A Story Worth Telling: Your Field Guide to Living an Authentic Life
Lingua: inglese
Editore: Abingdon Press, 2015
- Brossura
- Usato

Da: Greenworld Books, arlington, TX, U.S.A.Greenworld Books
Venditore AbeBooks dal 20 giugno 2025
Condizione: Usato - Buono
EUR 5,02
Quantità: 1 disponibile
Aggiungi al carrelloDescrizione dell’articolo da parte del venditore
Fast Free Shipping – Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.
Codice articolo GWV.1426786433.G
- Titolo
- A Story Worth Telling: Your Field Guide to Living an Authentic Life
- Autore
- Blankschaen, Bill
- Editore
- Abingdon Press
- Anno di pubblicazione
- 2015
- Condizione
- good
- Rilegatura
- Brossura
- Lingua
- inglese
- ISBN 10
- 1426786433
- ISBN 13
- 9781426786433
"Riassunto" può appartenere a un’altra edizione di questo titolo.
Estratto. © Ristampato con autorizzazione. Tutti i diritti riservati.
A Story Worth Telling
Faith Walkers
By Bill BlankschaenAbingdon Press
All rights reserved.
Contents
"1. YOU CAN CHOOSE YOUR STORY",
"2. FAITH FINDS A FOCUS",
"3. FAITH MAKES YOUR STORY WORTH TELLING",
"4. FAITH OPENS YOUR EYES",
"5. FAITH THRIVES ON TRUTH",
"6. FAITH FINDS A VOICE",
"7. FAITH ANSWERS THE CALL",
"8. FAITH MOVES YOU TO MOVE MOUNTAINS",
"9. FAITH KEEPS MOVING FORWARD",
"10. FAITH CHANGES EVERYTHING",
"ACKNOWLEDGMENTS",
"NOTES",
CHAPTER 1
YOU CAN CHOOSE YOUR STORY
Stories: there's no escaping them, and who would want to? The world runs on tales of conflict and romance! Television thrives on them. Marketers squeeze them into thirty-second spots. Politicians manufacture them. Journalists seek an "angle" while sports broadcasters claim to have the "inside story" behind competing teams. We watch other people live stories through reality TV and idolize celebrities who appear to have stories of glamour and success. We share briefly in their joy or pain—even when their stories end tragically, or they get voted off the island—then turn to the next prepackaged talent, hoping to discover another escapade we can pretend to live, if only for fleeting moments.
And that's the key, isn't it? We love stories because we long to experience one of our own, to take an expedition that requires the courage to dream for a cause we believe in, even in the face of great risk. We want our lives to become dramatic tales of adventure and danger in which we face imminent peril, take on impossible challenges—instead of pretending that our story actually means something.
But what if you didn't have to pretend? What if you didn't have to borrow someone else's adventure? What if you could live a story worth telling, a life of such lasting significance that the account of your life would not just be told but celebrated in places and times you cannot now imagine? Is that a journey you'd be interested in taking? Wait—before you answer, there's something you should know: talking about living a story worth telling and actually doing it are very different things. Talking requires little; living demands more. Living a story worth telling requires you to step into the unknown, a place where you have no idea what will happen next. It calls you to confront your deepest fears, biggest personal giants, and darkest villains. The journey demands that you endure the discomfort of change and the potential for deep disappointment. In short, living a story worth telling is not easy. That's why most people settle for a story that is anything but worth telling. They choose safety over significance, comfort over lasting legacy. But as John C. Maxwell says, "Security does not give purpose." Gail Sheehy, author of Passages, captures the choice each of us must make:
If we don't change, we don't grow. If we don't grow, we are not really living. Growth demands a temporary surrender of security. It may mean a giving up of familiar but limiting patterns, safe but unrewarding work, values no longer believed in, relationships that have lost their meaning. As Dostoevsky put it, "taking a new step, uttering a new word, is what people fear most." The real fear should be the opposite course.
It's true that stories can be unpredictable—that is often why we like them. But they are also inescapable. If you're breathing, you're living a story now. The plot unfolds with each breath you take. The question is not will you live a story, but will your story be worth telling?
A SOAP-BUBBLE LIFE
Here in the second decade of the twenty-first century, thinking our stories could be worth telling might strike some people as odd. We've grown up getting trophies for merely showing up, so to suggest that some stories have more value than others may seem elitist. We live in a day when those who celebrate success too loudly are decried as being inconsiderate of the less fortunate. And those who suggest one value or perspective is superior to another are derided as intolerant. Consequently, we demean the value of everything—even of value itself—by insisting that all outcomes be valued equally. As Steven Garber recently phrased it, many of us embrace the cultural slogan of whatever. We're not happy with where that perspective leaves us, nor does it actually work in reality, but whatever. Even though we sense a deeper purpose that calls us to live a greater story, we resign ourselves to living a meaningless tale, going with the flow as a river's currents conform to rocky banks.
American cultural commentator Mark Twain accurately described this cynical view of life more than a century ago:
We are blown upon the world; we float buoyantly upon the summer air a little while, complacently showing off our grace of form and our dainty iridescent colors; then we vanish with a little puff, leaving nothing behind but a memory—and sometimes not even that. I suppose that at those solemn times when we wake in the deeps of the night and reflect, there is not one of us who is not willing to confess that he is really only a soap-bubble, and as little worth the making.
Truth be told, our worst fear is that we will live and die and our lives will have made no difference to anyone. We're afraid that we will be just soap bubbles that floated for a bit, then—pop! Nothing but splotches evaporating in the inevitable heat of the next inevitable day. Is this cultural pressure to run from meaning really the story you want? Living a story worth telling will produce the greatest joy possible, even as it tests your courage. Your life can mean more than you can imagine, because no one dreams of a soap-bubble life. But what do you dream of? Take a moment now to pause and reconnect with those dreams.
THE CHOICE IS ALL YOURS
Here's the great news: you can choose to live a story worth telling! No matter where you find yourself in life right now, you can reach the place where you know your story matters. Today you may be energized by apparent success, discouraged by soul-wrenching failure, uncertain about your next move, or crippled by suffering that has left you with little hope. On the other hand, you may be completely comfortable with your life, wondering why your friend gave you this book and why you would ever choose a more challenging existence. But no matter your starting point, you can take the journey to live a story worth telling, my friend. You can begin now. And you don't need to do it alone.
This book is intended to serve as your field guide for stepping out of your comfort zone and into the adventure of a storymworth telling. So lace up your hiking boots and prepare to pack for the journey—it's not for the faint of heart, but nothing worthwhile ever is. And just because you can live a more meaningful life doesn't mean you will. You must consciously choose it. Existing is all about drifting downstream, going with the flow, rolling down the path of least resistance. Living a dynamic, fulfilling story promises something grander: the opportunity to connect with something bigger than we can even imagine. It requires leaving the well-worn paths and off-roading through life in ways that often make little sense to those simply existing around us.
Adventure means groping through the thickest mists, braving the deepest valleys, and scaling the steepest cliffs in order to achieve what most say is impossible. Sure, it will be difficult. But let's face it: the worst stories aren't the ones with sad endings or tragic denouements. No, the worst stories are those that seem to lack any point at all. They drift in random directions like soap bubbles, leaving us confused at best, bored at worst, but mostly just frustrated that we wasted time listening.
When we think about the stories we love to tell and retell, they are not tales of drifting, but of intentional living in pursuit of a higher purpose. They're not tales of comfort and ease, but of tension and risk. The heroes we cheer are the characters who believe in something of value, something worth fighting for. They act on what they believe to be true, often in spite of discomfort, fear, and uncertainty—and that makes their stories worth telling.
Perhaps most important, the heroes are normal, everyday people like you and me who at one point thought it impossible to live a story worth telling. They had to opt between settling for the way things were or carving out a new path to the way things should be. They hoped, like Frodo Baggins in The Lord of the Rings, that someone else would take the Ring so they could return to their peaceful Shire. Like the demure princess Esther, they dreaded asking for a favor that could save lives but cost everything. Like the disabled soldier in Avatar, they thought themselves unfit to take on a greedy military industrial machine to save a peaceful, native people. But they all chose to act on what they believed to be true and become heroes of stories we love to celebrate.
So what's the secret? What's the difference between conventional folk and heroes? It's simple: ordinary people learn to live stories worth telling by walking with extraordinary faith. And so can you.
FAITH IS ...
One of my favorite places on earth to be is Walt Disney World in Orlando, Florida. The story behind the happiest place on earth and one man who saw what others failed to see is one we'll visit in future chapters. But for now, I want to focus on this: as much as I love spending time with my family at the Magic Kingdom, one message I often hear there simply rings hollow. It's when Jiminy Cricket says, "If only you believe!" at the end of every night. "Wishes can come true if you believe in them with all your heart. And the best part is you'll never run out of wishes. 'When you wish upon a star ... make a wish and your dreams will come true.'" As much as I enjoy the fireworks that close the show at Disney World (they're second to none), I can't help but ask myself: Do all these people actually think that if they just believe, they can have anything they desire? Do you believe that? Should I?
Many people, sometimes even you and I, think that's what faith must be: a crazy leap into the unknown while you hope that fate, or at least Pinocchio's Blue Fairy, will step in and see you through. But life is too short for that. You might as well trust that Santa will give you the first gift of Christmas at the North Pole if only you choose to get on a train. Such notions are not about faith, but fairy tales.
While some mistake faith for fairy tales, others mistake faith for religion. Religion is intended to support and strengthen faith, though it can also hinder and derail over time. All of us know religious people living stories that are as dull and forgettable as they come. Being religious doesn't mean that you are living with authentic faith—or living a story worth telling.
What's the difference? J. M. Barrie, author of the book Peter Pan on which the Disney tale was based, came a little closer to reality: "All the world is made of faith, and trust, and pixie dust." Except for the pixie dust, he got pretty close to capturing just how essential faith is to everything. The need to trust is woven into the very fabric of the universe. And that is why faith, rightly focused, is essential to living a story worth telling.
If faith is not fairy-tale belief and it isn't religion, then what is it? I offer this definition:
Faith is doing what you believe to be true, often in spite of what you see, sense, or feel. Sorry, no feel-good maxims or pixie dust. But no complicated theological-textbook words either. When it comes down to it, faith isn't all that complicated. We'll unpack this simple definition in the pages to come, but for now, note the three main ingredients:
1. Doing. Our stories will be determined by what we do. That seems obvious enough. A little less obvious is that what we do is determined by what we believe to be true. Until we act on what we say we believe, we don't really know what we believe. In those times when our actions bring challenging consequences, we discover what our faith actually is. Our motion reveals our devotion to what we believe to be true.
2. What you believe to be true. Think back on the stories you love. Aren't they stories of heroes who took on the impossible because of something they believed in, whether cause, person, country, or dream? Think of Captain America's renegade band that preserves freedom for all and saves the world from doom inThe Winter Soldier. Or of Marcus Luttrell's true story of loyalty to country and comrades in the mountains of Afghanistan, as vividly portrayed in the film Lone Survivor. Few stories resonate with us like those whose characters laid it all on the line for what they believed. Visionaries like Walt Disney, humanitarians like Mother Teresa, and even ambitious entrepreneurs such as Steve Jobs were motivated by what they believed to be true about life and their own unique roles in it.
3. Often in spite of what you see, sense, or feel. Living with abundant faith does not mean that what you believe must always contradict what you see. Too often we make the assumption that we must choose between seeing and believing, as if you can't have one if you have the other. In fact, if what we believe is true, then what we experience should line up with what we believe most of the time. As we will learn shortly, however, our limited senses can take us only so far. Eventually, each and every person must trust in what he or she cannot see in order to live any story at all.
MY FAITH STORY
Just so you know, I am not an expert FaithWalker who's finally reached the destination. Not even close. But I have chosen to be intentional about making the journey to live a story worth telling. I've taken risks, and I've gotten to know many others who've done the same. My hope is to come alongside you as a fellow traveler and invite you to join us in the adventure.
It wasn't so very long ago that, if you had asked, I would have told you that I was indeed living a story worth telling. And I wouldn't have been all wrong. Raised in a Christian home by loving parents, I had served in the church my entire life, even as an elder and pastor. I had helped launch and lead a thriving Christian college-prep school for a dozen years. In that role, I had counseled thousands of students and parents on how to live lives of meaning, significance, and faith. And I was blessed with a wonderful wife and six awesome children.
To all appearances, I was living an exciting story. We had a comfortable house with beautiful gardens. We were a tight-knit family who took regular trips to Walt Disney World. I had a safe, secure job with benefits, not the least of which was nearly unlimited hugs from precious children and the very latest artwork from the kindergarten class. Best of all, I knew I was making a real difference in the world through ministry.
Yet I sensed a restlessness within myself, an awareness that I had quietly begun to drift into simply existing. And I suspected I'd allowed some God-given gifts to lie dormant. You see, for as long as I can recall, I have loved to write. Not just as an enjoyable pastime, but as something I was created to do. To put it in terms of the classic film Chariots of Fire, I had always sensed that when I wrote, I felt God's pleasure. The final clarifying words of my life purpose statement were these: "To get out of the boat. To write. To live. To die." Clearly I saw writing as basic to living, yet I always ended up shelving it in favor of other activities. Not bad things, just easier ones.
I believed God had given me a gift and a passion for communicating his truths to his people. I also believed that he expected me to use those gifts—and I was not, not fully anyway. For many years I tried to lead a school and write, while being a husband and being a father to six children. Maybe some can pull that off, but it never worked for me. It only made the situation more challenging. I had no shortage of sincere people thanking me for the work I was doing, telling me how essential I was to the ministry. I suppose at some level, I'd convinced myself that I was irreplaceable—and that's why I couldn't use all the gifts God had placed within me.
Sensing something stirring within, I enlisted a life coach, Dick Savidge, as a guide. I sought advice from wise counselors and then headed to a chilly lakeside cabin one spring afternoon to pray, think, and make some hard choices. It was only after a full day and night of wrestling with the options before me that the moment finally arrived: I realized I could not stay where I was and get where I longed to go. If my life were to become a story worth telling someday, I would have to act. In one of the most agonizing decisions of my life, I let go of the perceived security I found in my identity as a successful Christian ministry leader and committed to putting my gifts to work for God's kingdom at large. My friend Brad Lomenick, who knows quite a bit himself about stepping into the unknown, puts it like this: "Moving forward requires great risk, but the possibility of running away somehow feels more perilous."
I confess that I had very little idea what this new direction would mean, for me, for my family, and for my faith. I stepped away from the school and into the unknown like Abraham of old, bringing along six young children and a wife crazy enough to love me no matter what. And make no mistake, if I had known how difficult the journey was going to be, I might not have begun it at all. But sometimes ignorance is a blessing, because the rewards have also far exceeded anything I could have imagined.
(Continues...)
Excerpted from A Story Worth Telling by Bill Blankschaen. Copyright © 2015 William B. Blankschaen. Excerpted by permission of Abingdon Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
"Descrizione articolo" può appartenere a un’altra edizione di questo titolo.
Greenworld Books
arlington, TX, U.S.A.
Venditore AbeBooks dal 20 giugno 2025
Tariffe di spedizione nazionale per U.S.A.
| Articolo | Da 4 a 8 giorni lavorativi | Da 4 a 8 giorni lavorativi |
|---|---|---|
| Primo articolo | EUR 0,00 | EUR 0,00 |
Metodi di pagamento
Specializzazione
Popular booksInformazioni sull’azienda del venditore
Greenworldbooks
3703 Avenue E East
Arlington, TX U.S.A. 76011
Diritto di recesso
Se sei un consumatore puoi recedere dal contratto in conformità con quanto segue. Per Consumatore si intende qualsiasi persona fisica che agisce per scopi estranei alla propria attività commerciale, imprenditoriale, artigianale o professionale.
Informazioni sul diritto di recesso
Diritto legale di recesso
Hai il diritto di recedere dal presente contratto entro 14 giorni senza fornire alcuna motivazione.
Il periodo di recesso scade dopo 14 giorni dal giorno in cui tu o una terza parte, diversa dal vettore e da te indicata, acquisisce il possesso fisico dell'ultimo bene o dell'ultimo lotto o pezzo.
Per esercitare il diritto di recesso, compila e invia elettronicamente una dichiarazione esplicita sul nostro sito Web, alla voce “I miei acquisti” nella sezione “Mio account”. Ti comunicheremo senza indugio una conferma di ricezione di tale recesso su un supporto durevole (ad es. via e-mail).
Per rispettare il termine di recesso, è sufficiente inviare la comunicazione relativa all'esercizio del diritto di recesso prima della scadenza del periodo di recesso stesso.
Effetti del recesso
In caso di recesso dal presente contratto, ti rimborseremo tutti i pagamenti ricevuti, compresi i costi di spedizione (ad eccezione dei costi supplementari derivanti dalla tua eventuale scelta di un tipo di spedizione diverso dal tipo meno costoso di consegna standard da noi offerto).
Potremo effettuare una detrazione dal rimborso per la perdita di valore dei beni forniti, qualora tale perdita sia il risultato di una manipolazione non necessaria da parte tua.
Eseguiremo il rimborso senza indebito ritardo e non oltre 14 giorni dal giorno in cui saremo informati della tua decisione di recedere dal presente contratto.
Il rimborso sarà effettuato utilizzando lo stesso mezzo di pagamento da te usato per la transazione iniziale, salvo che tu non abbia espressamente concordato altrimenti; in ogni caso, non dovrai sostenere alcun costo quale conseguenza di tale rimborso.
Possiamo trattenere il rimborso finché non avremo ricevuto i beni oppure finché non avrai fornito la prova di averli rispediti, a seconda di quale condizione si verifichi per prima.
Dovrai rispedire i beni o consegnarli a Greenworld Books, Arlington, Texas, U.S.A., senza indebito ritardo e, in ogni caso, entro 14 giorni dal giorno in cui ci hai comunicato la tua volontà di recedere dal presente contratto. Il termine è rispettato se rispedisci i beni prima della scadenza del periodo di 14 giorni. I costi diretti della restituzione dei beni saranno a tuo carico. Sei responsabile solo della diminuzione del valore dei beni risultante da una manipolazione diversa da quella necessaria per stabilire la natura, le caratteristiche e il funzionamento dei beni stessi.
Eccezioni al diritto di recesso
Il diritto di recesso non si applica a:
- La fornitura di giornali, periodici o riviste ad eccezione dei contratti di abbonamento; e
- La fornitura di contenuto digitale non fornito su un supporto materiale (ad es. su un CD o DVD), se al momento dell'invio dell'ordine hai accettato l'inizio dell'esecuzione e hai riconosciuto che non avresti potuto recedere una volta iniziata l'esecuzione.