SIDDIQUI, MOHAMMAD ASIM (21 risultati)

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Hardcover. Condizione: Brand New. 240 pages. 9.18x6.12x9.21 inches. In Stock.

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Paperback. Condizione: new. Paperback. This book examines the representation of Muslim identity in Hindi films by focusing on different aspects of Muslim identity - historical, cultural, and linguistic - and their realisation in cinematic form.The book assesses the changing perceptions of Muslim identity, beginning from the historical films of the 1940s to the more recent films which often address the current stereotypical notions of Muslim identity in the post-9/11 world and in particular, analyses films which treat the problematic of "global Muslim identity". It argues that genre, language, and various sign systems create understandings and mediate notions of identity. Offering a close reading of films belonging to different genres - Muslim social, action thriller, gangster, biopic, and many others - the book interrogates concepts of social diversity, tokenism, marginality, and their reflection and consolidation in Hindi films. It critically looks at the representation of Muslim women characters and the politics of interfaith romances in many films. The book also reads many films which probe Partition violence, communal riots and the international discourse on terror. It also touches on the evolution of the language of Hindi films and its role in creating a lingua franca uniting diverse and variegated groups of people in India. Drawing insights from new critical close reading, deconstruction, semiotic and discourse analysis, the book also offers a close reading of a few films in each chapter, which offer important insights into Hindi cinema.This book offers a unique and comprehensive analysis of the political and representational aspects of Hindi cinema, portrayal of Muslims in popular arts, and the debates and politics over the use of Hindustani in India and its identification with religious and communitarian identity. It will be of interest to researchers studying world cinema, Hindi cinema, sociology and Asian studies. This book examines the representation of Muslim identity in Hindi films by focusing on different aspects of Muslim identity - historical, cultural, linguistic - and their realisation in cinematic form. It will be of interest to researchers studying World Cinema, Hindi cinema, Sociology and Asian Studies. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. This book examines the representation of Muslim identity in Hindi films by focusing on different aspects of Muslim identity - historical, cultural, and linguistic - and their realisation in cinematic form.The book assesses the changing perceptions of Muslim identity, beginning from the historical films of the 1940s to the more recent films which often address the current stereotypical notions of Muslim identity in the post-9/11 world and in particular, analyses films which treat the problematic of "global Muslim identity". It argues that genre, language, and various sign systems create understandings and mediate notions of identity. Offering a close reading of films belonging to different genres - Muslim social, action thriller, gangster, biopic, and many others - the book interrogates concepts of social diversity, tokenism, marginality, and their reflection and consolidation in Hindi films. It critically looks at the representation of Muslim women characters and the politics of interfaith romances in many films. The book also reads many films which probe Partition violence, communal riots and the international discourse on terror. It also touches on the evolution of the language of Hindi films and its role in creating a lingua franca uniting diverse and variegated groups of people in India. Drawing insights from new critical close reading, deconstruction, semiotic and discourse analysis, the book also offers a close reading of a few films in each chapter, which offer important insights into Hindi cinema.This book offers a unique and comprehensive analysis of the political and representational aspects of Hindi cinema, portrayal of Muslims in popular arts, and the debates and politics over the use of Hindustani in India and its identification with religious and communitarian identity. It will be of interest to researchers studying world cinema, Hindi cinema, sociology and Asian studies. This book examines the representation of Muslim identity in Hindi films by focusing on different aspects of Muslim identity - historical, cultural, linguistic - and their realisation in cinematic form. It will be of interest to researchers studying World Cinema, Hindi cinema, Sociology and Asian Studies. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condizione: new. Hardcover. This book examines the representation of Muslim identity in Hindi films by focusing on different aspects of Muslim identity - historical, cultural, and linguistic - and their realisation in cinematic form.The book assesses the changing perceptions of Muslim identity, beginning from the historical films of the 1940s to the more recent films which often address the current stereotypical notions of Muslim identity in the post-9/11 world and in particular, analyses films which treat the problematic of "global Muslim identity". It argues that genre, language, and various sign systems create understandings and mediate notions of identity. Offering a close reading of films belonging to different genres - Muslim social, action thriller, gangster, biopic, and many others - the book interrogates concepts of social diversity, tokenism, marginality, and their reflection and consolidation in Hindi films. It critically looks at the representation of Muslim women characters and the politics of interfaith romances in many films. The book also reads many films which probe Partition violence, communal riots and the international discourse on terror. It also touches on the evolution of the language of Hindi films and its role in creating a lingua franca uniting diverse and variegated groups of people in India. Drawing insights from new critical close reading, deconstruction, semiotic and discourse analysis, the book also offers a close reading of a few films in each chapter, which offer important insights into Hindi cinema.This book offers a unique and comprehensive analysis of the political and representational aspects of Hindi cinema, portrayal of Muslims in popular arts, and the debates and politics over the use of Hindustani in India and its identification with religious and communitarian identity. It will be of interest to researchers studying world cinema, Hindi cinema, sociology and Asian studies. This book examines the representation of Muslim identity in Hindi films by focusing on different aspects of Muslim identity - historical, cultural, linguistic - and their realisation in cinematic form. It will be of interest to researchers studying World Cinema, Hindi cinema, Sociology and Asian Studies. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book examines the representation of Muslim identity in Hindi films by focusing on different aspects of Muslim identity - historical, cultural, and linguistic - and their realisation in cinematic form.The book assesses the changing perceptions of Muslim identity, beginning from the historical films of the 1940s to the more recent films which often address the current stereotypical notions of Muslim identity in the post-9/11 world and in particular, analyses films which treat the problematic of 'global Muslim identity'. It argues that genre, language, and various sign systems create understandings and mediate notions of identity. Offering a close reading of films belonging to different genres - Muslim social, action thriller, gangster, biopic, and many others - the book interrogates concepts of social diversity, tokenism, marginality, and their reflection and consolidation in Hindi films. It critically looks at the representation of Muslim women characters and the politics of interfaith romances in many films. The book also reads many films which probe Partition violence, communal riots and the international discourse on terror. It also touches on the evolution of the language of Hindi films and its role in creating a lingua franca uniting diverse and variegated groups of people in India. Drawing insights from new critical close reading, deconstruction, semiotic and discourse analysis, the book also offers a close reading of a few films in each chapter, which offer important insights into Hindi cinema.This book offers a unique and comprehensive analysis of the political and representational aspects of Hindi cinema, portrayal of Muslims in popular arts, and the debates and politics over the use of Hindustani in India and its identification with religious and communitarian identity. It will be of interest to researchers studying world cinema, Hindi cinema, sociology and Asian studies. 186 pp. Englisch.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Mohammad Asim Siddiqui is Professor of English at Aligarh Muslim University, Aligarh, India. A critic, translator and reviewer, his recent publications include Shahryar (2021), A History of Aligarh Muslim University 1920-2020 (co-a.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: New. PRINT ON DEMAND.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book examines the representation of Muslim identity in Hindi films by focusing on different aspects of Muslim identity - historical, cultural, and linguistic - and their realisation in cinematic form.The book assesses the changing perceptions of Muslim identity, beginning from the historical films of the 1940s to the more recent films which often address the current stereotypical notions of Muslim identity in the post-9/11 world and in particular, analyses films which treat the problematic of 'global Muslim identity'. It argues that genre, language, and various sign systems create understandings and mediate notions of identity. Offering a close reading of films belonging to different genres - Muslim social, action thriller, gangster, biopic, and many others - the book interrogates concepts of social diversity, tokenism, marginality, and their reflection and consolidation in Hindi films. It critically looks at the representation of Muslim women characters and the politics of interfaith romances in many films. The book also reads many films which probe Partition violence, communal riots and the international discourse on terror. It also touches on the evolution of the language of Hindi films and its role in creating a lingua franca uniting diverse and variegated groups of people in India. Drawing insights from new critical close reading, deconstruction, semiotic and discourse analysis, the book also offers a close reading of a few films in each chapter, which offer important insights into Hindi cinema.This book offers a unique and comprehensive analysis of the political and representational aspects of Hindi cinema, portrayal of Muslims in popular arts, and the debates and politics over the use of Hindustani in India and its identification with religious and communitarian identity. It will be of interest to researchers studying world cinema, Hindi cinema, sociology and Asian studies.

Buch. Condizione: Neu. Muslim Identity in Hindi Cinema | Poetics and Politics of Genre and Representation | Mohammad Asim Siddiqui | Buch | Englisch | 2025 | Routledge | EAN 9781032268477 | Verantwortliche Person für die EU: Taylor & Francis Verlag GmbH, Kaufingerstr. 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu Print on Demand.