1981 alan jay lerner recipient (2 risultati)
Letter from the composer and arranger Robert Russell Bennett to the lyricist and playwright Alan Jay Lerner about the musical "Camelot."
Bennett, Robert Russell (1894 - 1981 Alan Jay Lerner, (1918-1986), recipient.
Editore: New York: 140 E. 56th St, 1960
- Manoscritto
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Buono
EUR 135,48
EUR 8,77 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Condizione: Good. Tls. 22 x 13.8cm. Robert Russell Bennett (typed letter to the Team at Messrs. Lerner & Lowe, thanking for the opening night wire and adding "Nothing has changed my opinion that Camelot is a fine experience for anyone who goes to the theatre", one page, New York, 10 December 1960); .Provenance: Estate of Alan Ja…y Lerner, (1918-1986).Alan Jay Lerner is celebrated for his enduring and engaging contributions to musical theater, including 'My Fair Lady', 'Camelot', and 'Paint Your Wagon', among many others. His work is remembered for its distinctive blend of emotional depth and charm, which led to the creation of some of the most significant works in musical theater for both stage and screen.Over the course of four decades, Lerner rubbed shoulders with some of the world's most iconic figures, many of whom became confidants and pen pals.
Letter from the New York Times movie critic Bosley Crowther (likely) to Richard Rogers who presented it to the lyricist and playwright Alan Jay Lerner: "I liked "Camelot" immensely,"
Crowther, Bosley ( 905-1981) ; Alan Jay Lerner, (1918-1986), recipient.
Editore: New York: Times Square, March 8, 1961
- Manoscritto
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Buono
EUR 225,80
EUR 8,77 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Condizione: Good. Tls with manuscript annotation. 1 page. 18 x 22cm, from Bosley Crowther (typed note "I liked Camelot immensely. Had a damn good time. But then I'm not much of a critic, so I guess you'll have to discount my perversity", one page, New York, 8 March 1961); .The letter is addressed to "Dear Dick":Richard Rodgers (…usually referred to by his full name, but occasionally as "Dick" in industry contexts) and his creative partner Oscar Hammerstein II had the opportunity to musicalize George Bernard Shaw's play Pygmalion (which later became My Fair Lady) but couldn't figure out how to adapt it successfully. Years later, Alan Jay Lerner and Frederick Loewe succeeded in the adaptation, creating one of the most famous musicals in history. The comparison of the two "Dick and Oscar" (Rodgers & Hammerstein) and Lerner & Loewe teams is a common point in theatre history analysis. Bosley Crowther, the film critic forThe New York Times, later gave a negative review to the 1967 film adaptation of Camelot, concluding that the film lacked "magic" and failed to effectively translate the stage musical to the screen. .Alan Jay Lerner is celebrated for his enduring and engaging contributions to musical theater, including 'My Fair Lady', 'Camelot', and 'Paint Your Wagon', among many others. His work is remembered for its distinctive blend of emotional depth and charm, which led to the creation of some of the most significant works in musical theater for both stage and screen.Over the course of four decades, Lerner rubbed shoulders with some of the world's most iconic figures, many of whom became confidants and pen pals.
