Words, Script, and Pictures: Semiotics of Visual Language

Schapiro, Meyer

ISBN 10: 0807614165 / ISBN 13: 9780807614167

Editore: George Braziller, New York, 1996

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Gray paper covered boards. As issued. 199 pp., illus. w/ b&w plates. Slight shelf wear to dust jacket. Size: 8vo - over 7¾" - 9¾" tall.

Codice articolo 012738

Dati bibliografici

• Titolo: Words, Script, and Pictures: Semiotics of Visual Language
• Editore: George Braziller, New York
• Data di pubblicazione: 1996
• Lingua: Inglese
• ISBN 10: 0807614165
• ISBN 13: 9780807614167
• Rilegatura: Hardcover
• Edizione: First Edition.
• Condizione: Fine
• Condizione della sovraccoperta: Near Fine
• Tipo di libro: Book

Descrizione articolo

Riassunto

Essays describe how the illustration of texts has changed since the eighteenth century and how text itself has interacted with visual art

Product Description

This volume contains two of Professor Meyer Schapiro's most important works on the complex and provocative relationships between writing and images. In "Words and Pictures: On the Literal and the Symbolic in the Illustration of a Text", Professor Schapiro examines the relationship between images and the texts that it is their function to illustrate. This relationship is far from simple, and lends itself to all sorts of variations, transformations, displacements, overflowings, and even contradictions that are ultimately symbols of "changing ideas and ways of thought". The second text, "Script in Pictures: Semiotics of Visual Language", is published here for the first time. For generations, medieval book art served as a prime field for the invention of styles of art and as the expression of individual sensibilities. Against this background, Schapiro elaborates on the intricate ways in which medieval artists transformed writing and images in their books, often integrating them to convey, in highly concise formats, their powerful messages. In some cases, a physical bond with language even determined pictorial factors. While Professor Schapiro focuses on medieval examples, he extends his investigation to modern art by analyzing script in the works of Goya, Picasso, Homer, and Manet.