Revolution at the Gates: Selected Writings of Lenin from 1917

Vladimir Ilich Lenin,F I Lenin

ISBN 10: 1859846610 / ISBN 13: 9781859846612

Editore: Verso August 2002, 2002

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Dati bibliografici

• Titolo: Revolution at the Gates: Selected Writings of Lenin from 1917
• Editore: Verso August 2002
• Data di pubblicazione: 2002
• Lingua: Inglese
• ISBN 10: 1859846610
• ISBN 13: 9781859846612
• Rilegatura: Hardcover
• Edizione: First Edition.
• Stampa: First Edition
• Condizione: Very Good
• Condizione della sovraccoperta: Very Good-
• Cataloghi dei venditori:
  • World History - Country

Descrizione articolo

Riassunto

The idea of a Lenin renaissance might well provoke an outburst of sarcastic laughter. Marx is OK, but Lenin? Doesn’t he stand for the big catastrophe which left its mark on the entire twentieth century?

Lenin, however, deserves more profound consideration than this, and his writings of 1917 are testament to a formidable political figure, revealing as they do his ability to grasp the significance of an extraordinary moment in history. Everything is here, from Lenin-the-ingenious-revolutionary strategist to Lenin-of-the-enacted-utopia. To use Kierkegaard’s phrase, what we can glimpse in these writings is Lenin-in-becoming: not yet Lenin-the-Soviet-institution, but Lenin thrown into an open, contingent situation.

In Revolution at the Gates, Slavoj ?i?ek locates the 1917 writings in their historical context, while his extensive Afterword tackles the key question of whether Lenin can be reinvented in our era of ‘cultural capitalism,’ ?i?ek is convinced that, whatever the discussion—the forthcoming crisis of capitalism, the possibility of a redeeming violence, the falsity of liberal tolerance—Lenin’s time has come again.

Recensione

“A return to Marx may be acceptable today ... But a repetition of Lenin? ... Perhaps i ek’s return to Lenin is merely tactical, figurative even. He can’t be serious, can he? ... i ek claims that Lenin’s act, ‘his choice’, continues to speak to thos of us on the left today. Faced with our current conceptual deadlock, we must have the courage, the nerve to risk isolation, self-annihilation even, in order to offer a real alternative to the false oppositions recuperated by and churned out for our consumption by the image industry of late capitalism ... The postmodernists and liberal multiculturists, today’s Bernateins and Kautskys—our contemporary Plekhanovs and Martovs, beware!”—Bad Subjects

“ i ek’s prose style has a rebellious and highly compelling side that brushes up against the most critical intellectual trends of our day like cultural studies, contemporary feminism, postcolonialism, and postmodernism.”—Ha’aretz