EUR 9,00
Quantità: 1 disponibili
Aggiungi al carrelloEncuadernación de tapa blanda. Condizione: Bien. 304 pp.
Lingua: Inglese
Editore: Meisha Merlin Publishing, Inc., 2006
ISBN 10: 1592221092 ISBN 13: 9781592221097
Da: BennettBooksLtd, Los Angeles, CA, U.S.A.
Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!
Editore: London: Published by Barrie and Rockliff, 1961
Da: Benedict Wilson Books, Folkestone, KENT, Regno Unito
Rivista / Giornale Prima edizione
EUR 33,71
Quantità: 1 disponibili
Aggiungi al carrelloFIRST EDITION. Octavo (27 x 18cm), pp.81-168. Publisher's printed wraps. Illustrated with black and white plates. Toned to edges and covers, lightly handled. Very good. Featuring four poems by Malcolm Lowry.
Lingua: Inglese
Editore: Academic Press Inc 2014-01-14, 2014
ISBN 10: 0123964601 ISBN 13: 9780123964601
Da: Chiron Media, Wallingford, Regno Unito
EUR 135,42
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardcover. Condizione: New.
EUR 152,61
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 628 12:B&W 8.5 x 11 in or 280 x 216 mm Perfect Bound on White w/Gloss Lam.
Condizione: New. pp. 628.
Da: Revaluation Books, Exeter, Regno Unito
EUR 156,78
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 2nd edition. 614 pages. 10.87x8.50x1.25 inches. In Stock.
EUR 176,98
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 628.
Editore: Amsterdam. Academic Press / Elsevier., 2009
ISBN 10: 0080878512 ISBN 13: 9780080878515
Da: Antiquariat Hennwack, Berlin, Germania
EUR 30,00
Quantità: 1 disponibili
Aggiungi al carrelloFirst edtion. 4to. xi, 490 S. OPb. Einband leicht berieben, Aufkleber auf Deckel, sonst gut erhaltenes Exemplar. Sprache: englisch.
EUR 99,00
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Usado- bueno.
Editore: Beaux Arts Gallery., 1964
Da: Roe and Moore, London, Regno Unito
Prima edizione
EUR 100,53
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. 1st Edition. 12mo. Original paper wrappers, stapled. Three b/w plates, short biography, 18 item catalogue. A little thumbed. Behrens formed part of the tightly knit group of artists and intellectuals who frequented the Colony Room (John Deakin's famous photograph, Lunch at Wheelers, is of Behrens, Freud, Bacon, Auerbach and Andrews, the Soho drinking club where Lucian Freud and others such as Francis Bacon spent much time during the late 1950s and the early 1960s. Behrens posed in Freud's small Paddington studio for a portrait in 1962 (Red-Haired Man on a Chair) and 1963] and was also the subject of a portrait by Michael Andrews (permanent collection of the Thyssen-Bornemisza Museum). His father was Edward Michael Behrens the financier. In 1953, he already owned La Resèrve restaurant, when he bought the "influential" Hanover Gallery from Arthur Jeffress. Hanover Gallery represented Francis Bacon who had his first solo show there in 1949, and did so until 1958 when he left for the Marlborough Gallery. Behrens was visiting the empty gallery for the first time one evening when Erica Brausen, who ran the gallery, mentioned in passing that she would be closing up the next day. Behrens was "immediately fascinated" by Bacon's work, and offered to help. Jeffress "detested" Bacon and that was his main reason for backing out of the Hanover Gallery] Jeffress apparently thought that Behrens also "loathed" Bacon.
Editore: Beaux Arts Gallery., 1962
Da: Roe and Moore, London, Regno Unito
Prima edizione
EUR 112,35
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. 1st Edition. 12mo. Original paper wrappers, stapled. Two b/w plates, short biography, 19 item catalogue. A little thumbed. Behrens formed part of the tightly knit group of artists and intellectuals who frequented the Colony Room (John Deakin's famous photograph, Lunch at Wheelers, is of Behrens, Freud, Bacon, Auerbach and Andrews, the Soho drinking club where Lucian Freud and others such as Francis Bacon spent much time during the late 1950s and the early 1960s. Behrens posed in Freud's small Paddington studio for a portrait in 1962 (Red-Haired Man on a Chair) and 1963] and was also the subject of a portrait by Michael Andrews (permanent collection of the Thyssen-Bornemisza Museum). His father was Edward Michael Behrens the financier. In 1953, he already owned La Resèrve restaurant, when he bought the "influential" Hanover Gallery from Arthur Jeffress. Hanover Gallery represented Francis Bacon who had his first solo show there in 1949, and did so until 1958 when he left for the Marlborough Gallery. Behrens was visiting the empty gallery for the first time one evening when Erica Brausen, who ran the gallery, mentioned in passing that she would be closing up the next day. Behrens was "immediately fascinated" by Bacon's work, and offered to help. Jeffress "detested" Bacon and that was his main reason for backing out of the Hanover Gallery] Jeffress apparently thought that Behrens also "loathed" Bacon.
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 129,16
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: new. Questo è un articolo print on demand.