"The Stones of Rimini" and "the Quattro Cento": A Different Conception of the Italian Renaissance: Different Conception of the Italian . & Visual Culture Since 1750: New Readings)

Stokes, Adrian

ISBN 10: 0271022175 / ISBN 13: 9780271022178

Editore: Ashgate Publishing Limited, 2002

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Dati bibliografici

• Titolo: "The Stones of Rimini" and "the Quattro Cento": A Different Conception of the Italian Renaissance: Different Conception of the Italian . & Visual Culture Since 1750: New Readings)
• Editore: Ashgate Publishing Limited
• Data di pubblicazione: 2002
• Lingua: Inglese
• ISBN 10: 0271022175
• ISBN 13: 9780271022178
• Rilegatura: Brossura
• Condizione: New

Descrizione articolo

Riassunto

Adrian Stokes (1902&;1972) was a British painter and writer whose books on art have been allowed to go out of print despite their impact on Modernist culture and ongoing acclaim for their beauty and intellectual acuity. This new edition of The Quattro Cento and Stones of Rimini presents the original texts of 1932 and 1934 and furnishes them with introductions by David Carrier and Stephen Kite that will help readers grasp the structure and significance of what have become Stokes&;s most widely-cited and influential books.

Written as parts of an incomplete trilogy, The Quattro Cento and Stones of Rimini mark a crossroads in the transition from late Victorian to Modernist conceptions of art, especially sculpture and architecture. Stokes continued, even extended, John Ruskin&;s and Walter Pater&;s belief that art is essential to the individual&;s proper psychological development but wove their teaching into a new aesthetic shaped by his experience of psychoanalysis with Melanie Klein and recent innovations in literature, dance, and the visual arts.

Few writers have been able to invoke the material presence of works of art in the way Stokes does in The Quattro Cento and Stones of Rimini. They combine travel writing with acts of looking spun out so as to reinterpret the imposing legacy of the Italian Renaissance through an aesthetic of the direct carving of stone, which has parallels in the sculpture of Brancusi, Henry Moore, and Barbara Hepworth but was for Stokes the discovery of artists in fifteenth-century Italy. To his way of thinking, there then arose a realization that the materials of art "were the actual objects of inspiration, the stocks for the deepest fantasies." During the Renaissance, Stokes maintained, stone accordingly "blossomed" into sculpture and buildings, such as the Tempio Malatestiano, that throw "inner ferment outward into definite act and thought."

This new edition of Stokes&;s pivotal books will be of interest to those concerned with art criticism, aesthetics, psychoanalysis and art, and the art and architecture of the Renaissance and Modern periods.

Product Description

Adrian Stokes (1902-1972) was a British painter and author whose writings on art have been allowed to go out of print despite their impact on modernism and ongoing acclaim. Tow of his most influential books, "The Quattro Cento" (1932) and "Stones of Rimini" (1934), are bought together in this volume, which includes all their original illustrations. The forward and introduction place Stokes's works in the context of early 20th-century culture and discuss their structure and relevance to today's experience of art and architecture. The books reproduced here mark a crossroads in the transition from late Victorian to modernist conceptions of art, especially sculpture and architecture. Stokes continued, even extended, John Ruskin's and Walter Peter's belief that art is essential to the individual's proper psychological development, but wove their new teaching into a new aesthetic shaped by his analysis with Melanie Klein and recent innovations in literature, dance and the visual arts.