Pirandello & Film

Nichols, Nina Davinci and Jana O'Keefe Bazzoni

ISBN 10: 0803233361 / ISBN 13: 9780803233362

Editore: University of Nebraska Press, Lincoln, 1995

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In purple cloth with gilt to spine. Previous owner's address label to top of front pastedown and name and date to top of half-title page. Minimal wear to book or jacket. 1st Printing. Codice articolo LPB002131NN

Dati bibliografici

Titolo: Pirandello & Film

Casa editrice: University of Nebraska Press, Lincoln

Data di pubblicazione: 1995

Legatura: Hardcover

Condizione: Very Good +

Condizione sovraccoperta: Very Good

Edizione: First Edition.

Descrizione articolo

Riassunto:

Italian playwright Luigi Pirandello (1867–1936) is one of the preeminent figures of the modern European theater. His masterpiece, Six Characters in Search of an Author, set loose a riot during its first performance in Rome in 1921. This play about six unfortunate characters abandoned by their author in the middle of a tawdry drama, is an unsettling, supremely self-conscious work that is ultimately about theatrical artifice and artistic creation itself. Pirandello and Film examines Pirandello’s many efforts—none of them finally successful—to transform Six Characters into a movie. The authors examine Pirandello’s views on film and its relation to theater, his varying approaches to creating a film adaptation of Six Characters, and the efforts of directors and film moguls in Germany and Hollywood to fashion a cinematic version of the play. The book also presents an array of important documents, including some that have never before appeared in English: a Prologue (or prose sketch) for a 1926 film; a Scenario (a more detailed prose sketch) prepared by Pirandello and Adolph Lantz in the late 1920s for a German film version of Six Characters; an English-language film sketch written in 1935 by Pirandello and Saul Colin; and a letter from Max Reinhardt and the German emigré Hollywood film director Joseph von Sternberg to Saul Colin regarding the proposed film treatment of the play. These documents, together with the authors’ critical text, provide a detailed portrait of Pirandello’s developing view of film as an appropriate medium for his revolutionary dramatic innovations.

L'autore:

Jana O'Keefe Bazzoni is an associate professor of speech at Baruch College.