Adler kathleen (406 risultati)

Condizione: good. Books may contain some notes and highlighting. Supplements such as Access Codes, Cd's Dust Jackets, etc. are not guaranteed with used book purchases.

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Condizione: Very Good. Paris was the centre of the art world in the nineteenth century and a magnet for American art students and artists, particularly after the 1860s. They flocked to the studios of artists like Gerome and Bouguereau, longed to show their work at the annual Paris Salon, and watched developments such as the unfolding of Impressionism with fascination (and sometimes with horror). Hardly an American painter was unaffected by developments in Paris, and even those who chose not to study there wanted their work to be affirmed by French audiences. This beautifully produced book traces the role of American artists in Paris from the Salon des Refuses, in 1863, to the emergence of a uniquely American style of painting. It includes iconic images by Sargent, Whistler, Cassatt and Winslow Homer, and introduces many new names. More than 80 exhibited paintings are discussed in three generously illustrated essays by Kathleen Adler, Erica E. Hirshler and H. Barbara Weinberg. These explore why artists were drawn to Paris, how they responded to the art that they found there, and what they retained of their experience. Briefer essays by David Park Curry, Rodolphe Rapetti and Christopher Riopelle examine the significance of the Expositions Universelles; the French view of American artists in Paris, and the role these artists played in shaping the great US collections of modern French painting. The essays are followed by a biography for each artist, an annotated list of works and a full bibliography and index. Published to accompany the exhibition Americans in Paris 1860 - 1900, showing at the National Gallery, London, 22 February - 21 May 2006, the Museum of Fine Art, Boston, 25 June - 24 September 2006, and the Metropolitan Museum of Art, New York, 16 October 2006 - 28 January 2007. …

Hardback. Condizione: Good. Paris was the centre of the art world in the nineteenth century and a magnet for American art students and artists, particularly after the 1860s. They flocked to the studios of artists like Gerome and Bouguereau, longed to show their work at the annual Paris Salon, and watched developments such as the unfolding of Impressionism with fascination (and sometimes with horror). Hardly an American painter was unaffected by developments in Paris, and even those who chose not to study there wanted their work to be affirmed by French audiences. This beautifully produced book traces the role of American artists in Paris from the Salon des Refuses, in 1863, to the emergence of a uniquely American style of painting. It includes iconic images by Sargent, Whistler, Cassatt and Winslow Homer, and introduces many new names. More than 80 exhibited paintings are discussed in three generously illustrated essays by Kathleen Adler, Erica E. Hirshler and H. Barbara Weinberg. These explore why artists were drawn to Paris, how they responded to the art that they found there, and what they retained of their experience. Briefer essays by David Park Curry, Rodolphe Rapetti and Christopher Riopelle examine the significance of the Expositions Universelles; the French view of American artists in Paris, and the role these artists played in shaping the great US collections of modern French painting. The essays are followed by a biography for each artist, an annotated list of works and a full bibliography and index. Published to accompany the exhibition Americans in Paris 1860 - 1900, showing at the National Gallery, London, 22 February - 21 May 2006, the Museum of Fine Art, Boston, 25 June - 24 September 2006, and the Metropolitan Museum of Art, New York, 16 October 2006 - 28 January 2007.…

Condizione: like_new. Fast Free Shipping â" Excellent condition book with clean cover and pages. Barely handled, with minimal wear. An outstanding copy, close to enjoy.

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Hardback. Condizione: Very Good. Paris was the centre of the art world in the nineteenth century and a magnet for American art students and artists, particularly after the 1860s. They flocked to the studios of artists like Gerome and Bouguereau, longed to show their work at the annual Paris Salon, and watched developments such as the unfolding of Impressionism with fascination (and sometimes with horror). Hardly an American painter was unaffected by developments in Paris, and even those who chose not to study there wanted their work to be affirmed by French audiences. This beautifully produced book traces the role of American artists in Paris from the Salon des Refuses, in 1863, to the emergence of a uniquely American style of painting. It includes iconic images by Sargent, Whistler, Cassatt and Winslow Homer, and introduces many new names. More than 80 exhibited paintings are discussed in three generously illustrated essays by Kathleen Adler, Erica E. Hirshler and H. Barbara Weinberg. These explore why artists were drawn to Paris, how they responded to the art that they found there, and what they retained of their experience. Briefer essays by David Park Curry, Rodolphe Rapetti and Christopher Riopelle examine the significance of the Expositions Universelles; the French view of American artists in Paris, and the role these artists played in shaping the great US collections of modern French painting. The essays are followed by a biography for each artist, an annotated list of works and a full bibliography and index. Published to accompany the exhibition Americans in Paris 1860 - 1900, showing at the National Gallery, London, 22 February - 21 May 2006, the Museum of Fine Art, Boston, 25 June - 24 September 2006, and the Metropolitan Museum of Art, New York, 16 October 2006 - 28 January 2007. …

Condizione: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: very_good. Profusely Illustrated (illustratore).

Paperback. Condizione: Very Good. Profusely Illustrated (illustratore).

Paperback. Condizione: Good. Profusely Illustrated (illustratore).

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: good. Fast & Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

paperback. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Profusely Illustrated (illustratore).

Hardcover. Condizione: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.