Surface Encounters: Thinking with Animals and Art (Posthumanities). Questo articolo non è disponibile.
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Lingua: inglese
Editore: Univ Of Minnesota Press, 2011
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Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Codice articolo M0816672970Z3
- Titolo
- Surface Encounters: Thinking with Animals and Art (Posthumanities)
- Autore
- Broglio, Ron
- Editore
- Univ Of Minnesota Press
- Anno di pubblicazione
- 2011
- Condizione
- Good
- Rilegatura
- Paperback
- Lingua
- inglese
- ISBN 10
- 0816672970
- ISBN 13
- 9780816672974
- Serie
- Libro 11 di 68: Posthumanities
What it is like to be an animal? Ron Broglio wants to know from the inside, from underneath the fur and feathers. In examining this question, he bypasses the perspectives of biology or natural history to explore how one can construct an animal phenomenology, to think and feel as an animal other&;or any other.
Until now phenomenology has grappled with how humans are embedded in their world. According to philosophical tradition, animals do not practice the self-reflexive thought that provides humans with depth of being. Without human interiority, philosophers have believed, animals live on the surface of things. But, Broglio argues, the surface can be a site of productive engagement with the world of animals, and as such he turns to humans who work with surfaces: contemporary artists.
Taking on the negative claim of animals living only on the surface and turning the premise into a positive set of possibilities for human&;animal engagement, Broglio considers artists&;including Damien Hirst, Carolee Schneemann, Olly and Suzi, and Marcus Coates&;who take seriously the world of the animal on its own terms. In doing so, these artists develop languages of interspecies expression that both challenge philosophy and fashion new concepts for animal studies.
Until now phenomenology has grappled with how humans are embedded in their world. According to philosophical tradition, animals do not practice the self-reflexive thought that provides humans with depth of being. Without human interiority, philosophers have believed, animals live on the surface of things. But, Broglio argues, the surface can be a site of productive engagement with the world of animals, and as such he turns to humans who work with surfaces: contemporary artists.
Taking on the negative claim of animals living only on the surface and turning the premise into a positive set of possibilities for human&;animal engagement, Broglio considers artists&;including Damien Hirst, Carolee Schneemann, Olly and Suzi, and Marcus Coates&;who take seriously the world of the animal on its own terms. In doing so, these artists develop languages of interspecies expression that both challenge philosophy and fashion new concepts for animal studies.
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Informazioni sull’autore
Ron Broglio is assistant professor of English and senior scholar of the Global Institute of Sustainability at Arizona State University.
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