Ames lewis, francis (198 risultati)

Paperback. Condizione: Very Good. Two deep scratches at bottom edge of front cover causing slight indentations on first few pages. Lower left tip of back cover creased. No writing in text.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. At the beginning of the fifteenth century, painters and sculptors were seldom regarded as more than artisans and craftsmen, but within little more than a hundred years they had risen to the status of artist. This book explores how early Renaissance artists gained recognition for the intellectual foundations of their activities and achieved artistic autonomy from enlightened patrons. A leading authority on Renaissance art, Francis Ames-Lewis traces the ways in which the social and intellectual concerns of painters and sculptors brought about the acceptance of their work as a liberal art, alongside other arts like poetry. He charts the development of the idea of the artist as a creative genius with a distinct identity and individuality.Ames-Lewis examines the various ways that Renaissance artists like Mantegna, Leonardo da Vinci, Raphael, and Durer, as well as many other less well known painters and sculptors, pressed for intellectual independence. By writing treatises, biographies, poetry, and other literary works, by seeking contacts with humanists and literary men, and by investigating the arts of the classical past, Renaissance artists honed their social graces and broadened their intellectual horizons. They also experienced a growing creative confidence and self-awareness that was expressed in novel self-portraits, works created solely to demonstrate pictorial skills, and monuments to commemorate themselves after death. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

paperback. Condizione: Good. 100% Satisfaction Guaranteed.

Condizione: very_good.

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condizione: Very Good. Very Good Condition. Clean, tight and Neat. Five star seller - Buy with confidence.

Condizione: good. The book has been read but is in good condition. It has very minimal damage to the cover, including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. The binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, and no writing in the margins. There are no missing pages. See the seller's listing for full details and a description of any imperfections.…

paperback. Condizione: Good. Ex-library with usual markings (date due slip, stickers, stamps, etc.). Some edge wear to covers and pages. Pages in good reading shape. Binding is secure. No spine creases. Our feedback says it all! Feel confident when you order from Hilltop Book Shop.

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Paperback. Condizione: Like New. First Edition. First Edition, Second Printing (2002). Published by Yale University Press, 2000. Octavo. Paperback. Book is like new with light shelf/edgewear. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Paperback. Condizione: Very Good. B & W and color Reproductions; 4to 11" - 13" tall; 328 pages; 1983 Victoria and Albert Museum Oversize paperback in glossy color pictorial covers. Snugly bound and clean; prior owner bookplate inside front cover. Light toning to covers at edges and mild shelf rubbing to edges. Contents bright and clean; no marks. Illustrated throughout with b&w and color reproductions of drawings from the exhibition. VG . Oversize book may require additional charges for expedited or international shipping.…

Condizione: New.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:0300025513. Color, B/w Illustrations (illustratore).…

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Color, B/w Illustrations (illustratore). …

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Color, B/w Illustrations (illustratore). …

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Solid and unmarked, mild reading wear. Fast Shipping - Safe and Secure Bubble Mailer.

Condizione: Very Good. Well kept copy, tight and unmarked, little wear. Fast Shipping - Safe and Secure Bubble Mailer.

2nd edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description; xi, 196 pages : illustrations ; 27 cm. Notes; Includes bibliographical references (pages 185-188) and index. Contents; Some general considerations: written sources ; The status of drawing in the Fifteenth Century ; Survival of drawings. The problem. Regional differences. Collecting ; The origins of drawing ; Drawing in workshop training ; Drawing in artistic exploration - Drawing surfaces: Parchment and another small-scale surfaces. Paper. Sinopie and cartoons - Techniques: Silverpoint drawing. Drawing with pen and ink. Chalk Drawing. Brush Drawing - Model-books and sketch-books: The model-book and its functions ; Pisanello, the transition from model-book to sketch-book ; Drawing-books in early Quattrocento Tuscany ; From sketch-book to Portfolio pattern d - Figure drawing: Study of the nude in Florence ; Sculptural drawing ; Figure drawing outside Florence ; Figure groups - Compositional drawings: Compositional drawings in drawing-books ; Contract drawings ; Compositional sketching ; The evolution of a pictorial design. North Italy. Domenico Ghirlandino. Leonardo da Vinci. Epilogue: The Quattrocento legacy. Subjects; Ames-Lewis, F. Geschichte 1400-1500. Drawing, Italian. Drawing, Renaissance Italy. Renaissance Art. History. Art. Italian drawings 1400-1500 Critical studies. Italian drawings 1300-1600. 1 Kg.…

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: As New. No Jacket. as new.

Essays issued in conjunction with an exhibition at Hayward Gallery, London, 1989, edited by Ames-Lewis. Includes bibliography and an index of names. -- Softcover. Condition: near fine. ISBN 0907904149.

Paperback. Condizione: Very Good-. Glossy softbound covers. Light shelf wear to the edges of the covers.; 9.2 X 6.28 X 0.81 inches; 332 pages.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 328 pages; Description: 328 p. : ill. ; 27 cm. Subjects: Drawing, Italian --15th century --Exhibitions --Drawing, Renaissance --Italy --Drawing --Collectors and collecting --Great Britain. 2 Kg.…

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.