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Editore: Cornell University Press, 2018
ISBN 10: 150172276XISBN 13: 9781501722769
Da: SecondSale, Montgomery, IL, U.S.A.
Libro
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Editore: John Benjamins Publishing Compan, 1988
ISBN 10: 1556190468ISBN 13: 9781556190469
Da: HPB-Red, Dallas, TX, U.S.A.
Libro
Hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!.
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Usato - A partire da EUR 24,04
Editore: Harvard University Press, 1997
ISBN 10: 0674962605ISBN 13: 9780674962606
Da: HALCYON BOOKS, LONDON, Regno Unito
Libro
Hardcover. Condizione: Good. No dust jacket. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.
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Usato - A partire da EUR 12,88
Editore: Cambridge University Press CUP, 2016
ISBN 10: 1316506975ISBN 13: 9781316506974
Da: Books Puddle, New York, NY, U.S.A.
Libro
Condizione: New. pp. 206.
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Editore: Brill Academic Publishers, 1997
ISBN 10: 9004107304ISBN 13: 9789004107304
Da: Books From California, Simi Valley, CA, U.S.A.
Libro
Hardcover. Condizione: Fine. Still Sealed in Plastic. Never used!.
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Editore: Wiley-Blackwell, 2014
ISBN 10: 1118782917ISBN 13: 9781118782910
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Libro
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 2.3.
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Editore: Cambridge University Press, 2013
ISBN 10: 052111120XISBN 13: 9780521111201
Da: HPB-Emerald, Dallas, TX, U.S.A.
Libro
hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Editore: John Benjamins Publishing Co, 1988
ISBN 10: 9027220573ISBN 13: 9789027220578
Da: Antiquariat Bookfarm, Löbnitz, Germania
Libro
307 pages Ex-Library Book in good condition. 9789027220578 Sprache: Englisch Gewicht in Gramm: 536.
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Editore: Amsterdam/ Philadelphia, John Benjamins 1988, 1988
Da: Antiquariaat Pieter Judo (De Lezenaar), Hasselt, Belgio
Membro dell'associazione: ILAB
313pp. + 2pp. theses, 22cm., text in English, Doctoral Dissertation (Rijksuniversiteit te Leiden, the Netherlands), softcover, stamp at verso of title page, text is clean and bright, K112461.
Da: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Paesi Bassi
Amst., 1988. 312 pp. Softcover.
Editore: Cornell University Press, 1997
ISBN 10: 0801432952ISBN 13: 9780801432958
Da: Lucky's Textbooks, Dallas, TX, U.S.A.
Libro
Condizione: New.
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Editore: Brill Academic Pub, 2012
ISBN 10: 9004169660ISBN 13: 9789004169661
Da: Revaluation Books, Exeter, Regno Unito
Libro Print on Demand
Paperback. Condizione: Brand New. 652 pages. 9.75x6.25x1.50 inches. In Stock. This item is printed on demand.
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Editore: Genf, Fondation Hardt, 2006
ISBN 10: 2600007520ISBN 13: 9782600007528
Da: Antiquariat im OPUS, Silvia Morch-Israel, Oppenheim, Germania
Libro
XIII., 334 S., 1nn.S. Gutes und sauberes Exemplar. Sprache: Französisch Gewicht in Gramm: 581 Leineneinband, Schutzumschlag ca. 22,6 x 15,8 cm Entretiens Sur L'Antiquite Classique de La Fondation Hardt Band : 52 ; Beiträge in verschiedenen Sprachen : Englisch, Französisch, Deutsch, Italienisch.
Editore: Brill, Leiden & New York, 1997
ISBN 10: 9004107304ISBN 13: 9789004107304
Da: Any Amount of Books, London, Regno Unito
Libro Prima edizione
8vo. pp viii, 262. Original publisher's light blue cloth, lettered gilt on spine and on front cover. Mnemosyne, bibliotheca classica Batava. Supplementum; 171. ISBN: 9004107304 Fine in fine dust jacket. Excellent condition. Like new.
Editore: Utrecht, Douwe Egberts, 1955
Da: Versand-Antiquariat Konrad von Agris e.K., Aachen, Germania
Libro
4°, Halbleinen. Condizione: Sehr gut. 57 Seiten : mit Abbildungen Halbleinen Einband mit geprägtem Rückentitel und Deckel Illustration; Einband sehr gut erhalten; Kanten leicht berieben; insgesamt Papier innen altersbedingt leicht nachgedunkelt und sehr gut; die Sammelbilder vollständig und sehr gut . Als Versandart wählen wir immer eine schnelle Option (in Deutschland Brief oder DHL-Paket, ins Ausland Warenpost oder DHL-Paket). Preis inkl. MwSt. Sprache: Niederländisch Gewicht in Gramm: 951.
Editore: Harvard University, Center for Hellenic Studies. 30.01.2006., 2006
ISBN 10: 0674019555ISBN 13: 9780674019553
Da: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germania
Libro
Condizione: Gut. 205 Seiten Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - leicht berieben, ansonsten tadelloser Zustand / slightly rubbed otherwise perfect condition - Homeric epic is concerned with the past. Its heroes are larger than life and accomplish their exploits in a bygone age outside the reach of ordinary mortals. Yet epic is not only a nostalgic memory of a remote past, but also, as performance, a deliberate act in the present. In fact, as this book argues, memory is itself a deliberate act when it is turned into epic language. With numerous fresh linguistic observations the author shows that the epic narrator makes the epic past come to the present: epic is not only a verbal artifact that points to the past; it also is a performer s act of pointing at a past that has become present in and through language. Building on his earlier work, Bakker demonstrates the power of discourse analysis, in this case a detailed analysis of the language of "deixis" as an essential tool for elucidating the poetics of the Homeric tradition. The book deals with such varied topics as epic formulas, grammatical tense, and the celebrated "vividness" of the Homeric poems. ISBN 9780674019553 Sprache: Englisch Gewicht in Gramm: 356 14,0 x 1,3 x 21,6 cm, Broschiert.
Editore: Brill, Leiden & New York, 1997
ISBN 10: 9004107304ISBN 13: 9789004107304
Da: Any Amount of Books, London, Regno Unito
Libro Prima edizione
8vo. pp viii, 262. Original publisher's pale blue cloth, lettered gilt on spine and on front cover. ISBN: 9004107304 Fine in very faintly rubbed, fine dust jacket.
Editore: Brill Academic Pub, 2002
ISBN 10: 9004120602ISBN 13: 9789004120600
Da: Books From California, Simi Valley, CA, U.S.A.
Libro
Hardcover. Condizione: Very Good.
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Editore: Wiley-Blackwell, 2010. 9781405153263, 2010
ISBN 10: 1405153261ISBN 13: 9781405153263
Da: Rothwell & Dunworth (ABA, ILAB), Dulverton, Regno Unito
Libro Prima edizione
1st edn. Tall 8vo. Original silver lettered black cloth (fore edge very lightly marked - otherwise Fine), dustwrapper (VG in protective cover). Pp. xxxix + 657, illus with figures and tables (no inscriptions).
Editore: Brill Academic Pub, 2017
ISBN 10: 9004339698ISBN 13: 9789004339699
Da: Revaluation Books, Exeter, Regno Unito
Libro Print on Demand
Hardcover. Condizione: Brand New. bilingual edition. 308 pages. 9.25x6.25x0.75 inches. In Stock. This item is printed on demand.
Editore: Wiley-Blackwell, 2010
ISBN 10: 1405153261ISBN 13: 9781405153263
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
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Editore: Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Da: Specific Object / David Platzker, New York, NY, U.S.A.
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.
Editore: Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Da: Specific Object / David Platzker, New York, NY, U.S.A.
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Rubbing, scratching and light edge wear to covers and soiling to text block edges. Volume 1 has bumping of upper right corner extending to first three pages; Volume 2 has 10.5 cm. dog-ear to lower right corner and 2.7 cm. dog-ear to verso corner; volume three has 2.5 cm. area of numeric embossment and bumping of bottom right corner. Contents of all volumes are otherwise clean and unmarked.