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Editore: Firenze, Ricordi, Pozzi e Co. (Pl.Nr. 3892) [ca. 1828]., 1828
Da: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germania
Prima edizione
qu-fol. 10 gest. S. Leicht stockfleckig. Fétis II, S. 327. - Vermutlich Erstausgabe dieser Bearbeitung.
Editore: [Italy: c.1820]. *, 1820
Da: Travis & Emery Music Bookshop ABA, London, Regno Unito
Spartito
Oblong folio (24 x 29cm). 4 folios. Sewn. Copyist's manuscript in black ink on 10-stave paper, watermark "Mo[?]J".
Editore: [?Italy: c.1820]. *, 1820
Da: Travis & Emery Music Bookshop ABA, London, Regno Unito
Spartito
Oblong 4to (25 x 30cm). 5 folios [8 pages]. Sewn. Copyist's manuscript, in black ink, on 10-stave hand-ruled paper. The chorus from the second act of Coccia's Clotilde of 1815; extracts were first published, in London, in 1825.
Editore: Meucci, Livorno, 1833
Da: studio bibliografico pera s.a.s., LUCCA, Italia
Brossura. Condizione: discrete. Cm.17,2x12. Pg.48. Esemplare privo di coperta. Con indicazione degli interpreti: Serafina Rubini De Santis, Achille Balestrucci, Giacomo Roppa, Leonilda Camolli, Agostino Coppi. G. Battista serra, Clementina Nobile, Giuseppe pardini. 50 gr.
Condizione: Fine. Number of pages: 2 CDs Size: Case 14.2x12.4x2.4cm Number of books: 2 CDs.
Editore: Gaspare Truffi, Milano, 1840
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Manoscritto / Collezionismo cartaceo Prima edizione
Small octavo. Sewn. 1f. (recto title, verso blank), 2ff. (named cast list), [7]-40 pp. With decorative woodcut device to title and head of each act. Cast list of singers, dancers, instrumentalists, set and costume designers, etc. includes singers Erminia Frezzolini, Ignazio Marini, Catone Lonato, Napoleone Moriani, Gaetano Rossi, Teresa Brambilla, Francesco Regini, Antonio Benciolini, and Felicita Bayllou and dancers Fanny Cerrito and Carlo Blasis, with choreography by Salvatore Taglioni. Small bookplate laid down to verso of title. Worn, thumbed, and lightly soiled; minor dampstaining; several small tears; occasional small tape repairs to inner margins. First Edition. "[Coccia] produced 20 operas, mostly for the smaller theatres of Venice, where he entered into unequal competition with the young Rossini; and it was not until after the latter's departure for Naples that he won general acclaim ." Julian Budden, Dennis Libby, and Simon Maguire in Grove Music Online Giovanna II, to a libretto by Gaetano Rossi, premiered in Milan at the Teatro alla Scala on 12 March 1840.
Editore: Gio. Ricordi [PNs 6775-90], Milano, 1833
Da: J & J LUBRANO MUSIC ANTIQUARIANS LLC, Syosset, NY, U.S.A.
Spartito Prima edizione
Oblong folio. 19th century light green cloth-backed marbled boards. 113 pp. Each number with separate caption title, some with secondary pagination. Engraved. With small decorative address label of Veronese musicseller "L. Menegazzoli" to upper. Handstamp "Libreria alla Minerva Verona" to foot of title, with their 2-page printed catalogue of opera piano-vocal and piano solo scores tipped-in following title, with some additions in manuscript. From the collection of Italian conductor, vocal coach, and close associate of Puccini and Mascagni, Luigi Ricci (1893-1981). Binding somewhat worn and rubbed; head of spine frayed, with remants of paper label; handstamp "467" to front free endpaper. Scattered light foxing. First Edition of this arrangement. Scarce (3 copies located outside Italy). Caterina di Guisa, a melodramma in 2 acts, to a libretto by Felice Romani after the play Henri III et sa cour (1829) by Dumas, was premiered in Milan at the Teatro alla Scala, 14 February 1833. Coccia experienced "a genuine triumph with Caterina de Guisa aided by a finely paced libretto by Felice Romani. In this opera, his first since Clotilde to circulate abroad, Coccia shows a Donizettian ingenuity in blending the traditional forms into a personal synthesis. Orchestral transitions between scenes, each distinguished by unexpected touches of harmony and scoring, are a special feature. A duet with female chorus for the heroine and her youthful admirer (a mezzo role) achieves a long melodic groundswell worthy of Bellini." Julian Budden in Grove Music Online. "Coccia was an accomplished musician, who throughout his theatrical career managed to keep abreast of contemporary trends, giving scrupulous attention to detail." Julian Budden in Grove Music Online.