Roy DeCarava
Over the course of six decades, American artist Roy DeCarava (1919–2009) produced a singular collection of black-and-white photographs of modern life that combine formal acuity with an intimate and deeply human treatment of his subject matter. Grounded by a unified theory of the visual plane, his work displays a subtle mastery of tonal and spatial elements and devotion to the medium of photography as a means of artistic expression. DeCarava created images that carry an emotional impact in their immediate relationship to the viewer, while also revealing less-than-visible terrains. DeCarava’s pioneering work privileged the aesthetic qualities of the medium, carrying the ability to reach the viewer as a counterpoint to the view of photography as mere chronicle or document and helping it to gain acceptance as an art form in its own right.
Langston Hughes
Langston Hughes (1902–1967) was a poet, novelist, playwright, and social activist. Known worldwide as a key figure of the Harlem Renaissance, Hughes’s work has been significant in introducing black history and culture into the corpus of American cultural history as well as inspiring with his humanistic concerns, writers in Africa, the Caribbean, Europe, and South America. While living in Harlem, Hughes maintained close relationships with other writers working in and around the city—Aaron Douglas, Zora Neale Hurston, Claude McKay, and Wallace Thurman were all considered friends and they would frequently gather to discuss politics, writing, and literature. Together, this close group of writers was instrumental in giving voice to the communities that would not accept persecution and marginalization. Hughes’s dispatches for the New York newspapers raised quotidian reportage to an art, filing moving descriptions of the famed Harlem Brigade who were martyred during the Spanish Civil War. Later in his life Hughes turned toward collaboration, working with the German composer Kurt Weill on the 1947 opera Street Scene, with jazz musicians including Charles Mingus and with the photographer Roy DeCarava on The Sweet Flypaper of Life.
Sherry Turner DeCarava
Sherry Turner DeCarava is an art historian, curator, and independent scholar in the fields of traditional arts and contemporary American photography. She has taught or lectured extensively at universities and museums, including Hunter College, City University of New York (CUNY), Brooklyn Museum, and Rockefeller University. Serving as the executive director, the principal focus of her professional career has been the development of The DeCarava Archives, which supports exhibition and scholarly research projects related to the work of her late husband Roy DeCarava. She is the author of two definitive texts on his photography, including that in Roy DeCarava: A Retrospective published by The Museum of Modern Art, New York (1996) and in Roy DeCarava: Photographs, a monograph published by the Friends of Photography/Ansel Adams Trust (1981). Awarded the Prix de la Photographie by Les Rencontres de la Photographie, the Arles Center for Culture, in its annual survey of international photography, her 1981 text was lauded as the best photo/text collaboration of the year. In 2014 she initiated First Print Press, beginning a process to republish classic Roy DeCarava books, while bringing new photographic projects into print.
Over the course of six decades, American artist 
Roy DeCarava (1919&;2009) produced a singular collection of black-and-white photographs of modern life that combine formal acuity with an intimate and deeply human treatment of his subject matter. Grounded by a unified theory of the visual plane, his work displays a subtle mastery of tonal and spatial elements and devotion to the medium of photography as a means of artistic expression. DeCarava created images that carry an emotional impact in their immediate relationship to the viewer, while also revealing less-than-visible terrains. DeCarava&;s pioneering work privileged the aesthetic qualities of the medium, carrying the ability to reach the viewer as a counterpoint to the view of photography as mere chronicle or document and helping it to gain acceptance as an art form in its own right.
Langston Hughes (1902&;1967) was a poet, novelist, playwright, and social activist. Known worldwide as a key figure of the Harlem Renaissance, Hughes&;s work has been significant in introducing black history and culture into the corpus of American cultural history as well as inspiring with his humanistic concerns, writers in Africa, the Caribbean, Europe, and South America. While living in Harlem, Hughes maintained close relationships with other writers working in and around the city&;Aaron Douglas, Zora Neale Hurston, Claude McKay, and Wallace Thurman were all considered friends and they would frequently gather to discuss politics, writing, and literature. Together, this close group of writers was instrumental in giving voice to the communities that would not accept persecution and marginalization. Hughes&;s dispatches for the New York newspapers raised quotidian reportage to an art, filing moving descriptions of the famed Harlem Brigade who were martyred during the Spanish Civil War. Later in his life Hughes turned toward collaboration, working with the German composer Kurt Weill on the 1947 opera Street Scene, with jazz musicians including Charles Mingus and with the photographer Roy DeCarava on 
The Sweet Flypaper of Life.
Sherry Turner DeCarava is an art historian, curator, and independent scholar in the fields of traditional arts and contemporary American photography. She has taught or lectured extensively at universities and museums, including Hunter College, City University of New York (CUNY), Brooklyn Museum, and Rockefeller University. Serving as the executive director, the principal focus of her professional career has been the development of The DeCarava Archives, which supports exhibition and scholarly research projects related to the work of her late husband Roy DeCarava. She is the author of two definitive texts on his photography, including that in 
Roy DeCarava: A Retrospective published by The Museum of Modern Art, New York (1996) and in 
Roy DeCarava: Photographs, a monograph published by the Friends of Photography/Ansel Adams Trust (1981). Awarded the Prix de la Photographie by Les Rencontres de la Photographie, the Arles Center for Culture, in its annual survey of international photography, her 1981 text was lauded as the best photo/text collaboration of the year. In 2014 she initiated First Print Press, beginning a process to republish classic Roy DeCarava books, while bringing new photographic projects into print.
