ann mcgarrell (32 risultati)

Soft cover. Condizione: Very Good. Softcover in overall good shape with general wear. Binding firm and square. clean throughout.

paperback. Condizione: Good.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback or Softback. Condizione: New. Gwen & Other Poems. Book.

Condizione: New.

hardback. Condizione: Fine. Condizione sovraccoperta: Fine. 198 p.

Condizione: good. Fast Free Shipping â" Good condition book with a firm cover and clean, readable pages. Shows normal use, including some light wear or limited notes highlighting, yet remains a dependable copy overall. Supplemental items like CDs or access codes may not be included.

Paperback. Condizione: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. A sound copy with only light wear. Overall a solid copy at a great price!

Paperback. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good.

paperback. Condizione: Good. Ships Out Tomorrow!

paperback. Condizione: Fine. Same / next day dispatch (Monday - Friday),

Condizione: New. In.

HARDCOVER. Condizione: Very Good. First. Harbor Mountain Press (Vermont). HARDCOVER. 2011. 0981556078 :Very faint shelfwear, else very good. From the personal collection of poet/publisher/astrologer/gourmet, Thomas Meyer at Skywinding Farm, Scaly Mountain, North Carolina. Artwork by Margaret Lampe Kannenstine. Unpaginated. . Very Good. First.

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships USPS Media Mail.

Condizione: New.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Used - Like New. New Mexico is widely considered a center for the visual arts, but one of the lesser-known features of its art world is the Roswell Artist-in-Residence Program (RAIR) in southeastern New Mexico. Begun in 1967 by patron Donald Anderson, this program has been known by artists as the 'Gift of Time.' Artists whose forms include painting, sculpture, photography, printmaking, ceramics, textiles, and other media work without distraction for six months to one year. RAIR provides studio and living space, along with a monthly living stipend, and artists with families are encouraged to apply and attend. In celebration of RAIR's fortieth anniversary, Ann McGarrell, whose husband was one of the artists-in-residence, has written an anecdotal history of the Roswell program. In a town known for its UFO landings, Roswell's Artist-in-Residence program provides a contemporary counterpoint to the Southwest's traditional art forms. Additionally, RAIR has provided inspiration to many of New Mexico's most prominent artists, including former attendees Luis Jimenez and Robert Parke Harrison.

Soft cover. Condizione: Very Good. 1st Edition. Privately owned, unmarked text, unbroken spine, light edge wear, some sun fading to covers. ships from Berlin Bookshop bxn128.

Condizione: New. KlappentextA stunning cycle of poems by poet and award-winning translator McGarrell takes as its source a love-affair between the Welsh painter Gwen John and the great French sculptor Auguste Rodin. A book of feminine depth and desire, o.

Taschenbuch. Condizione: Neu. Neuware - A stunning cycle of poems by poet and award-winning translator McGarrell takes as its source a love-affair between the Welsh painter Gwen John and the great French sculptor Auguste Rodin. A book of feminine depth and desire, of love, art, and loss, in a rare poetic voice.

Taschenbuch. Condizione: Neu. Gwen & Other Poems | Ann McGarrell | Taschenbuch | Kartoniert / Broschiert | Englisch | 2012 | Cove House Press | EAN 9780983347217 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condizione: Near Fine. Poetry magazine/ booklet. 265 x 210mm. 4 pp. Printed yellow and blue on cream stock. Drawings and writing by John Picking, no contribution by the editor (Finlay), poems by Horace (odes), Robert Simmons, Ann McGarrell, J.F.Henrdy, a page of poems by Guilliaume Apolinnaire translated by Edwin Morgan, Renzo Laurano, Christian Morgenstern, Kurt Sigel and Michael Shayer. Together with the stylish Opening Press folded printed flyer laid in (1965) the style of writing suggests the majority of text is by dsh. Talks of the ideas of the openings/ unfolders and of concepts and history of new poetry founded by Houedard (dsh), John Furnival and Edward Wright.

Hard Cover. Condizione: Near Fine. No Jacket. Jack Beal (illustratore). First Edition. The 114th handmade book from the press, a sequence of poems "Being a Recollection of four Friends' Excursion from Umbria through various French and Italian Places with digressive Reflections upon Matters of Gourmandaise, Botany, beloved Works of Art & Amourous Play" with botanical line drawings by frequent Hamady collaborator Jack Beal printed in several colors on several more colors & kinds of paper. #45 of 125 copies SIGNED by McGarrell & Beal; bound by Kent Kasuboske with assistance from Marta Gomez in flexible thin plywood boards on a vellum spine with exposed stitching - Kasuboske & Gomez were graduate students who studied with Hamady in the late 1980s; Kasuboske became Hamady's 'aide-de-camp' and made some of the paper used in the book; Gomez went on to produce her own fine books. Laid in are the original typed receipt to a standing-order customer, Laurence T. Giles - a few of whose poems were published by Hamady in 1978 - on one of the more interesting Perishable Press letterheads, with an unexplained additional discount, creased; the original scrap paper book number slip with the buyer's address in Hamady's hand, minor crease & bit of tape; and a folded flyer containing two Rimbaud poems, 'Seapiece' and 'Motion' in English & French, "Produced for Hermann Zapf in the Autumn of 1989" [as part of Zapf's 1993 publication 'Poetry Through Typography'] - a single sheet of (probably) Hamady's Shadwell paper about 22" by 8¼", folded thrice accordion-style, minor creasing. Zapf was an important type designer and friend of Hamady's, who used Zapf's Palatino face in many of his early books. All in a drop-spine box with embossed decoration after one of Beal's drawings. Contents near fine except as noted; the box does show some smudging, minor scuffs, slight discoloration. A surcharge for expedited or international shipping of this oversize book may be required; please inquire for an accurate quote. Size: 13¼" by 10½".

Perishable Press (illustratore). Oblong small folio. wood boards with vellum spine, original green cloth clamshell box with decorations in blind. unpaginated. Limited to 125 numbered copies signed by the author and illustrator. Printed by Walter Hamady. Fine in fine clamshell box. This particular copy has a warm inscription to noted collector Hugh McMillan from Salisbury Connecticut on the rear blank, nicknamed 'Huge Hart Hugh' by Hamady. Seven blank leaves of different types of handmade paper, 22 leaves of illustrations and text; and 5 further blank leaves of different types of handmade paper The 114th book of the press. Hand-printed in Sabon type, cast at Stempel Type Foundry, on a variety of different papers, including Twinrocker, Hamady's own handmade Shadwell paper, and several Japanese papers, including Tan, Skamoto, Kumoi, and Kurotoni. The binding of wood and vellum is by Kent Kasuboske with sewing assistance from book artist and conservator Marta Gomez. McGarell's content is a "recollection of four friends' excursion from Umbria through various French and Italian places, with digressive reflections upon matters of gourmandise, botany, beloved works of art & amourous play." Our copy of Flora: Poems is signed by both the poet and the artist. Jack Beal was born in Richmond, Virginia in 1931. He studied at the Norfolk Division of the College of William and Mary and the School of the Art Institute of Chicago. A grant from the National Endowment for the Arts in 1972 underscores his long list of accomplishments. The Art Institute of Boston awarded Beal an honorary Doctorate of Fine Arts in 1992 and in 1994 Hollins College in Virginia awarded him a Doctorate of Humane Letters. The American realist painter has lectured at over 100 schools, universities and museums, including University of Indiana, Purdue University, University of Wisconsin and Cooper Union. Beal lives and works in New York City and Oneonta, New York. Beal is best known for his paintings, murals and fine draftsmanship. In the early 1960's, he courageously renounced abstract expressionism for realism. He is among the diverse painters of "New Realism" who arose during the late 1960's. He is more closely aligned to Philip Pearlstein and Alfred Leslie than to the Photo-Realists. Particularly noteworthy are his compositions of the figure in interior environments filled with complex patterned fabrics, diagonal thrust and a point of view slightly below eye level. Publications that document his evolution as an artist include Eric Shanes' monograph Jack Beal, 1993; John Arthur's Realists at Work, 1983; and Mark Strand's Art of the Real, 1983. More than fifteen solo exhibitions at Allan Frumkin Gallery, Frumkin/Adams Gallery, and George Adams Gallery in New York and Chicago, as well as numerous international group exhibitions, have celebrated Beal's work since 1965. Four murals on The History of American Labor are among his national commissions. It took nearly three years to paint them. When they were complete in 1977, they were installed in the Department of Labor Building in Washington, D.C. In New York, Beal is represented in the prestigious collections of the Metropolitan Museum of Art, Whitney Museum, Museum of Modern Art, and the Neuberger Museum. Other museums that include Beal in their collections are the Art Institute of Chicago; Museum of Modern Art, San Francisco; National Gallery of Art, Washington, D.C.; Philadelphia Museum of Art; and Walker Art Center, Minneapolis. Brunswick Corporation, Ciba-Geigy Corporation, and Philip Morris Collection are among his patrons. More recently he has completed two mosaic murals for the Times Square Station of the New York subways. In 1995, Beal collaborated with Stewart & Stewart to do a screenprint. Tulip Angélique was drawn en plein air by the artist in the pink border. wood boards with vellum spine, original green cloth clamshell box with decorations in blind.