The Story of All Things: Writing the Self in English Renaissance Narrative Poetry

Grossman, Marshall; Marshall Grossman

ISBN 10: 0822321173 / ISBN 13: 9780822321170

Editore: Duke University Press, Durham, NC & London, 1998

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347 pp. Clean, fresh copy with very minor shelf wear on front and back cover, crisp pages and clean text. Publisher's Remainder copy.

Codice articolo 1iiiCh0031

Dati bibliografici

• Titolo: The Story of All Things: Writing the Self in English Renaissance Narrative Poetry
• Editore: Duke University Press, Durham, NC & London
• Data di pubblicazione: 1998
• Lingua: Inglese
• ISBN 10: 0822321173
• ISBN 13: 9780822321170
• Rilegatura: Trade Paperback
• Edizione: Copyright © 1998
• Condizione: Like New
• Cataloghi dei venditori:
  • Poetry, Prose, Poems, Literary Studies
  • Literary Studies, Literary Theory & Lit. Criticsm
  • Academic, Scholarly, Research

Descrizione articolo

Riassunto

In The Story of All Things Marshall Grossman analyzes the influence of major cultural developments, as well as significant events in the lives of Renaissance poets, to show how specific narratives characterize distinctive conceptions of the self in relation to historical action. To explore these conceptions of the self, Grossman focuses on the narrative poetry in the English Renaissance of the sixteenth and seventeenth centuries.
Relating subjectivity to the nature of language, Grossman uses the theories of Lacan to analyze the concept of the self as it encounters a transforming environment. He shows how ideological tensions arose from the reorganization and "modernization" of social life in revolutionary England and how the major poets of the time represented the division of the self in writings that are suspended between lyric and narrative genres. Beginning with the portrayals of the self inherited from Augustine, Dante, and Petrarch, he describes the influence of historic developments such as innovations in agricultural technology, civil war and regicide, and the emergence of republican state institutions on the changing representation of characters in the works of Spenser, Donne, Marvell, and Milton. Furthering this psychoanalytic critique of literary history, Grossman probes the linguistic effects of social and personal factors such as Augustine’s strained relationship with his mother and the marital disharmony of Milton and Mary Powell. With its focus on these and other "literary historical events," The Story of All Things

not only proposes a new structural theory of narrative but constitutes a significant challenge to New Historicist conceptions of the self.

Informazioni sugli autori

Marshall Grossman is Professor of English at the University of Maryland and is author of &;Authors to Themselves&;: Milton and the Revelation of History.

Marshall Grossman is Professor of English at the University of Maryland and is author of ‘Authors to Themselves’: Milton and the Revelation of History.