The Tragic Protest
Adamczewski, Zygmunt
ISBN 10: 9401187169 ISBN 13: 9789401187169
Editore: Springer, 1963
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pp. 282. Codice articolo 26357355063
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is, what has been said already says that no anticipations of aesthetic theory are in place here. When research stays on the level of primitive imagination, prior to the distinction between real and unreal, to merge art with life, it cannot serve as guideline for thoughts on what is distinctive within art. No canons of composition can be forthcoming, even the very concept of composition, implying a composer, must remain inadmissible; since, unlike the one of tragic art, the composer of tragic life will be here in question. No analysis of form need be expected, and when a form of vision is described, it will not be what artistic critics are used to dissect. Purely aesthetic instruments, such as plot, contrast, harmony, proper pitch, likene3s, recognition, com pleteness, will be of no use and no relevance at all. And it hardly need be mentioned that the age-fortified classification of artistic kinds remains strictly out of bounds. Here is perhaps the proper place to introduce a stylistic apology. I t is clear to everyone with a neat sense of seemliness in language that the use of unattached adjectives is very awkward in English. No one reading these paragraphs can be blamed for fidgeting when molested again and again with "the tragic" instead of "tragedy. " The excuse has perhaps transpired in the preceding passage.
Contenuti: I The Tragic — Introduction.- II The Tragic Defiance — Titan Prometheus Aeschylus: Prometheus Bound.- III The Tragic Fear — Oedipus King Sophocles: Oedipus the King.- IV The Tragic Conscience — Prince Hamlet Shakespeare: Hamlet, Prince of Denmark.- V The Tragic Striving — Faust Goethe: Faust.- VI The Tragic Idea — Stockmann, The People’ Enemy Ibsen: An Enemy of the People.- VII The Tragic Loss — Loman the Salesman Arthur Miller: Death of a Salesman.- VIII The Tragic Liberation — Orestes of the Flies Sartre: The Flies.- IX The Tragic Protest.- Indexes.
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Titolo: The Tragic Protest
Casa editrice: Springer
Data di pubblicazione: 1963
Legatura: Brossura
Condizione: New
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Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. is, what has been said already says that no anticipations of aesthetic theory are in place here. When research stays on the level of primitive imagination, prior to the distinction between real and unreal, to merge art with life, it cannot serve as guidelin. Codice articolo 5836401
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Taschenbuch. Condizione: Neu. The Tragic Protest | Zygmunt Adamczewski | Taschenbuch | 282 S. | Englisch | Springer | EAN 9789401187169 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. Codice articolo 105091401
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The Tragic Protest
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Springer Netherlands, Springer Netherlands Jan 1963, 1963
ISBN 10: 9401187169
ISBN 13: 9789401187169
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -is, what has been said already says that no anticipations of aesthetic theory are in place here. When research stays on the level of primitive imagination, prior to the distinction between real and unreal, to merge art with life, it cannot serve as guideline for thoughts on what is distinctive within art. No canons of composition can be forthcoming, even the very concept of composition, implying a composer, must remain inadmissible; since, unlike the one of tragic art, the composer of tragic life will be here in question. No analysis of form need be expected, and when a form of vision is described, it will not be what artistic critics are used to dissect. Purely aesthetic instruments, such as plot, contrast, harmony, proper pitch, likene3s, recognition, com pleteness, will be of no use and no relevance at all. And it hardly need be mentioned that the age-fortified classification of artistic kinds remains strictly out of bounds. Here is perhaps the proper place to introduce a stylistic apology. I t is clear to everyone with a neat sense of seemliness in language that the use of unattached adjectives is very awkward in English. No one reading these paragraphs can be blamed for fidgeting when molested again and again with 'the tragic' instead of 'tragedy. ' The excuse has perhaps transpired in the preceding passage. 292 pp. Englisch. Codice articolo 9789401187169
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The Tragic Protest
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Springer Netherlands, Springer Netherlands Jan 1963, 1963
ISBN 10: 9401187169
ISBN 13: 9789401187169
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Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -is, what has been said already says that no anticipations of aesthetic theory are in place here. When research stays on the level of primitive imagination, prior to the distinction between real and unreal, to merge art with life, it cannot serve as guideline for thoughts on what is distinctive within art. No canons of composition can be forthcoming, even the very concept of composition, implying a composer, must remain inadmissible; since, unlike the one of tragic art, the composer of tragic life will be here in question. No analysis of form need be expected, and when a form of vision is described, it will not be what artistic critics are used to dissect. Purely aesthetic instruments, such as plot, contrast, harmony, proper pitch, likene3s, recognition, com pleteness, will be of no use and no relevance at all. And it hardly need be mentioned that the age-fortified classification of artistic kinds remains strictly out of bounds. Here is perhaps the proper place to introduce a stylistic apology. I t is clear to everyone with a neat sense of seemliness in language that the use of unattached adjectives is very awkward in English. No one reading these paragraphs can be blamed for fidgeting when molested again and again with 'the tragic' instead of 'tragedy. ' The excuse has perhaps transpired in the preceding passage.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 292 pp. Englisch. Codice articolo 9789401187169
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Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - is, what has been said already says that no anticipations of aesthetic theory are in place here. When research stays on the level of primitive imagination, prior to the distinction between real and unreal, to merge art with life, it cannot serve as guideline for thoughts on what is distinctive within art. No canons of composition can be forthcoming, even the very concept of composition, implying a composer, must remain inadmissible; since, unlike the one of tragic art, the composer of tragic life will be here in question. No analysis of form need be expected, and when a form of vision is described, it will not be what artistic critics are used to dissect. Purely aesthetic instruments, such as plot, contrast, harmony, proper pitch, likene3s, recognition, com pleteness, will be of no use and no relevance at all. And it hardly need be mentioned that the age-fortified classification of artistic kinds remains strictly out of bounds. Here is perhaps the proper place to introduce a stylistic apology. I t is clear to everyone with a neat sense of seemliness in language that the use of unattached adjectives is very awkward in English. No one reading these paragraphs can be blamed for fidgeting when molested again and again with 'the tragic' instead of 'tragedy. ' The excuse has perhaps transpired in the preceding passage. Codice articolo 9789401187169
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Paperback. Condizione: Brand New. 1963 edition. 282 pages. 9.61x6.14x0.66 inches. In Stock. Codice articolo zk9401187169
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Paperback. Condizione: Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book. Codice articolo ERICA80094011871696
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