Sumathi ramaswamy (181 risultati)

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Good. Illustrated. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing and/or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Good. Illustrated. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

paperback. Condizione: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing and/or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

paperback. Condizione: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Condizione: Good. GOOD++ to V/G++ DJ/ LIKE NEW BOOK. 2017 University of Chicago Press larger hardecover, 1-5 number line. ISBN: from . Boards: Slight indentation across top spine; slight indentation bottom right spine( w/ widthwise faint scratch lower spine). Slight indentation upper front corner join. Near fine+/Fine w/ like new lettering. Text: LIKE NEW. DJ 1/16" surface crease lower front fore-edge corner. 1/3" vertical indentation/1/8"diagonal surface indentation near upper back spine. 1/8" crease near lower back spine. Widthwise slit 1/8" from bottom spine edge (appears cut w/ box-cutter, taped interior lower spine). GOOD++/V/G++ DJ w/ like new sheen.…

paperback. Condizione: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

hardcover. Condizione: NF / NONE. NF Hardcover.

Condizione: As New. Unread copy in mint condition.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Condizione: New. Brand New.

Condizione: As New. Unread book in perfect condition.

Trade Paperback. Condizione: Used - Very Good. Making the case for a new kind of visual history, 'The Goddess and the Nation' charts the pictorial life and career of Bharat Mata, 'Mother India,' the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country's diverse communities. Soon after Mother India's emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, 'The Goddess and the Nation' draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India's appearance in painting, print, poster art, and pictures from the late nineteenth century to the present. By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In 'The Goddess and the Nation,' she teaches us about pictorial ways of learning the form of the nation, of how to live with it--and ultimately to die for it. A history of the evolving idea of India in the 20th century, as seen through visual representations of the goddess Mother India.…

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Hardback. Condizione: New. Mohandas K. Gandhi has been described as 'an artist of non-violence,' crafting as he did a set of practices of the self and politics that earned him the mantle of Mahatma, 'the great soul.' His philosophy and praxis of satyagraha, non-violent civil disobedience, has been analysed extensively. But is satyagraha also an aesthetic regime, with practices akin to a work of art? Is Gandhi, then, an artist of disobedience? Sumathi Ramaswamy explores these questions with the help of India's modern and contemporary artists who have over the past century sought out the Mahatma as their muse and invested in him across a wide range of media from painting and sculpture to video installation and digital production. At a time when Gandhi is a hallowed but hollow presence, why have they lavished so much attention on him? A hundred and fifty years after his birth, Gandhi is hyper visible across the Indian landscape from tea stalls and government offices to museums and galleries. This is ironical given that the Mahatma appeared to have had little time for the visual arts or for artists for that matter. Yet fascinatingly, the visual artist has emerged as Gandhi's conscience-keeper, reminding others of the meaning of the Mahatma in his own time and today. In so doing, these artists also reveal why this most disobedient of 'modern' icons has grabbed their attention, resulting in a veritable art of disobedience as an homage to one of the twentieth century's great prophets of disobedience.…

Paperback. Condizione: New. New. The Visual Homes, Image Worlds: Essays From Tasveer Ghar, The House of Pictures by Christiane Brosius; Sumathi Ramaswamy; Yousuf Saeed. Yoda Press, 2015. 360pp. Language: English.

Soft cover. Condizione: Near Fine. 1st Printing. VG+ to Near Fine in pale blue pictorial wraps with dark blue lettering. A study of the pious, filial & erotic aspects of Tamil devotion that provides an understanding as to how languages can inspire their speakers to devote themselves zealously to their cause. Asian Studies, India, Language Devotion, Tamil.…

Condizione: New. pp. 224.

Condizione: New.

Paperback. Condizione: New. During the nineteenth century, Lemuria was imagined as a land that once bridged India and Africa but disappeared into the ocean millennia ago, much like Atlantis. A sustained meditation on a lost place from a lost time, this elegantly written book is the first to explore Lemuria's incarnations across cultures, from Victorian-era science to Euro-American occultism to colonial and postcolonial India. The Lost Land of Lemuria widens into a provocative exploration of the poetics and politics of loss to consider how this sentiment manifests itself in a fascination with vanished homelands, hidden civilizations, and forgotten peoples. More than a consideration of nostalgia, it shows how ideas once entertained but later discarded in the metropole can travel to the periphery - and can be appropriated by those seeking to construct a meaningful world within the disenchantment of modernity. Sumathi Ramaswamy ultimately reveals how loss itself has become a condition of modernity, compelling us to rethink the politics of imagination and creativity in our day.…

Condizione: New.

Condizione: New. pp. 264.

Condizione: New. pp. 136.

Soft cover. Condizione: Near Fine. 1st Edition. (Used/Ancient Civilizations) This book is in near fin condition with a nice clean cover with only some light smudging to the outside cover and two very small indents and a few light stains to the outside page edges. During the nineteenth century, Lemuria was imagined as a land that once bridged India and Africa but disappeared into the ocean millennia ago, much like Atlantis. A sustained meditation on a lost place from a lost time, this elegantly written book is the first to explore Lemuria's incarnations across cultures, from Victorian-era science to Euro-American occultism to colonial and postcolonial India. The Lost Land of Lemuria widens into a provocative exploration of the poetics and politics of loss to consider how this sentiment manifests itself in a fascination with vanished homelands, hidden civilizations, and forgotten peoples. …

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. During the nineteenth century, Lemuria was imagined as a land that once bridged India and Africa but disappeared into the ocean millennia ago, much like Atlantis. A sustained meditation on a lost place from a lost time, this elegantly written book is the first to explore Lemuria's incarnations across cultures, from Victorian-era science to Euro-American occultism to colonial and postcolonial India. The Lost Land of Lemuria widens into a provocative exploration of the poetics and politics of loss to consider how this sentiment manifests itself in a fascination with vanished homelands, hidden civilizations, and forgotten peoples. More than a consideration of nostalgia, it shows how ideas once entertained but later discarded in the metropole can travel to the periphery - and can be appropriated by those seeking to construct a meaningful world within the disenchantment of modernity. Sumathi Ramaswamy ultimately reveals how loss itself has become a condition of modernity, compelling us to rethink the politics of imagination and creativity in our day.…