Softcover, 230 pages; very good condition; clean and crisp; no internal marks.
Editore: Reaktion Books 1991, 1991
Da: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Nuova Zelanda
Membro dell'associazione: IOBA
EUR 8,48
Quantità: 1 disponibili
Aggiungi al carrelloSuper octavo softcover (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.
Soft cover. Condizione: Very good. No jacket. Top inner corners of front and back covers are creased. Inside is clean and unmarked.
Soft cover. Condizione: Good. No jacket. Cover is lightly worn along edges. Half centimeter vertical tear from bottom edge of front cover. Cover and pages are lightly tanned, but otherwise clean and unmarked.
Editore: Reaktion Books London 1993, 1993
Da: Andrew Barnes Books / Military Melbourne, Melbourne, VIC, Australia
Prima edizione
EUR 29,33
Quantità: 1 disponibili
Aggiungi al carrello1st edition stiff wrappers Fine large octavo 164pp., bibliog., index, Critical Views Series.
Editore: GRANTA 30 November 1963, Cambridge, 1963
Da: William Allen Word & Image, London, Regno Unito
EUR 24,04
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: very good. Stephen Gray, John Barrell, Nick Humphrey, Mark Lushington (eds), GRANTA Vol. 68 No. 1231, GRANTA, Cambridge, 1963. 218 x 280. Printed blue and black on white, orange and pink stock. The Modern Art Issue features an Essay on Kinetic Art and Frank Malina by Reg Gadney (cover design also features Galaxy by Malina), alongside 'Notes on Alberto Giacometti' by Stephen Bann, 'Pop Art' by Robert Harvey, 'The Importance of Ben Nicholoson' by Charles Harrison, 'Annie and Child' by Jules Lubbock. The issue also features poems from Thomas Clark, John Roe and Jeremy Hilton. Condition: very good.
Editore: Philip Steadman, Cambridge, 1968
Da: William Allen Word & Image, London, Regno Unito
Prima edizione
EUR 24,04
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. 240 x 240 mm. 32pp. Printed black and white, stapled. Issue no. 7 of Form magazine. The most significant British magazine of the 1960s concentrating on pure abstraction and through this art theory, avant-garde magazines et al. This issue includes features on Kinetic Art in Czechoslovakia and Kinetic Film, Cinema and Semiology, New American Photography and Great Little Magazines. Contributors include Alice Andrews, Robert W. Fchter, Roger Mertin, Reginald Heron, Thomas F. barrow, Joel Meyerowitz, Simon Cutts, Peter Wollen, Jan Slavik. Condition: Spotting, handling and wear to covers and some pages. As seen, first four pages have heavy crease top right corner. No tears or writing. reference copy only. Good.
Editore: Philip Steadman, Cambridge, 1968
Da: William Allen Word & Image, London, Regno Unito
Prima edizione
EUR 48,08
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very Good+. 240 x 240 mm. 32pp. Printed black and white, stapled. Issue no. 7 of Form magazine. The most significant British magazine of the 1960s concentrating on pure abstraction and through this art theory, avant-garde magazines et al. This issue includes features on Kinetic Art in Czechoslovakia and Kinetic Film, Cinema and Semiology, New American Photography and Great Little Magazines. Contributors include Alice Andrews, Robert W. Fchter, Roger Mertin, Reginald Heron, Thomas F. barrow, Joel Meyerowitz, Simon Cutts, Peter Wollen, Jan Slavik. Condition: Some light toning to covers, Internally and overall Very Good+.
Editore: Tarasque Press, Nottingham, 1967
Da: William Allen Word & Image, London, Regno Unito
Rivista / Giornale Prima edizione
EUR 691,21
Quantità: 1 disponibili
Aggiungi al carrelloNo Binding. Condizione: Near fine. 1st Edition. Edited by Simon Cutts and Stuart Mills, Private Tutor, Issues 1-12 (complete set), Tarasque Press, The Trent Book Shop, Trent Bridge, Nottingham, August 1967 September 1970. 260 x 200 mm. Letterpress printed (black and red on white stock) broadside periodical (A4 verso only) that features rules, statements and questions on poetry, in the playful and polemical mode of Tarasque Press. Edition of 100 (unnumbered).Number 1 opens with the mission statement, 'Assuming from the onset that the reader has little or no grounding in literature we will commence and continue in a very direct manner.' Number 3 declares, 'The true concern of the poet should be the avoidance of ugliness. Art exists by the tolerance of others. It might be argued therefore that a poet using his craft as a vehicle for politics will ultimately find his readership amongst politicians, the more sensitive finding this misuse of poetry irksome and a deceit. In this country today a large percentage of poetry written by younger poets avoids the integral beauty exemplified by the fusion of form language and motif.' Number 5 presents Edwin Morgan's 'Making a Poem'. Number 7, printed in orange, involves a series of questions by Stephen Bann. In issue 9, Cutts asks the question 'Are earthquakes weather?' Number 10 features Mills' poem 'Skylines/Sea-lanes'. Ian Hamilton Finlay is featured in three issues: issue 8 (printed in green), 'Arcady ABC.' (some questions on the poem); issue 11, 'The Weed Boat Masters Ticket Preliminary Test (Part One); issue 12, 'Boats of Letters'.Condition: near fine.