alan holzer (5 risultati)

Paperback. Condizione: Very Good. 1st Edition. clean and sound, minor wear to corners - POSTED FROM UK WITHIN 48HOURS.

Soft cover. Condizione: Good. Harry Gordon, John Goldsmith (illustratore). 1st Edition. 8vo. 32pp Bound in original printed wrappers. Articles by Louise Vatine;Richard Grunberger; John Goldsmith; Judy Bax; Alan Holzer; Harry Gordon; Arthur Moyse; John Baldwin. Drawings by Harry Gordon and John Goldsmith. Wrappers worn with creases, stain in lower margin of rear cover which has affected the three following pages. A good/reasonable copy only. Size 21 x 16cm.

Hardcover. Condizione: Very good. Condizione sovraccoperta: Very good. Don Pollard [Holzer photograph] and Alan Perlman [ (illustratore). First Printing [Stated]. [8], 311, [1] pages. Illustrations. Appendix. Notes. Index. Typed Holiday Greetings December 2015 from Norton Garfinkle and Sally Minard presenting a copy of this book to the recipient laid in. Harold Holzer (born February 5, 1949) is a scholar of Abraham Lincoln and the political culture of the American Civil War Era. He serves as director of Hunter College's Roosevelt House Public Policy Institute. Holzer previously spent twenty-three years as senior vice president for external affairs at The Metropolitan Museum of Art in New York before retiring in 2015. In his work as a historian Holzer has authored, co-authored, and edited 56 books and contributed more than 600 articles to magazines and journals, plus chapters and forewords for 71 additional books. In 2008, Holzer received the National Humanities Medal from President Bush and The Lincoln Medal of Honor from the Lincoln Society of Springfield, Illinois, the state's highest honor. Norton Garfinkle (born February 26, 1931) is an American economist, writer, and businessman. He is a Phi Beta Kappa graduate with honors from Columbia University and did graduate work at Columbia University and Princeton University. He taught economics and economic history at Amherst College, and was an editor the Journal of Economic History. Garfinkle is Chairman of the Future of American Democracy Foundation, a nonprofit, nonpartisan foundation in partnership with Yale University Press and the Yale Center for International and Area Studies, "dedicated to research and education aimed at renewing and sustaining the historic vision of American democracy". In A Just and Generous Nation, the eminent historian Harold Holzer and the noted economist Norton Garfinkle present a groundbreaking new account of the beliefs that inspired our sixteenth president to go to war when the Southern states seceded from the Union. Rather than a commitment to eradicating slavery or a defense of the Union, they argue, Lincoln's guiding principle was the defense of equal economic opportunity. Lincoln firmly believed that the government's primary role was to ensure that all Americans had the opportunity to better their station in life. As president, he worked tirelessly to enshrine this ideal within the federal government. He funded railroads and canals, supported education, and, most importantly, issued the Emancipation Proclamation, which opened the door for former slaves to join white Americans in striving for self-improvement. In our own age of unprecedented inequality, A Just and Generous Nation reestablishes Lincoln's legacy as the protector not just of personal freedom but of the American dream itself. Derived from a Kirkus review: The acclaimed Lincoln scholar and an economist make the argument that Abraham Lincoln worked tirelessly to maintain economic opportunity for all peoplea "right to rise" concept that has been sacred to politicians from then to the present. Lincoln wasn't exactly an abolitionist, write Holzer (Lincoln and the Power of the Press, 2014, etc.) and Garfinkle (Future of American Democracy Foundation), but he envisioned that all Americans could embrace the "American dream," from rags to riches as he hadeven African-Americans. The authors concentrate their study on evidence of speeches and acts of Lincoln's presidency that demonstrated his pursuit of "economic opportunity for the widest possible circle of hardworking Americans." Lincoln hoped to extend Northern middle-class society into the new territories, and he abhorred the Southern aristocratic mindset that was opposed to social mobility through tariffs and internal improvementse.g., public investment in infrastructure. New Western territories were, for Lincoln, meant for poor whites to "go and better their condition" and not for the spread of an institution, though protected by the Constitution, that restricted social mobility and depressed wages. The authors carefully sift Lincoln's speeches, beginning in 1854 with his shrewd political calculation that restricting slavery in the Western territories would mean that at some point in the near future, the "slow but sure arrival of an ever-growing western anti-slavery bloc" would spell the end of slavery in Congress. Time was on Lincoln's side, and he recognized that the nation "will become all one thing or all the other." Moreover, he used his own autobiography to sell the "self-made man" story, as the poor farmer's son who had scant education but huge motivation to better himself. In the second half of this compelling study, Holzer and Garfinkle trace how subsequent presidents managed this vastly changing postwar economic system and the shift from independent artisans to mills and factories. A well-honed work of driving focus, particularly timely in this new era of economic inequality.

48 pp.; 41 x 28.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Edited by J.M Sherry and Barbara Ess. Layout by [Barbara] Ess, J.M. Sherry, and Christine Hahn. Artist's projects by Michael Warren Powell, Mr. Mental, Ellen Bruno, Gail Vachon, Peter Velez, Ray Matthews, Becky Howland, Ann Mesner, Glenn Branca, J.M. Sherry, Tom Otterness, Robin Winters, Aline Mayer, Carol Black, Taro Suzuki, Howard Rodman, Lynne Tillman, Dick Miller, Demi, Mark Marek, Dan, Barbara Ess, Matt Mullican, Bart Plantenga, Janet Schwartz, Thaddeus Rutkowski, Barbarians for Socialism, Dan Grahm, Smegma, Jenny Holzer, Glenda Hydler, Henny Garfunkel, Rona Kuscher, Mr. and Mrs. Frank, Mitch Corber, Joe Lewis, Nick Antonopolus, Todd Jorgensen, Cara Brownell, Bobby G., Christy Rupp, Peggy Katz, Benny Ferdman, Peter Cummings, Margaret Dewys, William Skrips, Peter Marra, Eric Bogosian, Sammy, Christine Hahn, Barbara Kruger, Sally White, N.Y. Lost, Michael Glier, Michele Confredo, Carla Liss, Peter Moenig, Jeff Koons, Marcel Duchamp, Douglas Turnbough, M. Bock, Steven Harvey, 'R,' R.L. Seltman, Coetow Birnbaum, Louis Feitle, Kristen Hawthorne, Gary Morgan, Andy Baird, Lucinda Marshall, Jim Sutcliffe, Stephen Wischerth, and S. Battista. Music contributions include "Tongue Fingers," by Glann Branca; "I Get Up In The Morning, I Go To Bed At Night," by Robert Appleton; "European Man," by Jeffrey Lohn; "Something To Do," by Barbara Ess; "Smash The State," by Charlie Nash; "Rebel," by Diane Torr and Ingrid Slschy; "(Untitled) Number One," by Glenn Branca; "Folly Au Deux," by Margaret Dewys; "I Don't Need You," by Wharton Tiers; "In The West," by Steven Harvey; "Stay In My Room," by The Coachmen; "Amnesia," by Taro Suzuki; "Black Lung," by Martha Wilson; "Girls Are Short," by The Coachmen; "Lowly Worm," by Paul McMahon and Nancy Radloff "Dedicated To Alternative Space Girls Everywhere My Girl," by Kim Gordon and Nina Canal. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 217 - 218. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Fine. Covers and contents bright and clean as issued.

Paperback. Condizione: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia et al / No.20, 17, C: Merlin Carpenter, Bedfellows, Francisco Camacho Herrera, Radio Anti, Willats, Eliana Otta et al / No.21, C: Helen Walker & Harun Morrison, Pete Clarke, Lucie Kolb, Gary Bratchford & Robin Parkinson, Rebecca Davies & Eva Sajovic, Elina Otta, Stephen Willats, Javier Calderon, Chalton Gallery. Collated and correct. Near fine.