this experience. It also addresses the question of whether, and if so to what extent and in which ways, this 'reading experience' was engendered.