Surviving Images

Rastegar

ISBN 10: 0199390169 / ISBN 13: 9780199390168

Editore: ACADEMIC, 2015

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nach der Bestellung gedruckt Neuware - Printed after ordering - Surviving Images explores the prominent role of cinema in the development of cultural memory around war and conflict in colonial and postcolonial contexts. It does so through a study of three historical eras: the colonial period, the national-independence struggle, and the postcolonial. Beginning with a study of British colonial cinema on the Sudan, then exploring anti-colonial cinema in Algeria, Egypt and Tunisia, followed by case studies of films emerging from postcolonial contexts in Palestine, Iran, Lebanon, and Israel, this work aims to fill a gap in the critical literature on both Middle Eastern cinemas, and to contribute more broadly to scholarship on social trauma and cultural memory in colonial and postcolonial contexts. This work treats the concept of trauma critically, however, and posits that social trauma must be understood as a framework for producing social and political meaning out of these historical events. Social trauma thus sets out a productive process of historical interpretation, and cultural texts such as cinematic works both illuminate and contribute to this process. Through these discussions, Surviving Images illustrates cinema's productive role in contributing to the changing dynamics of cultural memory of war and social conflict in the modern world.

Codice articolo 9780199390168

Dati bibliografici

• Titolo: Surviving Images
• Editore: ACADEMIC
• Data di pubblicazione: 2015
• Lingua: Inglese
• ISBN 10: 0199390169
• ISBN 13: 9780199390168
• Rilegatura: Buch
• Condizione: Neu
• Dimensioni: 240 L x 161 A x 18 P (millimetri) 240 millimetri di larghezza per 161 millimetri di altezza per 18 millimetri di profondità
• Peso: 540 grammi

Descrizione articolo

Riassunto

Surviving Images explores the prominent role of cinema in the development of cultural memory around war and conflict in colonial and postcolonial contexts. It does so through a study of three historical eras: the colonial period, the national-independence struggle, and the postcolonial. Beginning with a study of British colonial cinema on the Sudan, then exploring anti-colonial cinema in Algeria, Egypt and Tunisia, followed by case studies of films emerging from postcolonial contexts in Palestine, Iran, Lebanon, and Israel, this work aims to fill a gap in the critical literature on both Middle Eastern cinemas, and to contribute more broadly to scholarship on social trauma and cultural memory in colonial and postcolonial contexts. This work treats the concept of trauma critically, however, and posits that social trauma must be understood as a framework for producing social and political meaning out of these historical events. Social trauma thus sets out a productive process of historical interpretation, and cultural texts such as cinematic works both illuminate and contribute to this process. Through these discussions, Surviving Images illustrates cinema's productive role in contributing to the changing dynamics of cultural memory of war and social conflict in the modern world.

Informazioni sull?autore

Kamran Rastegar is Associate Professor of Arabic Literature and Culture at Tufts University.