arbus doon (293 risultati)

Hardcover. Condizione: Good. The dust jacket has a small tear at the top Satisfaction 100% guaranteed.

Condizione: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Condizione: acceptable. Fast & Free Shipping â" A well-used but reliable copy with all text fully readable. Pages and cover remain intact, though wear such as notes, highlighting, bends, or library marks may be present. Supplemental items like CDs or access codes may not be included.

Condizione: Good. PLEASE NOTE: FORMER LIBRARY BOOK. IT MAY HAVE IDENTIFYING STAMPS, MARKS, STICKERS, ETC. Former Library book. hardcover 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

paperback. Condizione: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Paperback. Condizione: Good. Some light external wear. Otherwise, very clean, tight, square, and unmarked. A good copy. Pages are clean, text and pictures are intact and unmarred.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condizione: VG+. Condizione sovraccoperta: Near Fine. 1st Edition. 1st edition, 1st printing, New Directions hardcover w/ DJ, 2020. Book is VG, w/ clean text, solid binding. DJ is Near Fine, w/ just a bit of edge/shelf wear (no tears or chips). Free delivery confirmation.

Condizione: New. Brand New.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: New.

Condizione: New.

175 pp.; 28.5 x 24.3 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Large-scale exhibition catalogue / monograph on the magazine work of Diane Arbus with photographs and texts by Arbus. Published in conjunction with show held at Spencer Museum of Art, University of Kansas, Lawrence, KS, January 22 - March 4, 1984. Traveled to Minneapolis Institute of Arts, Minneapolis, MN, May 5 - June 24, 1984; University of Kentucky Museum, Lexington, KY, October 28 - December 30, 1984; University Art Museum, California State University, Long Beach, CA, January 29 - February 24, 1985; Neuberger Museum, State University of New York at Purchase, Purchase, NY, April 15 - June 9, 1985; Wellesley College Museum, Wellesley College, Wellesley, MA, September 6 - October 27, 1985 and Philadelphia Museum of Art, Philadelphia, PA, February - March 1986. Essay by Thomas W. Southall, edited by Doon Arbus and Marvin Israel. Includes a bibliography. Good / Very Good. Rubbing of dust-jacket edges with 2 mm. of loss to bottom corners and yellowing of covers. Dust soiling to text block edge, contents are clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. Sealed. Hardcover.

Condizione: As New. Unread book in perfect condition.

Condizione: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Reprint ] Publisher: Aperture Pub Date: 6/15/2005 Binding: paperback Pages: 175 Reprint edition.

paperback. Condizione: near fine. ARBUS, Diane (illustratore). First. 177 pages. 8vo, brown wrappers with black lettering. New York: Aperture, (2011). Near fine.

Paperback. Condizione: Good. 174pp. Minor corner bumping. Z9.

Hardcover. Condizione: new. Hardcover. Following the death of a renowned and eccentric collector-the author of Stuff, a seminal philosophical work on the art of accumulation-the fate of the privately endowed museum he cherished falls to a peripatetic stranger who had been his fervent admirer. In his new role as caretaker of The Society for the Preservation of the Legacy of Dr. Charles Morgan, this restive man, in service to an absent master, at last finds his calling. The peculiar institution over which he presides is dedicated to the annihilation of hierarchy: peerless antiquities commune happily with the ignored, the discarded, the undervalued and the valueless. What transpires as the caretaker assumes dominion over this reliquary of voiceless objects and over its visitors is told in a manner at once obsessive and matter-of-fact, and in language both cocooning and expansive. A wry and haunting tale, The Caretaker, like the interplanetary crystal that is one of the museum's treasures, is rare, glistening, and of a compacted inwardness. Kafka or Shirley Jackson may come to mind, and The Caretaker may conjure up various genres-parables, ghost stories, locked-room mysteries-but Doon Arbus draws her phosphorescent water from no other writer's well. A lush, disorienting novel, The Caretaker takes no prisoners as it explores the perils of devotion and the potentially lethal charisma of things Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New. Following the death of a renowned and eccentric collector-the author of Stuff, a seminal philosophical work on the art of accumulation-the fate of the privately endowed museum he cherished falls to a peripatetic stranger who had been his fervent admirer. In his new role as caretaker of The Society for the Preservation of the Legacy of Dr. Charles Morgan, this restive man, in service to an absent master, at last finds his calling. The peculiar institution over which he presides is dedicated to the annihilation of hierarchy: peerless antiquities commune happily with the ignored, the discarded, the undervalued and the valueless. What transpires as the caretaker assumes dominion over this reliquary of voiceless objects and over its visitors is told in a manner at once obsessive and matter-of-fact, and in language both cocooning and expansive. A wry and haunting tale, The Caretaker, like the interplanetary crystal that is one of the museum's treasures, is rare, glistening, and of a compacted inwardness.        Kafka or Shirley Jackson may come to mind, and The Caretaker may conjure up various genres-parables, ghost stories, locked-room mysteries-but Doon Arbus draws her phosphorescent water from no other writer's well.

Paperback. Condizione: New. Following the death of a renowned and eccentric collector-author of Stuff, a seminal philosophical work on the art of accumulation-the fate of the privately endowed museum he cherished falls to a peripatetic stranger who had been his fervent admirer. This peculiar institution (The Society for the Preservation of the Legacy of Dr Charles Alexander Morgan) is dedicated to the annihilation of hierarchy: peerless antiquities commune happily with the ignored, the discarded, the undervalued and the valueless. What transpires as the caretaker assumes dominion over this reliquary of voiceless objects and over its visitors is told in a manner at once obsessive and matter of fact, and in language both cocooning and expansive. A wry and haunting tale, The Caretaker, like the interplanetary crystal that is one of the museum's treasures, is rare, glistening and of a compacted inwardness.Kafka or Shirley Jackson may come to mind, and The Caretaker may conjure up various genres-parables, ghost stories, locked-room mysteries-but Doon Arbus draws her phosphorescent water from no other writer's well.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Ships same or next business day.

Condizione: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paperback. Condizione: new. Paperback. Following the death of a renowned and eccentric collector-author of Stuff, a seminal philosophical work on the art of accumulation-the fate of the privately endowed museum he cherished falls to a peripatetic stranger who had been his fervent admirer. This peculiar institution (The Society for the Preservation of the Legacy of Dr. Charles Alexander Morgan) is dedicated to the annihilation of hierarchy: peerless antiquities commune happily with the ignored, the discarded, the undervalued and the valueless. What transpires as the caretaker assumes dominion over this reliquary of voiceless objects and over its visitors is told in a manner at once obsessive and matter of fact, and in language both cocooning and expansive. A wry and haunting tale, The Caretaker, like the interplanetary crystal that is one of the museum's treasures, is rare, glistening, and of a compacted inwardness. Kafka or Shirley Jackson may come to mind, and The Caretaker may conjure up various genres-parables, ghost stories, locked-room mysteries-but Doon Arbus draws her phosphorescent water from no other writer's well. A lush, disorienting novel, The Caretaker takes no prisoners as it explores the perils of devotion and the potentially lethal charisma of things Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New. Following the death of a renowned and eccentric collector-the author of Stuff, a seminal philosophical work on the art of accumulation-the fate of the privately endowed museum he cherished falls to a peripatetic stranger who had been his fervent admirer. In his new role as caretaker of The Society for the Preservation of the Legacy of Dr. Charles Morgan, this restive man, in service to an absent master, at last finds his calling. The peculiar institution over which he presides is dedicated to the annihilation of hierarchy: peerless antiquities commune happily with the ignored, the discarded, the undervalued and the valueless. What transpires as the caretaker assumes dominion over this reliquary of voiceless objects and over its visitors is told in a manner at once obsessive and matter-of-fact, and in language both cocooning and expansive. A wry and haunting tale, The Caretaker, like the interplanetary crystal that is one of the museum's treasures, is rare, glistening, and of a compacted inwardness.       Kafka or Shirley Jackson may come to mind, and The Caretaker may conjure up various genres-parables, ghost stories, locked-room mysteries-but Doon Arbus draws her phosphorescent water from no other writer's well.