Da: Books From California, Simi Valley, CA, U.S.A.
hardcover. Condizione: Very Good.
Da: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
hardcover. Condizione: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.
Da: Queen City Books, Lynchburg, OH, U.S.A.
hardcover. Condizione: Very Good. Pictorial hardcover in very good condition with light wear to lower right corner. No dustjacket as issued.Your purchase benefits literacy and summer reading programs in Cincinnati and Hamilton County, Ohio. We ship every business day. All books ship in cardboard bookfolds with delivery confirmation. Sets or unusually heavy items ship in a box.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Austrian Academy of Sciences Press, 2025
ISBN 10: 3700185200 ISBN 13: 9783700185208
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New.
Da: California Books, Miami, FL, U.S.A.
EUR 61,24
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
EUR 59,36
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
EUR 68,44
Quantità: Più di 20 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Austrian Academy of Sciences Press, 2025
ISBN 10: 3700185200 ISBN 13: 9783700185208
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Condizione: new. This CD marks the first-ever recording of the piano songs by Eduard Hanslick (1825-1904). Best known as the chief critic for the "Presse" and "Neue Freie Presse", Hanslick was a pivotal figure in nineteenth-century debates about the music of Anton Bruckner, Franz Liszt, Richard Wagner, and the legitimacy of symphonic programme music. While his legacy as the author of the seminal treatise "On the Musically Beautiful" (1854) and as Vienna's first university professor of musicology-the earliest such position in German-language academia-have been studied before, his music remains largely unknown. This recording offers a fresh perspective on the artistic legacy of one of Europe's most influential musical figures of the nineteenth century. The accompanying booklet includes the original song texts alongside their English translations, as well as information on the CD series, the research supporting this recording endeavour, and the performers, Barbora de Nunes-Cambraia and Radka Dedicova. A QR code links to an open-access essay in English, authored by Anja Bunzel (Prague), Anthony Pryer (London), and Alexander Wilfing (Vienna). This essay explores Hanslick's multifaceted significance as a music critic, aesthetic theorist, historian, and composer, offering an in-depth analysis of the musical works featured on this CD. By surveying Hanslick's compositions in their historical context, we aim to spark greater interest in the creative activity of individuals who are often remembered more for critiquing music than for creating it. Diese CD erschliesst erstmals die Klavierlieder von Eduard Hanslick (1825-1904), der als Musikkritiker, Asthetiker und erster Universitatsprofessor fur Musikwissenschaft globale Beruhmtheit erlangte. Wahrend diese Aspekte seines Schaffens schon untersucht wurden, blieb seine Musik bisher relativ obskur. Diese CD wirft neues Licht auf Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condizione: New.
EUR 64,21
Quantità: Più di 20 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 56,65
Quantità: 10 disponibili
Aggiungi al carrelloCondizione: New.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 59,17
Quantità: 10 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 66,45
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 62,85
Quantità: 1 disponibili
Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Da: Revaluation Books, Exeter, Regno Unito
EUR 79,63
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 268 pages. 9.18x6.12x9.21 inches. In Stock.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 51,55
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New. 2025. Unabridged. audioCD. . . . . .
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 93,34
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: new.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 99,78
Quantità: 15 disponibili
Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
EUR 106,67
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
EUR 109,09
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 63,05
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Anja Bunzel works at the Institute of Art History, Czech Academy of Sciences, where she researches (semi-)private musical culture in nineteenth-century Prague within a European context. She is co-editor of Musical Salon Culture in the.
Condizione: New. 2025. Unabridged. audioCD. . . . . . Books ship from the US and Ireland.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 99,77
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Da: preigu, Osnabrück, Germania
EUR 52,65
Quantità: 5 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. Women in Nineteenth-Century Czech Musical Culture | Apostles of a Brighter Future | Anja Bunzel (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2025 | Routledge | EAN 9781032206585 | Verantwortliche Person für die EU: Taylor & Francis Verlag GmbH, Kaufingerstr. 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 110,62
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Condizione: New.
Lingua: Inglese
Editore: Boydell and Brewer Ltd, GB, 2019
ISBN 10: 1783273909 ISBN 13: 9781783273904
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
EUR 136,33
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. This book reconsiders the significance of the salon as a social and cultural phenomenon and as a source of artistic innovation and exchange in the long nineteenth century.This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches,this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon. ANJA BUNZEL holds a research position at the Czech Academy of Sciences. She gained her PhD in Musicology from Maynooth University and has published on Johanna Kinkel and nineteenth-century salon culture in both English and German. NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music, London. Her publications include Brahms in the Home and the Concert Hall (Cambridge, 2014) and Brahms and his Poets (Boydell Press, 2017). She is a pianist, broadcaster and critic. Contributors: Maren Bagge, PéterBozó, Anja Bunzel, Katie A. Callam, Beatrix Darmstädter, Mary Anne Garnett, Harald Krebs, Clemens Kreutzfeldt, Veronika Kusz, Natasha Loges, Jennifer Ronyak, Kirsten Santos Rutschman, R. Larry Todd, Katharina Uhde, Michael Uhde, Harry White, Petra Wilhelmy-Dollinger, Susan Youens.
Lingua: Inglese
Editore: Boydell and Brewer Ltd, GB, 2020
ISBN 10: 1783274107 ISBN 13: 9781783274109
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
EUR 136,40
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. Drawing on a wealth of unpublished sources surrounding Kinkel, this book explores the extent to which Kinkel's Lieder reflect and transcend compositional-aesthetic, cultural, and socio-political facets typically associated with the first half of the nineteenth century.Johanna Kinkel (1810-1858) was a German composer, music pedagogue, pianist, poet, writer, and activist. This is the first study to offer an exhaustive examination of Kinkel's published songs through the lens of her extraordinary biography and reception. Throughout her life, Kinkel was strongly invested in traditional family and household duties. First married to a Catholic book seller, she successfully filed for divorce in 1840, converted to the Protestantfaith, and, in 1843, married the poet, professor, and revolutionary Gottfried Kinkel (1815-1882), with whom she had four children. Many of her love songs reveal a sense of emotional hardship and longing for support and recognition. Similar sentiments can also be traced in Kinkel's private letters. On the other hand, she challenged typical gender conventions of the time in these private correspondences, in her poetry, music, and writings, and through public socio-political participation. Her political songs to words by herself, by Gottfried Kinkel, and by some of their poet-friends draw on such themes as freedom and democracy and are anchored in the German democratic movement during the first half of the century. Furthermore, Kinkel treats in her songs such typical Romantic topoi as nature, loneliness, eternity, and night thoughts. Her compositional aesthetics range from simple strophic settings with straightforward harmony to more diverse harmonic progressions, rhythmic peculiarities, and complex musical interpretations of poetic Romantic irony. This book provides insights into the depth and width of Kinkel's song aesthetics and into her positioning within and between such domains as musical professionalism and amateurism and 'masculine' and 'feminine' musical styles. It argues that Kinkel's songs both reflect and transcend aesthetic, cultural,and socio-political facets typically associated with female composers of the first half of the nineteenth century, thus adding a new layer to our understanding of both the composer Johanna Kinkel and nineteenth-century song moregenerally.