Lingua: Inglese
Editore: New Society Publishers, Limited, 2015
ISBN 10: 0865717850 ISBN 13: 9780865717855
Da: Better World Books Ltd, Dunfermline, Regno Unito
EUR 11,27
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Softcover. Condizione: Good. Presumed first printing, trade paperback, the hinges are popped and there is a pull to the binding at the last page, but the book remains firm. It also has bumps with creasing to the spine ends and corners, wear with scuffs and small peels to the hinges and cover edges, sunning to the spine, areas of soiling to the cover edges, and some small spots to the edges of the text block. Overall, this is a solid, Good only copy.
Editore: San Francisco: Bob Perelman, 1978
Da: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
Prima edizione
Soft cover. Condizione: Fine. 1st edition. Near Fine. 8vo, 120pp, printed wrappers. Nice copy of the fifth issue of this language poetry magazine edited by Bob Perelman; Clay and Phillips call Hills "the sweetest of all language-centered journals." Unmarked copy, minor signs of age. Not Signed.
Editore: Berkeley and Oakland: Lyn Hejinian and Barrett Watten, 1986
Da: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. 1st edition. VG. 8vo, 144pp, printed wrappers. Middle issue of this great book-format review edited by Barrett Watten and Lyn Hejinian. Unmarked copy, creasing to back cover and a few adjacent leaves, light wear otherwise. Not Signed.
Editore: Tucson, AZ: Ironwood Press, 1982
Da: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. 1st edition. VG+. 8vo, 144pp, printed wrappers. This issue is divided between an anthology devoted to Language Poetry, edited by Ron Silliman, and work by and tributes to Hilda Morley. Unmarked copy, light cover scuffing (clean overall). Not Signed.
Lingua: Inglese
Editore: Mode A (an imprint of This Press), 2006
ISBN 10: 097901980X ISBN 13: 9780979019807
Prima edizione
Softcover. Condizione: Good+. Condizione sovraccoperta: Good. First Edition. First printing, four volume set of small trade paperbacks in jackets, each was limited to 1000 copies, and the books all have a mild lean to their binding, as well as a touch of shelf wear to their spine ends, edges and corners. Additionally, Parts 2-4 have some light soiling to their exterior, with a few instances of staining to their pages, and overall, this is a solid, tight, Good+ set in Good dust jackets, which have sunning to their spine, a bit of uneven toning/offsetting to their covers, wear with some creasing to their spine ends, edges and corners, and rubbing with smudging and areas of soiling to their covers. There is also a short tear to the tail of the rear hinge of the jacket for Part 4. Additional images available by request. ISBNs - 9780979019807 (Pt. 1, 2006, 80 pp.); 9780979019814 (Pt. 2, 2007, 96 pp.); 9780979019821 (Pt. 3, 2007, 128 pp.); 9780979019838 (Pt. 4, 2007, 160 pp.).
Editore: This Press, San Francisco, 1980
Da: The Poetry Bookshop : Hay-on-Wye, Hay-on-Wye, POWYS, Regno Unito
Rivista / Giornale Prima edizione
EUR 35,44
Quantità: 1 disponibili
Aggiungi al carrelloCard Wrappers. Condizione: Very Good. Watten Barrett (covers) (illustratore). First Edition. Unpaginated. Covers lightly soiled. Book.
Editore: Hills, San Francisco, 1978
Da: Brian Cassidy Books at Type Punch Matrix, Silver Spring, MD, U.S.A.
Prima edizione
Condizione: Very good. First Edition. Founded in Iowa City by Perelman and Michael Waltuch, HILLS was an early publisher of what came to be known as language poetry. This issue, the first produced after Perelman moved from Iowa City to San Francisco, features a cover photograph by Jon Winet depicting the "Center Ice" at the Cow Palace, near S.F. [Clay and Phillips, 247]. Wraps. 8vo. Publisher's printed wraps. Some toning and edgewear. Interior bright and tight throughout. 119pp.
Editore: New York: L=A=N=G=U=A=G=E, 1978
Da: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. 1st edition. VG+. 8vo, 28pp (self-cover). The sixth issue of this seminal seventies magazine of experimental writing. Includes a section of responses to work by Gertrude Stein. Unmarked copy, light toning and edge spotting. Not Signed.
Editore: Mode A [through 2010], Detroit, 2006
Da: Fine Editions Ltd, Willow Street, PA, U.S.A.
Membro dell'associazione: IOBA
Prima edizione Copia autografata
Card Covers. Condizione: Fine. First Edition. First Edition of this experiment in collective autobiography, complete in ten volumes. Crown 8vo (173 x 104mm): 79,[1]; 90,[6]; 127,[1]; 159,[1]; 143,[1]; 159,[1]; 207,[1]; 207,[1]; 223,[1]; 271,[1]pp. Publisher's white stiff card covers, original wrappers with French flaps, printed in various colors and priced $12.95. Part 1 signed to half-title page by Ron Silliman, one of ten poets who collaborated on the project: "For Richard / Back in the / Day," with printout of e-mail correspondence between Silliman and the recipient, California poet Richard Krech, and Bagazine postcard addressed to Krech in Albany, California. Part 2 signed to Krech by Lyn Hejinian on title page. Very Fine (pristine and unread), in custom cloth-covered slip case by Fitterer. The Grand Piano (the title derives from a legendary San Francisco coffeehouse where the project's authors programmed, coordinated, and participated in a reading and performance series from 1976 to 1979) was written over a decade of close collaboration among ten poets from what became known as the Language School. Each volume features essays by all ten writers, often responding to prompts and problems arising from one another's essays in the series. "Centered on the rise of Language poetry in San Francisco in the second half of the 1970s, the project explores a wide range of issues in poetics and the lives of poets then and now. . . . The Grand Piano's authors worked together via a listserv whose archive contains tens of thousands of e-mails that document the depth and intensity of collective effort this project entailed." (thegrandpiano online) Silliman's poetry newsletter, Tottel's (197081), contributed to the development of ideas in language poetry. According to Wikipedia: "Gertrude Stein, particularly in her writing after Tender Buttons, and Louis Zukofsky, in his book-length poem A, are the modernist poets who most influenced the Language school. In the postwar period, John Cage, Jackson Mac Low, and poets of the New York School (John Ashbery, Frank O'Hara, Ted Berrigan) and Black Mountain School (Robert Creeley, Charles Olson, and Robert Duncan) are most recognizable as precursors to the Language poets. . . . The language poets also drew on the philosophical works of Ludwig Wittgenstein, especially the concepts of language-games, meaning as use, and family resemblance among different uses, as the solution to the Problem of universals. N. B. With few exceptions (always identified), we only stock books in exceptional condition." N. B. With few exceptions (always identified), we only stock books in exceptional condition. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.).