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Editore: Holiday House, 1992
ISBN 10: 082341065XISBN 13: 9780823410651
Da: SecondSale, Montgomery, IL, U.S.A.
Libro
Condizione: Very Good. Byrd, Samuel (illustratore). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Editore: Holiday House, 1993
ISBN 10: 0823412059ISBN 13: 9780823412051
Da: Gulf Coast Books, Memphis, TN, U.S.A.
Libro
paperback. Condizione: Good.
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Editore: Holiday House, 1993
ISBN 10: 0823410021ISBN 13: 9780823410026
Da: Orion Tech, Kingwood, TX, U.S.A.
Libro
hardcover. Condizione: Good. Byrd, Samuel (illustratore).
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Editore: Paraclete Press (MA)
ISBN 10: 1557252769ISBN 13: 9781557252760
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Libro
Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 0.28.
Editore: Scholastic, Inc./New York,, 1992
ISBN 10: 0590470175ISBN 13: 9780590470179
Da: Alf Books, Menomonie, WI, U.S.A.
Libro
soft cover, name inside front cover, unpaged, 9 1/2 x 8 inches, very good book condition, no dust jacket, juvenile picture book,
Editore: Holiday House, 1992
ISBN 10: 0823409260ISBN 13: 9780823409266
Da: ThriftBooks-Reno, Reno, NV, U.S.A.
Libro
Hardcover. Condizione: Good. No Jacket. Byrd, Samuel (illustratore). Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.55.
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Editore: Deseret Books, 1969
ISBN 10: 0685638626ISBN 13: 9780685638620
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Libro
Hardcover. Condizione: Good. No Jacket. George Herbert; H.A. Overstreet; David Grayson; Nathaniel Hawthorne (illustratore). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.5.
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Editore: G. Schirmer, Inc., 1987
ISBN 10: 0793560985ISBN 13: 9780793560981
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Editore: W. W. Norton & Company, 2002
ISBN 10: 0393977005ISBN 13: 9780393977004
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Libro
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.45.
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Nuovo - A partire da EUR 64,16
Usato - A partire da EUR 7,89
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Editore: Mercury Music Corporation, 1965
Da: H&G Antiquarian Books, Sheboygan, WI, U.S.A.
Soft cover. Condizione: Very Good. sheet music, cover and text in very good condition, text clean with few very light pencil notation A399-5.
Hard Cover. Condizione: Very Good. No Jacket. Adler, Randolph (illustratore). Edited by Willis L. Parker.
Editore: Oxford University Press, 1971
Da: David's Books, Ypsilanti, MI, U.S.A.
Paperback. Condizione: Good. Book I, which has 20 of the 40 studies; 4to 11" - 13" tall; 11 pages.
Editore: Encyclopaedia Britannica Pub, Chicago, 1952
Da: WONDERFUL BOOKS BY MAIL, Durham-CA, CA, U.S.A.
HARDCOVER. Condizione: Very Good. Illustrated by # over Bird Spine Decoration (illustratore). OLDER SERIES. VERY GOOD Condition BLUE Clothbond,CLEAN, SOLID, BRIGHT ; ".part of a ten year reading plan." ; 618pg pages; Gold Spine Title On Blue Cloth With Bird Spine Ilust Under Spine Volume Number. Great Books Of The Western World" Series. Includes Biographical Note For Author.
Editore: Frank Rehn Gallery, 1972
Da: Whitledge Books, Austin, TX, U.S.A.
Libro Prima edizione
Soft cover. Condizione: Good. No Jacket. Adler, Samuel M. (illustratore). 1st Edition. The inside of the monograph is in near-fine condition with no tears, marks, underlining, folds, or notations. 16 color plates; rest are in b/w, all printed on glossy paper. The cover of the book is shelf-worn and scratched with shelf rubbing. Monograph for 25-year retrospective of works by Samuel M. Adler at Rehn Gallery (NYC) running Oct 30 ? Nov 18, 1972. From the preface by art professor Graham Collier: ?However abstract Adler's images become, the presence of man can be discerned; a silent presence occupying a time and space beyond our rational understanding, implying the persistence of memory and the continuity of our psychological experience. Standing before his work, whether it be the small scale collages or the larger wooden sculptures, I find myself recalling the words of that ancient Egyptian who wrote in clay, ?I wish to express from my body, feelings, the words for which are not in existence.? The image forces one to the realization that the questions which have always plagued man's understanding of himself in the universe, remain, today, the same questions. That the conflict between empirical and metaphysical realities remains the same conflict; and that the problems of God, love and death remain the central problems. Adler brings us to contemplate these issues for ourselves, while at the same time revealing his own joy and pain, his optimism and his pessimism, his dreams and his perceptions.These images are rooted in the great humanist tradition. Taking advantage of the freedom gained through this century's experiments in total abstraction, this artist works in that special kind of ideationless way which allows the symbolic form of the work to be discovered rather than contrived?hence its power as a true herald of the unconscious. At the same time, and almost as a bonus, he can make exquisite use of color and create plastic harmonies which are both beautiful and expressive.? Allen S. Weller writes a helpful overview of Adler and his work: ?The career of Samuel Adler, born in New York in 1898, has followed an unusual pattern. Although he studied at the National Academy of Design at a very early age, he was equally active as a musician, and for many years he played the violin in theatre orchestras to support himself. Far more self-critical than many artists, he did not start to exhibit his paintings until the 1940's, and he was fifty before his first New York one-man show. This at once established him as an artist of great sensitivity and thoughtful power, who has made some important contributions to one of the major artistic problems of our times?the combination of deeply felt humanism with the abstract qualities that are the normal artistic language today. Adler has been an extremely successful teacher, both in New York and during many periods as a visitor on different university campuses. He has traveled widely in Europe, North Africa, and Mexico, and has found such changes in his environment a stimulating factor in artistic activities. Adler's style, thematically considered, has followed a path that has seemed inevitable to many artists of his generation. Early works were primarily concerned with the human image, developed with a compassionate sense of personality. These became more and more abstract as the artist turned to still-life motifs in which studies of form relationships and the closest and most subtle color harmonies were stressed and developed. In the late 1950's and '60's the human image re-emerged, but now with an increasingly universal quality. Adler's mature work has a content that emerges from work created by an artist who respects himself, the materials he works with, and those to whom he speaks. It introduces some unusual technical elements and recently has given totally new dimension to the collage, which he has raised to unexpectedly monumental proportions. His collages are built up with layers of fine rag papers, applied with strong glues, sometimes stroked or colored wit.
Editore: De Luxe Editions, New York, 1932
Da: Abacus Bookshop, Pittsford, NY, U.S.A.
hardcover. Condizione: Very good copy. Illus. by Randolph Adler (illustratore). 1st thus edition. 8vo, 207 pp., Gilt-decorated blue suede spine; top edge gilt.
Editore: Oxford University Press 0
Da: Snow Crane Media, Millburn, NJ, U.S.A.
Soft cover. Condizione: New. New, Old store stock, very minor shelf wear, No surprises. Book.
Editore: Oxford University Press, 1970
Da: The Media Foundation, BEAVERTON, OR, U.S.A.
Unknown Binding. Condizione: Fine. Clean! Small, faded vocal dept. stamp in upper left corner of sheet music, otherwise New. 100% Satisfaction Guaranteed. Orders received before 3PM PT typically ship same day. All profits support the non-profit community. Free upgrade to First Class shipping.
Editore: Athens, GA: University of Georgia, 1968, Athens, GA, 1968
Da: G.J. Askins Bookseller, New Lebanon, NY, U.S.A.
Membro dell'associazione: SNEAB
Original Wraps. Condizione: Very Good. Limited. Original Wraps. Very Good. Limited. 8x11. A statement about his work by the artist. 22 Recent collages shown. Limited edition of 2000 copies. Unmarked, tight and clean.
Editore: Illustrated Editions, 1932
Da: Vashon Island Books, Vashon, WA, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good-. No Jacket. Illustrated by Randolph Adler (illustratore). First Thus. In cloth backed boards, gilt tilting, 8vo, 207pp. (light shelfwear, toning to endpapers). Size: 8vo - over 7¾" - 9¾" tall. Book.
Hardcover. Condizione: Good. No Jacket. 8vo. A Good copy. Book has edgewear, bumped corners, minor rubbing to boards, some sunning to boards, shelfwear, fading to spine, remnants of a ex libris sticker on inside front cover, and age-related toning to pages. Purple boards. Illustrations are complete & present.
Editore: Schirmer, New York, 1985
ISBN 10: 0028700708ISBN 13: 9780028700700
Da: Chequamegon Books, Washburn, WI, U.S.A.
Libro
Metal Spiral Bound Booklet. Condizione: Very Good. Second Edition. For use in a choral conducting class with the four voice parts, soprano, contralto, tenor and bass are represented. Approaches to right-hand techniques, development of the left hand, special choral problems, appendices. 604 pages.; 9 1/2 x 11 " This book will require extra shipping because of its heavy weight, please inquire.
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Editore: Encyclopaedia Britannica INC.;.WILLIAM BENTON PUBLISHEER, Chicago, 1952
Da: WONDERFUL BOOKS BY MAIL, Durham-CA, CA, U.S.A.
HARDCOVER. Condizione: Very Good. Illustrated by # over Bird Spine Decoration (illustratore). OLDER SERIES. VERY GOOD Condition BLUE Clothbond,CLEAN, SOLID, BRIGHT ; ".part of a ten year reading plan." Gold Spine Title On BLUE Cloth With Bird Spine Ilust Under Spine Volume Number; 618pg pages; Gold Spine Title On Blue Cloth With Bird Spine Ilust Under Spine Volume Number. Great Books Of The Western World" Series. Includes Biographical Note For Author.
Editore: Illustrated Editions Co., New York, 1932
Da: Saucony Book Shop, Kutztown, PA, U.S.A.
Prima edizione
Hardcover. Condizione: Near Fine. No Jacket. Randolph Adler (illustratore). 1st Edition. Black 1/4 cloth, violet cloth, lettered and accented in gilt, beveled edges, deckled text block edges. Cover cloth is mildly flecked along portions of edges, otherwise only slight wear. 206 pp., illus. Royal 8vo. Size: 8vo - over 7¾" - 9¾" tall. Book.
Editore: Cid 0
Da: Braintree Book Rack, Cohasset, MA, U.S.A.
Audio CD. Condizione: Very Good.
Editore: Cantors Assembly 1976/7, New York, 1976
Da: Henry Hollander, Bookseller, Los Angeles, CA, U.S.A.
Softbound. Condizione: Very Good. Quarto, paper covers, 4 pp. Text is in transliterated Hebrew.
Editore: De Luxe Editions, np, 1932
Da: Arch Bridge Bookshop, Bellows Falls, VT, U.S.A.
Libro
Half-Leather. Condizione: Very Good. No Jacket. Half-Leather. Edited by Willis L. Parker. Selected and arranged, concentrating and emphasizing the points of high interest. With an index. The leather is slightly worn at the top and bottom of the spine and at the outside of the hinges. The binding is tight and overall the book is in good+ condition.
Soft cover. Condizione: Very Good. Very Good, Pages Clean And Bright, Binding Tight. Name Of Prior Owner On Cover, Same Day Shipping. Book.
Editore: Theodore Presser Company, 2000
ISBN 10: 1598067575ISBN 13: 9781598067576
Da: Snow Crane Media, Millburn, NJ, U.S.A.
Libro
Soft cover. Condizione: New. New, No shelf wear, No surprises. Same day Shipping. Book.
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Editore: Holiday House, 1993
ISBN 10: 0823410447ISBN 13: 9780823410446
Da: SecondSale, Montgomery, IL, U.S.A.
Libro
Condizione: Good. Byrd, Samuel (illustratore). Good condition ex-library book with usual library markings and stickers.
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Editore: Frank Rehn Gallery
Da: Birkitt's Books, SARASOTA, FL, U.S.A.
Libro
paperback. Condizione: Good. Heavy wear and creasing to wraps, stapled binding, illustrated in black and white and color.