Voice into Acting: Integrating voice and the Stanislavski approach (Performance Books). Questo articolo non è disponibile.
Christina Gutekunst (University of Essex, UK)
Lingua: inglese
Editore: Bloomsbury Publishing PLC, United Kingdom, London, 2014
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- Usato

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Descrizione dell’articolo da parte del venditore
How can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create the life of a role, and fully embody it vocally and physically so that voice and acting become one? Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors the acting approach widely taught to actors in drama schools throughout the world. The authors create a step-by-step guide to explore how voice can: respond to our thoughts, senses, feelings, imagination and will fully express language in content and form communicate imaginary circumstances and human experience transform to adapt to different roles connect to a variety of audiences and spacesFeaturing over fifty illustrations by German artist Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques, or an alternative approach, to harmonize with the actors process. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…
Codice articolo GOR006874489
- Titolo
- Voice into Acting: Integrating voice and the Stanislavski approach (Performance Books)
- Autore
- Christina Gutekunst (University of Essex, UK)
- Editore
- Bloomsbury Publishing PLC, United Kingdom, London
- Anno di pubblicazione
- 2014
- Condizione
- Very Good
- Rilegatura
- Paperback
- Lingua
- inglese
- ISBN 10
- 1408183560
- ISBN 13
- 9781408183564
- Peso dell'articolo
- 640 grammi
- Dimensioni
- 156.0 x 234.0
"Riassunto" può appartenere a un’altra edizione di questo titolo.
Informazioni sull’autore
Christina Gutekunst has been Head of Voice at East 15 Acting School since 2003. Apart from co-writing Voice into Acting, she contributed a chapter, Organic Voice: Vocal Integration through Actor Training in a book for Routledge, Somatic Voices in Performance Research and Beyond (edited by Christina Kapadocha, 2020).
Christina trained as an actor in Germany and Britain, and then gained her Post Graduate diploma and MA in voice studies at the Royal Central School of Speech and Drama. She has taught voice in numerous acting schools, has worked on voice-overs as actor and director and co-ran two theatre companies. She has also coached on productions for TV and theatre.
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John Gillett is the author of Acting on Impulse - Reclaiming the Stanislavski Approach (Methuen Drama, 2007); the second edition, Acting Stanislavski - A practical guide to Stanislavski's approach and legacy (Bloomsbury, 2014); and Voice into Acting - Integrating voice and the Stanislavski approach (Bloomsbury 2014, and now in a second edition, 2021). He has also written articles on acting and the preface for a new edition of Stanislavski's Creating a Role (Bloomsbury Revelations, 2013). John trained as an actor in the approach of Stanislavski and Michael Chekhov and has worked widely in theatre, radio, film and television. He has taught and directed in many drama schools, including RADA, LAMDA, CSSD, and GSA, and was Head of the Post Graduate Acting Course at East 15. John has run acting workshops here and aboad, is a member of Equity and has had a prominent role in the writing of recent arts policy documents for Equity and the Creative and Leisure Industries Committee of the TUC.
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