What We Hear in Music : A Course of Study in Music History and Appreciation, for Use in the Home, High Schools, Normal Schools, Colleges, and Universities; Also for Special Courses in Conservatories and Music Clubs

Anne Faulkner Oberndorfer

ISBN 10: 1026085764 / ISBN 13: 9781026085769

Editore: Creative Media Partners, LLC Feb 2026, 2026

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Neuware - 'What We Hear in Music' is a comprehensive and structured guide designed to cultivate a deep understanding and appreciation of music history and theory. Written for a broad audience ranging from home listeners to students in high schools and universities, this foundational work explores the evolution of musical forms, the characteristics of various instruments, and the biographies of influential composers. The text is organized into thematic sections that cover the national music of various cultures, the history of the orchestra, and the development of opera and oratorio.Through its pedagogical approach, the book aims to sharpen the listener's ear, allowing them to identify specific musical elements and styles. It serves as both a textbook for formal education and a reference for music clubs and conservatories. By examining the cultural and historical contexts of musical masterpieces, 'What We Hear in Music' provides readers with the tools necessary to analyze and enjoy music on a more profound level. This classic work remains a valuable resource for anyone seeking to bridge the gap between passive listening and active musical appreciation.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Codice articolo 9781026085769

Dati bibliografici

• Titolo: What We Hear in Music : A Course of Study in Music History and Appreciation, for Use in the Home, High Schools, Normal Schools, Colleges, and Universities; Also for Special Courses in Conservatories and Music Clubs
• Editore: Creative Media Partners, LLC Feb 2026
• Data di pubblicazione: 2026
• Lingua: Inglese
• ISBN 10: 1026085764
• ISBN 13: 9781026085769
• Rilegatura: Taschenbuch
• Condizione: Neu
• Dimensioni: 234 L x 156 A x 33 P (millimetri) 234 millimetri di larghezza per 156 millimetri di altezza per 33 millimetri di profondità
• Peso: 894 grammi

Descrizione articolo

Riassunto

"What We Hear in Music" is a comprehensive and structured guide designed to cultivate a deep understanding and appreciation of music history and theory. Written for a broad audience ranging from home listeners to students in high schools and universities, this foundational work explores the evolution of musical forms, the characteristics of various instruments, and the biographies of influential composers. The text is organized into thematic sections that cover the national music of various cultures, the history of the orchestra, and the development of opera and oratorio.

Through its pedagogical approach, the book aims to sharpen the listener's ear, allowing them to identify specific musical elements and styles. It serves as both a textbook for formal education and a reference for music clubs and conservatories. By examining the cultural and historical contexts of musical masterpieces, "What We Hear in Music" provides readers with the tools necessary to analyze and enjoy music on a more profound level. This classic work remains a valuable resource for anyone seeking to bridge the gap between passive listening and active musical appreciation.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.