alberto craievich (66 risultati)

Softcover. Condizione: Fine. Stiff wraps with flaps. Color illustrations. Exhibition catalogue. Due to size, ships within US only and only by media rate mail. ; Small 4to 9" - 11" tall; 135 pp.

Condizione: New.

Condizione: New.

Paperback or Softback. Condizione: New. Splendour in Venice: From Canaletto to Guardi. Book.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting. Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition. This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display. Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century. The second part consists of 34 catalogue entries written by Luisa Sampaio, the curator of the exhibition. Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable. AUTHOR: Luisa Sampaio is currently in charge of Collections Management at the Calouste Gulbenkian Museum. As a curator, she takes care of the departments of Painting, Sculpture and the works of Rene Lalique in the Collection. In this capacity, she has curated various international exhibitions devoted to artists including Turner, Fantin-Latour, Carpeaux and Rodin. She recently curated the exhibition Rene Lalique and the Age of Glass (2020). She is the author of the Calouste Gulbenkian Museum's painting catalogue (2009). SELLING POINTS: . The Calouste Gulbenkian Museum and the Museo Thyssen-Bornemisza are joined forces once again to promote an encounter between the works of their respective collections. This project took as its theme Venetian painting from the 18th century, of which both institutions possess significant works that are a natural complement to one another . Renowned painters such as Canaletto, Guardi, Bellotto and Tiepolo, creators of some of the most brilliant compositions of their time, are brought together with other artists selected for the exhibition . The Gulbenkian Museum Collection thus possesses 19 of the Guardi's finest paintings, acquired between 1907 and 1921, comprising what is arguably one of the most important groups of his work in the world 140 colour, 4 b/w illustrations The collection of artworks featured here testifies to the attraction the city held for visitors, as enthusiastically echoed by two great 20th century collectors: Calouste Sarkis Gulbenkian and Hans Heinrich Thyssen-Bornemisza. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New. In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting.Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition.This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display.Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century.The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition.Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting.Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition.This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display.Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century.The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition.Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: New. Special order direct from the distributor.

Condizione: New.

Condizione: New. 2025. 1st Edition. paperback. . . . . .

paperback. Condizione: New.

Taschenbuch. Condizione: Neu. Neuware -The collection of artworks featured here testifies to the attraction the city held for visitors, as enthusiastically echoed by two great 20th century collectors: Calouste Sarkis Gulbenkian and Hans Heinrich Thyssen-Bornemisza.In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting. Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition. This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display. Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century. The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition. Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable. 208 pp. Englisch.

Taschenbuch. Condizione: Neu. Neuware -The collection of artworks featured here testifies to the attraction the city held for visitors, as enthusiastically echoed by two great 20th century collectors: Calouste Sarkis Gulbenkian and Hans Heinrich Thyssen-Bornemisza.In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting. Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition. This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display. Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century. The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition. Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable. 208 pp. Englisch.

Condizione: New. 2025. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Taschenbuch. Condizione: Neu. Neuware -The collection of artworks featured here testifies to the attraction the city held for visitors, as enthusiastically echoed by two great 20th century collectors: Calouste Sarkis Gulbenkian and Hans Heinrich Thyssen-Bornemisza.In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting. Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition. This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display. Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century. The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition. Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable.

Paperback. Condizione: Brand New. 208 pages. 11.81x9.06x9.06 inches. In Stock.

Cloth. Condizione: Fine Condition. 192 pages 120 illustrations in color. Text is in German. Foreword by Professor Dr. Ulrich Alois Weidmann. Illustrated boards. Published on the occasion of the exhibition from the Graphische Sammlung ETH Zürich 10 February-3 April 2016. Bibliography. Book.

Paperback. Condizione: New. In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting.Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition.This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display.Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century.The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition.Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable.

Condizione: NEW.

Condizione: NEW.

Paperback. Condizione: new. Paperback. In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting. Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition. This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display. Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century. The second part consists of 34 catalogue entries written by Luisa Sampaio, the curator of the exhibition. Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable. AUTHOR: Luisa Sampaio is currently in charge of Collections Management at the Calouste Gulbenkian Museum. As a curator, she takes care of the departments of Painting, Sculpture and the works of Rene Lalique in the Collection. In this capacity, she has curated various international exhibitions devoted to artists including Turner, Fantin-Latour, Carpeaux and Rodin. She recently curated the exhibition Rene Lalique and the Age of Glass (2020). She is the author of the Calouste Gulbenkian Museum's painting catalogue (2009). SELLING POINTS: . The Calouste Gulbenkian Museum and the Museo Thyssen-Bornemisza are joined forces once again to promote an encounter between the works of their respective collections. This project took as its theme Venetian painting from the 18th century, of which both institutions possess significant works that are a natural complement to one another . Renowned painters such as Canaletto, Guardi, Bellotto and Tiepolo, creators of some of the most brilliant compositions of their time, are brought together with other artists selected for the exhibition . The Gulbenkian Museum Collection thus possesses 19 of the Guardi's finest paintings, acquired between 1907 and 1921, comprising what is arguably one of the most important groups of his work in the world 140 colour, 4 b/w illustrations The collection of artworks featured here testifies to the attraction the city held for visitors, as enthusiastically echoed by two great 20th century collectors: Calouste Sarkis Gulbenkian and Hans Heinrich Thyssen-Bornemisza. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Cartonato. Condizione: new. Venezia, Ca' Rezzonico, 7 marzo - 8 giugno 2026.A cura di Alberto Craievich.Cornuda, 2026; cartonato, pp. 136, ill. col., cm 23x28. Libro.

Taschenbuch. Condizione: Neu. Neuware -The collection of artworks featured here testifies to the attraction the city held for visitors, as enthusiastically echoed by two great 20th century collectors: Calouste Sarkis Gulbenkian and Hans Heinrich Thyssen-Bornemisza.In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting. Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition. This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display. Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century. The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition. Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 208 pp. Englisch.

Brossura. Condizione: new. Venezia, Ca' Rezzonico, Museo del Settecento Veneziano, 15 febbraio - 18 maggio 2020.Trento, 2020; br., pp. 136, ill. b/n e col., cm 23x28.(Studi e Ricerche). Le collezioni del Gabinetto dei disegni e delle stampe sono uno dei tesori della Fondazione Musei Civici di Venezia. La consistenza è imponente: 50.000 stampe e 15.000 disegni. Con tali numeri anche questa semplice attività di manutenzione e verifica diventa un onere enorme. Gran parte delle opere su carta è giunta nelle nostre raccolte durante l'Ottocento attraverso 'ondate': i fondi Correr, Molin, Gherro, solo per citare alcuni dei più significativi. Il suo ordinamento è frutto quindi del gusto coevo. Al loro arrivo i fogli erano inventariati con precisione ma in molti casi venivano rifilati, incollati su ulteriori supporti, rilegati in album secondo tecniche o scuole. Gli antichi quaderni venivano così smembrati e i disegni o le stampe erano selezionate in base alla loro presunta importanza. Il gusto del tempo diventava un metro di giudizio insindacabile che portava all'attenzione una parte e relegava all'oblio l'altra, con le conseguenze che ciò comportava. In ogni caso, tale impegno ha permesso, ormai a quasi 200 anni dalla nascita dei Musei Civici, di tramandare un patrimonio che si presenta quasi quasi intatto, pur avendo attraversato calamità naturali ed eventi bellici. Libro.

Hardcover. Condizione: New. Qto., 192 pages, illustrated. A New copy. Book.

Paperback. Condizione: new. Paperback. In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting. Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition. This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display. Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century. The second part consists of 34 catalogue entries written by Luisa Sampaio, the curator of the exhibition. Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable. AUTHOR: Luisa Sampaio is currently in charge of Collections Management at the Calouste Gulbenkian Museum. As a curator, she takes care of the departments of Painting, Sculpture and the works of Rene Lalique in the Collection. In this capacity, she has curated various international exhibitions devoted to artists including Turner, Fantin-Latour, Carpeaux and Rodin. She recently curated the exhibition Rene Lalique and the Age of Glass (2020). She is the author of the Calouste Gulbenkian Museum's painting catalogue (2009). SELLING POINTS: . The Calouste Gulbenkian Museum and the Museo Thyssen-Bornemisza are joined forces once again to promote an encounter between the works of their respective collections. This project took as its theme Venetian painting from the 18th century, of which both institutions possess significant works that are a natural complement to one another . Renowned painters such as Canaletto, Guardi, Bellotto and Tiepolo, creators of some of the most brilliant compositions of their time, are brought together with other artists selected for the exhibition . The Gulbenkian Museum Collection thus possesses 19 of the Guardi's finest paintings, acquired between 1907 and 1921, comprising what is arguably one of the most important groups of his work in the world 140 colour, 4 b/w illustrations The collection of artworks featured here testifies to the attraction the city held for visitors, as enthusiastically echoed by two great 20th century collectors: Calouste Sarkis Gulbenkian and Hans Heinrich Thyssen-Bornemisza. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.