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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. One of the distinctive qualities of Solweig de Barry's painting is the balance between suggestion and formulation, conceptual distance and intuition, between representation and abstraction. The exhibition at the Kunstverein Heilbronn is the first extensive presentation of her work in an institution to date and includes works on canvas and a glass painting on the large window front of the Kunstverein. There are impressive examples over the centuries, such as the cathedrals of Chartres or Amiens, the Notre Dame du Ronchamp chapel by Le Corbusier or the stained glass windows by contemporary artists such as Gerhard Richter in Tholey or, more recently, Olafur Eliasson in Greifswald, to name but a few. What they all have in common, however, is that color and glass are firmly connected through the technical process of production. Solweig de Barry sought to find a way to realize this painting on glass panes in situ with paint that has the same translucent quality as classic glass art, because most commercially available paints applied to glass panes actually cast a grey or black shadow on the floor. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Gallix, Gif sur Yvette, Francia
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Aggiungi al carrelloAK. Junge Kunst e.V. Wolfsburg, 3.9. - 4.11.2022. Text: Jörg Henningsa. Berlin: Motiv Offset, 2022. Farb. illustr. OBrosch. mit orangerotem OU. 45 Seiten mit 20 teils ganzs. farbigen Werkabbildungen. - 26 x 21. * Druckfrisch und unbenutzt !
Editore: Wolfsburg. Junge Kunst 2022. 44 Seiten. Zahlreiche farbige Abbildungen. Sprache: deutsch. Format ca. (26 x 21,5) cm. Original Schutzumschlag., 2022
Da: Antiquariat Bernd Preßler, Ahnatal Weimar, Germania
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Aggiungi al carrelloOhne Stempel, keine An-und Unterstreichungen, sehr guter Zustand. Softcover. Original geheftet. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.
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Da: AussieBookSeller, Truganina, VIC, Australia
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. One of the distinctive qualities of Solweig de Barry's painting is the balance between suggestion and formulation, conceptual distance and intuition, between representation and abstraction. The exhibition at the Kunstverein Heilbronn is the first extensive presentation of her work in an institution to date and includes works on canvas and a glass painting on the large window front of the Kunstverein. There are impressive examples over the centuries, such as the cathedrals of Chartres or Amiens, the Notre Dame du Ronchamp chapel by Le Corbusier or the stained glass windows by contemporary artists such as Gerhard Richter in Tholey or, more recently, Olafur Eliasson in Greifswald, to name but a few. What they all have in common, however, is that color and glass are firmly connected through the technical process of production. Solweig de Barry sought to find a way to realize this painting on glass panes in situ with paint that has the same translucent quality as classic glass art, because most commercially available paints applied to glass panes actually cast a grey or black shadow on the floor. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. One of the distinctive qualities of Solweig de Barry's painting is the balance between suggestion and formulation, conceptual distance and intuition, between representation and abstraction. The exhibition at the Kunstverein Heilbronn is the first extensive presentation of her work in an institution to date and includes works on canvas and a glass painting on the large window front of the Kunstverein. There are impressive examples over the centuries, such as the cathedrals of Chartres or Amiens, the Notre Dame du Ronchamp chapel by Le Corbusier or the stained glass windows by contemporary artists such as Gerhard Richter in Tholey or, more recently, Olafur Eliasson in Greifswald, to name but a few. What they all have in common, however, is that color and glass are firmly connected through the technical process of production. Solweig de Barry sought to find a way to realize this painting on glass panes in situ with paint that has the same translucent quality as classic glass art, because most commercially available paints applied to glass panes actually cast a grey or black shadow on the floor. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.