World Share (Paperback). Questo articolo non è disponibile.
Lingua: inglese
Editore: Fowler Museum At Ucla, Los Angeles, 2016
- Brossura
- Nuovo

Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Venditore AbeBooks dal 22 giugno 2007
Condizione: Nuovo
EUR 38,23
Descrizione dell’articolo da parte del venditore
Paperback. World Share: Installations by Pascale Marthine Tayou gives us a large-scale immersive environment that combines the artist's sculpture, drawings, and poetry with Fowler artworks. Assembled from a stunning diversity of materials and found objects, Tayou's art is characterized by an aesthetic of accumulation. He pierces Styrofoam with thousands of pins and razor blades, stacks hundreds of birdhouses against a wall, and adorns crystal glass figures with beads, plastic flowers, and feathers. This approach derives in part from the ways African sculpture is empowered with accumulations of materials to assert various kinds of religious, social, and political authority. Tayou uses this aesthetic to raise searching questions about inequalities of wealth and power in today's postcolonial, global context at the same time he explores the hidden, spiritual forces that infuse ordinary, everyday life in African cities. Pascale Marthine Tayou was born in Nkongsamba, Cameroon, and lives and works in Ghent, Belgium. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…
Codice articolo 9780990762607
- Titolo
- World Share (Paperback)
- Autore
- Gemma Rodrigues
- Editore
- Fowler Museum At Ucla, Los Angeles
- Anno di pubblicazione
- 2016
- Condizione
- new
- Rilegatura
- Paperback
- Lingua
- inglese
- ISBN 10
- 0990762602
- ISBN 13
- 9780990762607
World Share: Installations by Pascale Marthine Tayou gives us a large-scale immersive environment that combines the artist's sculpture, drawings, and poetry with Fowler artworks. Assembled from a stunning diversity of materials and found objects, Tayous art is characterized by an aesthetic of accumulation. He pierces Styrofoam with thousands of pins and razor blades, stacks hundreds of birdhouses against a wall, and adorns crystal glass figures with beads, plastic flowers, and feathers. This approach derives in part from the ways African sculpture is empowered with accumulations of materials to assert various kinds of religious, social, and political authority. Tayou uses this aesthetic to raise searching questions about inequalities of wealth and power in todays postcolonial, global context at the same time he explores the hidden, spiritual forces that infuse ordinary, everyday life in African cities.
Pascale Marthine Tayou was born in Nkongsamba, Cameroon, and lives and works in Ghent, Belgium.
"Riassunto" può appartenere a un’altra edizione di questo titolo.