Strangeness and Recognition: Mystery and Familiarity in Renaissance Paintings of Christ

Editore: , Brepols, 2019

Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgioBOOKSELLER - ERIK TONEN BOOKS

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Hardback, 230 pages, Size:216 x 280 mm, Illustrations:69 col., Language: English. ISBN 9782503581200. Summary How do you paint a figure who is fully human and fully divine? How do you paint Christ? Strangeness and Recognition takes a fresh look at well-known Renaissance paintings of Christ and shows how surprising and deeply 'strange' they can be. This book brings an imaginative and affective theological perspective to the viewing experience as it explores the twin roles played by 'strangeness' and 'recognition' in responding to the challenge of creating and relating to images of Christ. By confounding expectations and defamiliarising subject matter, the ambiguity and mystery of these paintings disturbs viewers' expectations and reconnects them with the extraordinary mystery of the Incarnation. While neither words nor images can fully describe God, through a questioning, challenging dialogue with paintings, whose visual language disrupts itself, viewers can be brought to the limits of their own understanding and can enter into transformative and personlike relationships with paintings. These personal exchanges lead through estrangement to the rediscovery of the familiar within the strange and the renewed within the familiar, and to the ultimately unspeakable, unpaintable, mystery of the Incarnation. Drawing on a diverse range of theologians, philosophers, art historians and art theorists, and building on her own earlier work, Chloë Reddaway shows the theological potential of Christian images, even when they are far removed from their original contexts. A major contribution to the emerging field of visual theology, this book will appeal to scholars of theology and art history alike, as well as to the museum-going public. TABLE OF CONTENTS Introduction Part 1: Strangeness and Recognition Chapter 1: The problem and potential of religious language and art Chapter 2: Naming Strangeness Chapter 3: Recognising Christ Part 2: Making Strange Chapter 4: Strangeness in Renaissance Painting Chapter 5: Unexpected Iconography Chapter 6: Time and Place Chapter 7: Always and Nowhere Chapter 8: Revelation Chapter 9: Open Images Conclusions: Attending 0 g.

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Dati bibliografici

Titolo
Strangeness and Recognition: Mystery and Familiarity in Renaissance Paintings of Christ
Autore
Chloë Reddaway
Editore
, Brepols, 2019
Rilegatura
Rilegato

BOOKSELLER - ERIK TONEN BOOKS

Antwerpen, Belgio

Venditore con 4 stelle

Venditore AbeBooks dal 4 luglio 2002

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Tariffe di spedizione da Belgio a U.S.A.

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Always WELCOME !! And this treasure trove of a bookstore does offer a lot to browse through. If you visit www.erik-tonen-books on Abebooks and use the search feature, you will find that the books located on the shelves are a mere fraction of the titles stored in the vaults of this individual who set out as a dilettante, but ended up as a more than professional bookseller - and an eminent member of the International League of Antiquarian Booksellers to boot. contact; erik.tonen@telenet.be

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