Kippenberger, martin (672 risultati)

Soft Cover. Condizione: New. First Edition. First Printing BRAND NEW still in publisher's shrinkwrap, no remainder mark, pristine new copy; 8vo; 92pp illus, color plates.

Oversize Softcover. Condizione: Very Good.

Softcover, 92 pages, as new condition; clean and crisp; no internal marks. A numbered edition of 1000 on rear cover. Foreign shipping may be extra.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: New.

Paperback. Condizione: new. Paperback. A history of Kippenbergers museum on a Greek islandboth a parody and a site of creative camaraderieNot quite a real museum and not quite an installation piece of its own, the Museum of Modern Art Syros (MOMAS) was created in 1993 by German artist Martin Kippenberger (195397) as a private artists space that poked fun at the institutional value of museums. Kippenberger claimed the cement ruins of an abandoned building on the Greek island of Syros as the perfect site for his museumthe fact that there were no walls on which to hang any art did not matter to him, because no art was ever actually displayed. For seven years, Kippenberger assumed the role of museum director and annually invited a small group of friends to work on and exhibit their art in MOMAS. This publication provides the first comprehensive study of the project with Kippenbergers original plans and interviews with the artists who attended MOMAS. A history of Kippenbergers museum on a Greek islandboth a parody and a site of creative camaraderie Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: New. A history of Kippenberger's museum on a Greek island-both a parody and a site of creative camaraderieNot quite a "real" museum and not quite an installation piece of its own, the Museum of Modern Art Syros (MOMAS) was created in 1993 by German artist Martin Kippenberger (1953-97) as a private artists' space that poked fun at the institutional value of museums. Kippenberger claimed the cement ruins of an abandoned building on the Greek island of Syros as the perfect site for his museum-the fact that there were no walls on which to hang any art did not matter to him, because no art was ever actually displayed. For seven years, Kippenberger assumed the role of museum director and annually invited a small group of friends to work on and exhibit their art in MOMAS. This publication provides the first comprehensive study of the project with Kippenberger's original plans and interviews with the artists who attended MOMAS.…

2 vol. : vol. 1 : 143 pp. ; vol. 2 : 281 pp.; 2 vol. : vol. 1 : 27.6 x 21.2 cm. ; vol. 2 : 27.6 x 21.2 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, San Diego, July 27 - September 5, 1998. Traveled to Museo de las Artes and Instituto Cultural Cabañas, Guadalajara, México, September 10 - November 22, 1998; Museo de Monterrey, Mexico, February - April, 1999; Museo Universitario Contemporáneo de Arte, Mexico City, April - June, 1999; Auditorio de Galicia and Iglesia San Domingos de Bonaval, Santiago de Compostela, Spain, July 10 - September 5, 1999 and Sala Amos Salvador, Logroño, Spain, November 1999 - February 2000. Volume one texts by Elizabeth Armstrong, Julian Zugazagotta, and Kevin Power. Volume two texts by Karal Ann Marling and an interview with Ralph Rugoff by Tom Patchett. Texts about the artists in the exhibition, in both volumes, by Tania Owcharenko Duvergne, Rita Gonzalez, Melissa Ho, Karal Ann Marling, Holly Myers, and CC:Collector's Comments. Artists (A - L, Vol. 1) include Janine Antoni, John Baldessari, Beattie & Davidson, Joseph Bertiers, Joseph Beuys, Dominique Blain, Chris Burden, Mónica Castillo, Chema Cobo, Meg Cranston, Georganne Deen, Georganne Delvoye, Marcel Duchamp, Nicole Eisenman, Fluxus, Llyn Foulkes, Robert Gober, David Hammons, David Ireland, Ray Johnson, Mike Kelley, Martin Kippenberger, Rachel Lachowicz, Sherrie Levine, and Charles Long. Artists (M - Z, Vol. 2) include Daniel J. Martinez, Paul McCarthy, Cady Noland, Manuel Ocampo, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Rubén Ortiz Torres, Burt Payne 3, Raymond Pettibon, Alan Rath, Charles Ray, Man Ray, Edward Ruscha, Cindy Sherman, Kiki Smith, Mark Tansey, Fred Tomaselli, Andy Warhol, John Wesley, and Christopher Wool, as well as Americana, Neon Signs, and Vernon Kilns Dinnerware. Texts in English and Spanish. Very Good. Yellowing and light soiling of covers with light bumping of corners. Light yellowing of pages. Two-volume set. The contents are clean and unmarked. Due to the large size and weight, additional shipping charges will be required for international orders.…

136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.…

Paperback. Condizione: New. A history of Kippenberger's museum on a Greek island-both a parody and a site of creative camaraderieNot quite a "real" museum and not quite an installation piece of its own, the Museum of Modern Art Syros (MOMAS) was created in 1993 by German artist Martin Kippenberger (1953-97) as a private artists' space that poked fun at the institutional value of museums. Kippenberger claimed the cement ruins of an abandoned building on the Greek island of Syros as the perfect site for his museum-the fact that there were no walls on which to hang any art did not matter to him, because no art was ever actually displayed. For seven years, Kippenberger assumed the role of museum director and annually invited a small group of friends to work on and exhibit their art in MOMAS. This publication provides the first comprehensive study of the project with Kippenberger's original plans and interviews with the artists who attended MOMAS.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: new. Hardcover. On Kippenberger's utopian portals into an imaginary global transportation systemIn the early 1990s, Martin Kippenberger (1953-97) developed the idea of a global underground network: METRO-Net. Although it is one of the artist's most fascinating projects, his premature death in 1997 meant that it could only be implemented in rudimentary form. In 1993, a metro entrance was built on the Greek island of Syros, followed by two more: one in 1995, in Dawson City in Canada, and the other in 1997, on the new Leipzig exhibition grounds. These structures proposed a means of traveling in the boundless space of the imagination: without the willingness to visualize tunnel tubes and moving underground trains, this project remains a "nonsensical building plan." But the moment we accept the artwork as a mode of transport for "mind travelers," then the full power of this work unfolds. Documented in this volume, Kippenberger's METRO-Net was intended to counter life's predictable, rationally oriented parameters with a romantic sense of the world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover with dustjacket, 240 pages, in English, German and French; good condition; dj has waterstains to top and bottom edge of rear side; light stain to bottom edge of last few pages; no internal marks. Foreign shipping may be extra.

hardcover. Condizione: Fair. Ex library but not with all the usual markings. It has the markings on teh spine and a library sticker on the front page. No pucket puch though like otehrs. So, a decent copy if youc an remove the spine stamp.

Paperback. Condizione: Brand New. 136 pages. 9.00x6.25x0.50 inches. In Stock.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condizione: As New. Unread book in perfect condition.

Softcover/Paperback. Condizione: Very Good. Martin Kippenberger.Jacqueline: The Paintings Pablo Couldn't Paint Anymore. New York: Metro Pictures, 2000.Softcover.34 pages. Very good.Minor wear & rubbing to covers.No internal marks. Essay by Jan Avigkos.

Softcover, 80 pages; in German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover with dustjacket, 240 pages, in English, German and French; good condition; dj has some scattered scuffs; small stains to outer page edges; a bit musty when flipped through; no internal marks. Foreign shipping may be extra.

Softcover with dustjacket, 104 pages, in German with English and Italian at rear; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Artist postcard, 4 x 6 inches; very good condition; an unmailed copy.

Artist postcard, 4 x 6 inches; very good condition; an unmailed copy.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

First Edition. First edition. Softcover. 192 pages. Published in conjunction an exhibition that ran February 8 through May 14, 2006 in London and then June 10 through September 10, 2006 in Dusseldorf. Features text contributions Daniel Baumann, Susanne Kippenberger, Doris Krystof, Jessica Morgan, and Gregory Williams. Includes numerous color illustrations, chronology, list of previous exhibitions, checklist, and an index. A clean very near fine copy in wrappers. …

160 pp.; 30 x 22.5 cm.; sewn bound; black-and-white & color; edition size unknown (plus deluxe edition of 50 signed, numbered and dated copies with multiple; plus 50 signed, numbered and dated copies); unsigned and unnumbered; offset-printed Monograph on the work of Martin Kippenberger from 1976 - 1991. Text by Burkhard Riemschneider. Includes an index of illustrations, narrative biography in timeline format, bibliography, and exhibition history. Text in German, French, and English. Reference : No. 96 in "Annotated Catalogue Raisonné of the Books by Martin Kippenberger : 1977 - 1997" by Martin Kippenberger, Uwe Koch, Diedrich Diederichsen, Robert Ohrt. New York / Köln, NY / Germany : Distributed Art Publishers / Verlag der Buchhandlung Walther König, 2003, pp. 230 - 231. Very Good. Personal library sticker on spine wrapping around to covers. Light handling wear and edge wear. Contents clean and unmarked. Due to size and weight additional shipping charges will be required for international orders. …

92 S., 2 Bll. Mit zahlr. farb. Abb. 8°, Orig.-Karton. Katalog zur Ausstellung im MAK-Center for Art and Architecture, Schindler House, LA (10. Juli - 11 Oktober 1998). Mit Texten (in Englisch) von Peter Noever, Steven Prina, Norman M. Klein, Robert Ohrt sowie einem Interview zwischen Kippenberger und Jutta Koether. - Sehr guter Zustand. 2500 gr.…

Softcover, 256 pages, in English and German; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.