Things Indian; Being Discursive Notes on Various Subjects Connected with India

Crooke, William

ISBN 10: 1151266930 / ISBN 13: 9781151266934

Editore: General Books LLC, 2012

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Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Codice articolo M01151266930-V

Dati bibliografici

• Titolo: Things Indian; Being Discursive Notes on Various Subjects Connected with India
• Editore: General Books LLC
• Data di pubblicazione: 2012
• Lingua: Inglese
• ISBN 10: 1151266930
• ISBN 13: 9781151266934
• Rilegatura: Brossura
• Condizione: very good

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Riassunto

This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1906. Not illustrated. Excerpt: ... wood-carving.--Wood-carving is a very ancient Indian art. The earliest forms of stone architecture reproduce the style and construction of the original wooden buildings. As early as the sixteenth century, Barbosa describes the workmen of Cambay as "great artists with the turning-lathe, who make large bedsteads," a splendid example of which, wrought with gold and mother-of-pearl, was given by the King of Melinda, in East Africa, in 1502, to Vasco de Gama. Modern wood-carving takes various forms. We have, first, the splendid examples of carving applied to architecture still to be seen in some of the larger cities, like Gaya, or Nasik, the old Sikh towns of the Panjab, the temples and private houses of Nepal and Burma. Next comes the Black-wood furniture of Bombay in a style obviously derived from the Dutch. "Although," as Sir G. Birdwood remarks, "it is highly probable that the excessive and ridiculous carving on old Dutch furniture was itself derived from the sculptured idols and temples which so excited their astonishment when they first reached India." Thirdly, the sandalwood carving of Western India, which assumes various forms. To quote the same writer: "The Surat and Bombay work is in low relief, and the designs consist almost entirely of foliated ornament; the Canara and Mysore work is in high relief, the subjects being chiefly mythological; and the Ahmadabad work, while in flat relief, is deeply cut, and the subjects are mixed, floral, and mythological." The Burmese work forms a school of itself, derived immediately from the decoration of Buddhist monasteries and pagodas. The design largely consists of figures of birds and animals, and of the Nats, or spiritual beings, which Buddhism has adopted from the indigenous Animism. In animal forms the elephant is ...