Theft of an Idol: Text and Context in the Representation of Collective Violence (Princeton Studies in Culture/Power/History)

Brass, Paul R.:

ISBN 10: 0691026513 / ISBN 13: 9780691026510

Editore: Princeton University Press 23.02.1997., 1997

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317 Seiten Akzeptables Exemplar, KEIN Schutzumschlag! deutliche Gebrauchsspuren, persönliche Notiz auf der ersten Seite, schwarzer Eddingstrich auf dem Papierschnitt, Cover bestoßen, Anstreichungen/Anmerkungen im Text, ist aber noch gut zu gebrauchen; Acceptable copy, NO dust jacket, noticeable wear, personal note on the first page, black edding line on the paper cut, cover shows wear, interior highlighting/writing, but still of use A220423aB09 ISBN: 9780691026510 Sprache: Englisch Gewicht in Gramm: 616.

Codice articolo 618685

Dati bibliografici

• Titolo: Theft of an Idol: Text and Context in the Representation of Collective Violence (Princeton Studies in Culture/Power/History)
• Editore: Princeton University Press 23.02.1997.
• Data di pubblicazione: 1997
• Lingua: Inglese
• ISBN 10: 0691026513
• ISBN 13: 9780691026510
• Rilegatura: Hardcover
• Condizione: Befriedigend
• Peso: 616 grammi
• Cataloghi dei venditori:
  • Englischsprachige Bücher

Descrizione articolo

Riassunto

As collective violence erupts in many regions throughout the world, we often hear media reports that link the outbreaks to age-old ethnic or religious hostilities, thereby freeing the state, its agents, and its political elites from responsibility. Paul Brass encourages us to look more closely at the issues of violence, ethnicity, and the state by focusing on specific instances of violence in their local contexts and questioning the prevailing interpretations of them. Through five case studies of both rural and urban public violence, including police-public confrontations and Hindu-Muslim riots, Brass shows how, out of many possible interpretations applicable to these incidents, government and the media select those that support existing relations of power in state and society.

Adopting different modes--narrator, detective, and social scientist--Brass treats incidents of collective violence arising initially out of common occurrences such as a drunken brawl, the rape of a girl, and the theft of an idol, and demonstrates how some incidents remain localized while others are fit into broader frameworks of meaning, thereby becoming useful for upholders of dominant ideologies. Incessant talk about violence and its implications in these circumstances contributes to its persistence rather than its reduction. Such treatment serves in fact to mask the causes of violence, displace the victims from the center of attention, and divert society's gaze from those responsible for its endemic character. Brass explains how this process ultimately implicates everyone in the perpetuation of systems of violence.

Dalla quarta di copertina

"An impressive attack on 'primordialist' explanations of contemporary violence in north India. Paul Brass, who is among the best-known political scientists working on India, writes on a controversial topic in an engaging way that will appeal to a wide spectrum of readers interested in interethnic violence."--Benedict Anderson, Cornell University