Tina girouard (30 risultati)

Hardback. Condizione: Good. It is time again for the Fire Breathers' Academy Science Fair Carly and her imaginary human friend Gretchen have a great idea for a project. They work really hard to win the fair. But what happens when Gretchen's help turns out to be not helpful at all? Will Gretchen ever appear again? Looking Glass Library is an imprint of Magic Wagon, a division of ABDO Group. Grades P-3. Girouard, Patrick (illustratore).…

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Girouard, Patrick (illustratore).

Library Binding. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Girouard, Patrick (illustratore).

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. Girouard, Patrick (illustratore).…

library. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Girouard, Patrick (illustratore).

Condizione: New.

Paperback. Condizione: new. Paperback. A sweeping retrospective of Tina Girouard's pioneering contributions across video, performance, textile and community-based art and morePublished with Rivers Institute for Contemporary Art & Thought.From the 1970s until her death, Louisiana-born artist Tina Girouard (19462020) was a dedicated experimental artist, collaborator and art worker. Alongside her individual creative endeavors, she nurtured and was a part of numerous influential artist communities and organizations in New York, Louisiana and Haiti, including the Anarchitecture Group, the interdisciplinary cohort of 112 Greene Street, the restaurant Food, the Kitchen, P.S. 1 and the Festival International de la Louisiane. Her acts of upkeep, including domestic labor traditionally associated with "women's work," blurred the boundaries between artmaking and what she called life-making. Sign-In is the first comprehensive monograph on her interdisciplinary oeuvre. It gathers documentation of her work in video, performance, drawing, textile, wall works and installation, tracing Girouard's practice and legacy across genres and geographies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

library. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Girouard, Patrick (illustratore).

Unknown. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Girouard, Patrick (illustratore).

Unknown. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Girouard, Patrick (illustratore).

Condizione: As New. Unread book in perfect condition.

First Edition. First edition. Oblong softcover. 23 pages. Exhibition catalog for a show that ran November 18 through December 7, 1983 at the Hillwood Art Gallery and then January 12-29, 1984 at the Tyler Galleries. Features a preface by Judy K. Collischan Van Wagner and an essay by curator by John Perreault. Includes information about and illustrations of works by Carl Andre, Lynda Benglis, Tina Girouard, Ira Joel Haber, Harmony Hammond, Lila Katzen, and Kyong D. Park. A fine copy in stapled wrappers and from the library of Lucas Samaras with estate stamp. A very nice copy with an interesting provenance.…

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Girouard, Patrick (illustratore). …

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Girouard, Patrick (illustratore). …

Paperback. Condizione: Brand New. 416 pages. 9.25x6.50x9.21 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: Brand New. 416 pages. 9.25x6.50x9.21 inches. In Stock.

Soft cover. Condizione: Very Good. Signed & inscribed by Tina Girouard to the previous owner on the half title page. Staple bound paperback. Foxing to end pages. Minor wear to wrappers, otherwise very good. Signed by Author(s).

Condizione: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar. Girouard, Patrick (illustratore).

Condizione: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar. Girouard, Patrick (illustratore).

Softcover staple-bound, 32 pages, in Spanish; very good condition, light wear to covers; no internal marks.

Soft cover. Condizione: Very Good. Text in english, folio size, soft cover, 24 pages, illustrated, very good copy. Cover with one small tear. Folded once.

43 pp.; 27.8 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S.E.M. Emsemble Festival, Willoughby Sharp, Tape Inc., Richard Teitelbaum, David Tudor, Peter van Riper, Robin Winters, Walter Wright, and Susan Wolfson. Cover photo by Robin Winters. Very Good / Fine. Light rubbing of covers with light bumping of corners and creasing at spine. Contents clean and unmarked.…

unpaginated; 27.3 x 17.9 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Newcomb Gallery, Tulane University, New Orleans, May 1981. Traveled to PS1, Long Island City, NY, April - May 1982; Planfield, New Jersey, August, 1982; Contemporary Arts Center, January 1983; Art Cars life size conversion for Krewe of Clones, Mardi Gras, new Orleans (featuring a car by Linda Benglis) and Barbara Gillman Gallery, Florida, February 1983. Concept and curation by Emery Clark. Artists included: Ron Filson, Mark Grote, Francie Rich, Mignon Faget, Missy Maloney, Tina GIrouard, Bob Tannen, Didi Susan Dubelyew, Issa Eismont, George Dudley, Peter Balintffy, Pat Ball, Charlotte Curley, Ersy, Jesselyn Benson Zurik, Pat Jessee, Beverly Overton, Lynda Benglis, Dona Lee Lief, Franc Palaia, Michelle Milosh, John Wallace, Deborah J. Winsten, Dale Milford, Brian A. Thompson, Jacqueline Humphries, Richard Tuttle, and many, many others. Good / Very Good. 5 cm. dog-ear to lower right corner of recto and title page with two 4 mm. tears and a 6 mm. tear to upper edge of recto. Moderate yellowing of paper from age. Contents clean and unmarked. …

52 pp.; 20 x 22.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 9 - July 16, 1981. Exhibition examines the social, cultural, and political elements of the sixties that birthed the "alternative" movement -- specifically Gain Ground, Apple, 98 Greene Street, 112 Greene Street Workshop, Idea Warehouse, 3 Mercer -- and charts the effects it had on the art world. Curated by Jacki Apple, with preface by Marcia Tucker and essay by Mary Delahoyd. Artists include Vito Acconci, John Perreault, Robert Newman, Eleanor Antin, Billy Apple, Geoff Hendricks, Jerry Vis, Davi Det Hompson, Artwiser / Artweiser, Roger Welch, Bill Beckley, Susan Hall, Robert Kushner, Brad Davis, Gordon Matta-Clark, Suzanne Harris, Tina Girouard, Larry Miller, Richard Nonas, Jeffrew Lew, Jene Highstein, Nancy Holt, Cecile Abish, Peter Downsbrough, Douglas Davis, Virginia Piersol, Stefan Eins, Christopher McNeur, Dieter Froese, Stuart Sherman, Jaime Davidovich, and Bill Bierne. Includes images of selected works. Good / Very Good. Mild edgewear and yellowing of interior cover. Circular sticker on lower left corner of recto. Sticker adhesive from removed sticker on lower right corner of recto. Clean and unmarked.…

80 pp.; 24 x 23.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number eight of the quarterly periodical Avalanche, published Summer / Fall 1973. Cover is a posthumous dedication to Robert Smithson, featuring a photograph of Robert Smithson by Nancy Holt. Contents include: "Robert Smithson's Amarillo Ramp"; " Exchange '73: From A Videotape," by Robert Morris; "Business As Usual On The Western Front: An Interview," by Willoughby Sharp; "The Grand Union: 'There Were Some Good Moments. . .'"; "If I'm Lyin', I'm Dyin': On The Road to Catahoula, An Interview with Tina Girouard," by Liza Béar and "The Church of Human Energy: Chris Burden, An Interview," by Willoughby Sharp and Liza Béar. Edited by Liza Béar, published by Willoughby Sharp, designed by Boris Wall Gruphy [Willoughby Sharp]. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 242. Very Good. Rubbing of covers and light edgewear. Slight yellowing on top edge. Contents clean and unmarked.…

80 pp.; 24 x 23.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number eight of the quarterly periodical Avalanche, published Summer / Fall 1973. Cover is a posthumous dedication to Robert Smithson, featuring a photograph of Robert Smithson by Nancy Holt. Contents include: "Robert Smithson's Amarillo Ramp"; " Exchange '73: From A Videotape," by Robert Morris; "Business As Usual On The Western Front: An Interview," by Willoughby Sharp; "The Grand Union: 'There Were Some Good Moments. . .'"; "If I'm Lyin', I'm Dyin': On The Road to Catahoula, An Interview with Tina Girouard," by Liza Béar and "The Church of Human Energy: Chris Burden, An Interview," by Willoughby Sharp and Liza Béar. Edited by Liza Béar, published by Willoughby Sharp, designed by Boris Wall Gruphy [Willoughby Sharp]. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 242. Very Good. 3.3 cm. and 2.6 cm. creasing bumping to covers and contents. Bumping and creasing to bottom right side edge of periodical. Additional light rubbing of cover edges. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.…

80 pp.; 24 x 23.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number eight of the quarterly periodical Avalanche, published Summer / Fall 1973. Cover is a posthumous dedication to Robert Smithson, featuring a photograph of Robert Smithson by Nancy Holt. Contents include: "Robert Smithson's Amarillo Ramp"; " Exchange '73: From A Videotape," by Robert Morris; "Business As Usual On The Western Front: An Interview," by Willoughby Sharp; "The Grand Union: 'There Were Some Good Moments. . .'"; "If I'm Lyin', I'm Dyin': On The Road to Catahoula, An Interview with Tina Girouard," by Liza Béar and "The Church of Human Energy: Chris Burden, An Interview," by Willoughby Sharp and Liza Béar. Edited by Liza Béar, published by Willoughby Sharp, designed by Boris Wall Gruphy [Willoughby Sharp]. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 242. Very Good / Fine. Light edge-wear and rubbing and dusting of covers. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.…

Paperback. Condizione: new. Paperback. A sweeping retrospective of Tina Girouard's pioneering contributions across video, performance, textile and community-based art and morePublished with Rivers Institute for Contemporary Art & Thought.From the 1970s until her death, Louisiana-born artist Tina Girouard (19462020) was a dedicated experimental artist, collaborator and art worker. Alongside her individual creative endeavors, she nurtured and was a part of numerous influential artist communities and organizations in New York, Louisiana and Haiti, including the Anarchitecture Group, the interdisciplinary cohort of 112 Greene Street, the restaurant Food, the Kitchen, P.S. 1 and the Festival International de la Louisiane. Her acts of upkeep, including domestic labor traditionally associated with "women's work," blurred the boundaries between artmaking and what she called life-making. Sign-In is the first comprehensive monograph on her interdisciplinary oeuvre. It gathers documentation of her work in video, performance, drawing, textile, wall works and installation, tracing Girouard's practice and legacy across genres and geographies. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…