SCRIPTS AND SCENARIOS - The performance of comedy in Renaissance Italy

ANDREWS, RICHARD

ISBN 10: 0521353572 / ISBN 13: 9780521353571

Editore: Cambridge University Press, Cambridge, 1993

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Jacket illustration: L. O. Burnacini: 'Il Capitano'. Jacket design: Head. The Italian Renaissance produced a new type of stage comedy, experimental and even revolutionary in its time, by copying and updating the dramatic formats of Plautus and Terence from ancient Rome. The influence of these innovations on European drama - Shakespeare, Jonson, Molière and Lope de Vega - is a familiar fact in outline, but the Italian plays themselves are unfamiliar to English-speaking readers and audiences. Introduction: Italy in the sixteenth century. Contents: I). Precedents. II). The first 'regular' comedies. III). The second quarter-century, outside Venice. IV). The second quarter-century, Venice and Padua. V). Improved comedy. VI). Obstacles to comedy. VII). Scripts and scenarios. With 2 maps, notes, chronological bibliography of comedies 1500-1560, general bibliography and index. X + 298 pag. Size: 23,5cmx16cm.

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Dati bibliografici

• Titolo: SCRIPTS AND SCENARIOS - The performance of comedy in Renaissance Italy
• Editore: Cambridge University Press, Cambridge
• Data di pubblicazione: 1993
• Lingua: Inglese
• ISBN 10: 0521353572
• ISBN 13: 9780521353571
• Rilegatura: Hard bound with dustjacket
• Edizione: 1st edition.
• Condizione: Fine copy.
• Cataloghi dei venditori:
  • ITALIAN renaissance

Descrizione articolo

Riassunto

Examines in a different light the innovative and influential scripted comedies of the Italian Renaissance.

Recensione

"Simplicity and clarity are exactly the major merits of this excellent volume that should be welcomed especially on this side of the Atlantic for filling up a gap in the history and evaluation of the Italian theater of the sixteenth century....[An] excellent book." Robert C. Melzi, Sixteenth Century Journal

"The volume is...both an excellent introduction to sixteenth century Italian theater and an innovative approach to the development from amateur learned comedy to professional comic theater. The emphasis it places on the texts as works to be performed rather than as literature to be ananlyzed is a welcome change and a solid contribution to the histroy of Italian theater in the Renaissance. And it its synthetic, chronological approach it is so highly suitable for class adoptions that one hopes the publisher will soon offer it in a a paperback version." Konrad Eisenbichler, Wintev

"In his insightful and witty study, Richard Andrews remedies the disparity between scholars' recognition of Italian Renaissance playwrights' pioneering role in 'a modern European concept of theatre' and their inadequate familiarity with the actual texts, performances and audiences." Richard Andrews, Renaissance Quarterly

"...Lew Andrew's book makes important scholarly contributions to our understanding of the narrative tradition and its place in the art and culture of the Renaissance." Sara Nair James, Sixteenth Century Journal