biggins walter (20 risultati)

Condizione: Good. Good condition ex-library book with usual library markings and stickers.

Soft cover. Condizione: Near Fine. Softcover, 149 pgs. Near fine+ with very minimal wear.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Very Good. 1758286532. 9/19/2025 12:55:32 PM.

Condizione: New.

Paperback. Condizione: New. In 1989, Bob Mould took a left turn. Already legendary before his 30th birthday for his noise-and-nuance work in Hüsker Dü, Mould had recently walked away from his old band. He re-emerged with his debut solo album: Workbook. Filled with chiming acoustic guitars, multitracked vocals, pristine production, and even a cello, Workbook was both admired and questioned for Mould's perceived departure from his post-punk roots. Three decades later, the album has emerged as a key for understanding the nascent alternative rock genre and the concerns Mould would explore for the duration of his career. Fusing post-punk sound and confessional lyrics with a richer emotional and musical range, Mould's Workbook merged worlds that seemed unbridgeable at the time. Alternative rock emerged from the wreckage of the 1980s, and Workbook was a model for the genre's maturation. Workbook serves its title in two ways-as a map for musicians to follow into a new mode, and as a journal of Mould's struggle toward adulthood. It opens conversations about rock, identity, spirituality, authenticity, and the perils and promises of mainstream culture. Walter Biggins and Daniel Couch, two critics who grew up with Workbook, extend these conversations-through letters and emails to each other, and through correspondence with Mould and Workbook's musicians and producers. That crosstalk leads to, through this seminal album, a deeper understanding of "alternative rock" at the moment of its inception, just before it took over the radio.

Paperback. Condizione: new. Paperback. In 1989, Bob Mould took a left turn. Already legendary before his 30th birthday for his noise-and-nuance work in Huesker Due, Mould had recently walked away from his old band. He re-emerged with his debut solo album: Workbook. Filled with chiming acoustic guitars, multitracked vocals, pristine production, and even a cello, Workbook was both admired and questioned for Moulds perceived departure from his post-punk roots. Three decades later, the album has emerged as a key for understanding the nascent alternative rock genre and the concerns Mould would explore for the duration of his career. Fusing post-punk sound and confessional lyrics with a richer emotional and musical range, Moulds Workbook merged worlds that seemed unbridgeable at the time. Alternative rock emerged from the wreckage of the 1980s, and Workbook was a model for the genres maturation. Workbook serves its title in two waysas a map for musicians to follow into a new mode, and as a journal of Moulds struggle toward adulthood. It opens conversations about rock, identity, spirituality, authenticity, and the perils and promises of mainstream culture. Walter Biggins and Daniel Couch, two critics who grew up with Workbook, extend these conversationsthrough letters and emails to each other, and through correspondence with Mould and Workbooks musicians and producers. That crosstalk leads to, through this seminal album, a deeper understanding of alternative rock at the moment of its inception, just before it took over the radio. Workbook offers a close look at the music, production, and contexts of the album, and, by doing so, places the record in the center of the various discourses that would evolve into alternative and, later, indie rock Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: new.

Condizione: New. pp. 160.

Paperback. Condizione: Brand New. workbook edition. 144 pages. 6.75x4.75x0.75 inches. In Stock.

Condizione: New. Series: 33 1/3. Num Pages: 128 pages. BIC Classification: AVC; AVGP. Category: (G) General (US: Trade). Dimension: 165 x 120. . . 2017. Workbook. Paperback. . . . .

Condizione: New. Series: 33 1/3. Num Pages: 128 pages. BIC Classification: AVC; AVGP. Category: (G) General (US: Trade). Dimension: 165 x 120. . . 2017. Workbook. Paperback. . . . . Books ship from the US and Ireland.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. pp. 160.

Paperback. Condizione: New.

Paperback. Condizione: new. Paperback. In 1989, Bob Mould took a left turn. Already legendary before his 30th birthday for his noise-and-nuance work in Huesker Due, Mould had recently walked away from his old band. He re-emerged with his debut solo album: Workbook. Filled with chiming acoustic guitars, multitracked vocals, pristine production, and even a cello, Workbook was both admired and questioned for Moulds perceived departure from his post-punk roots. Three decades later, the album has emerged as a key for understanding the nascent alternative rock genre and the concerns Mould would explore for the duration of his career. Fusing post-punk sound and confessional lyrics with a richer emotional and musical range, Moulds Workbook merged worlds that seemed unbridgeable at the time. Alternative rock emerged from the wreckage of the 1980s, and Workbook was a model for the genres maturation. Workbook serves its title in two waysas a map for musicians to follow into a new mode, and as a journal of Moulds struggle toward adulthood. It opens conversations about rock, identity, spirituality, authenticity, and the perils and promises of mainstream culture. Walter Biggins and Daniel Couch, two critics who grew up with Workbook, extend these conversationsthrough letters and emails to each other, and through correspondence with Mould and Workbooks musicians and producers. That crosstalk leads to, through this seminal album, a deeper understanding of alternative rock at the moment of its inception, just before it took over the radio. Workbook offers a close look at the music, production, and contexts of the album, and, by doing so, places the record in the center of the various discourses that would evolve into alternative and, later, indie rock Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. In 1989, Bob Mould took a left turn. Already legendary before his 30th birthday for his noise-and-nuance work in Huesker Due, Mould had recently walked away from his old band. He re-emerged with his debut solo album: Workbook. Filled with chiming acoustic guitars, multitracked vocals, pristine production, and even a cello, Workbook was both admired and questioned for Moulds perceived departure from his post-punk roots. Three decades later, the album has emerged as a key for understanding the nascent alternative rock genre and the concerns Mould would explore for the duration of his career. Fusing post-punk sound and confessional lyrics with a richer emotional and musical range, Moulds Workbook merged worlds that seemed unbridgeable at the time. Alternative rock emerged from the wreckage of the 1980s, and Workbook was a model for the genres maturation. Workbook serves its title in two waysas a map for musicians to follow into a new mode, and as a journal of Moulds struggle toward adulthood. It opens conversations about rock, identity, spirituality, authenticity, and the perils and promises of mainstream culture. Walter Biggins and Daniel Couch, two critics who grew up with Workbook, extend these conversationsthrough letters and emails to each other, and through correspondence with Mould and Workbooks musicians and producers. That crosstalk leads to, through this seminal album, a deeper understanding of alternative rock at the moment of its inception, just before it took over the radio. Workbook offers a close look at the music, production, and contexts of the album, and, by doing so, places the record in the center of the various discourses that would evolve into alternative and, later, indie rock Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. In 1989, Bob Mould took a left turn. Already legendary before his 30th birthday for his noise-and-nuance work in Huesker Due, Mould had recently walked away from his old band. He re-emerged with his debut solo album: Workbook. Filled with chiming acous.

Taschenbuch. Condizione: Neu. Neuware.

Paperback. Condizione: New. In 1989, Bob Mould took a left turn. Already legendary before his 30th birthday for his noise-and-nuance work in Hüsker Dü, Mould had recently walked away from his old band. He re-emerged with his debut solo album: Workbook. Filled with chiming acoustic guitars, multitracked vocals, pristine production, and even a cello, Workbook was both admired and questioned for Mould's perceived departure from his post-punk roots. Three decades later, the album has emerged as a key for understanding the nascent alternative rock genre and the concerns Mould would explore for the duration of his career. Fusing post-punk sound and confessional lyrics with a richer emotional and musical range, Mould's Workbook merged worlds that seemed unbridgeable at the time. Alternative rock emerged from the wreckage of the 1980s, and Workbook was a model for the genre's maturation. Workbook serves its title in two ways-as a map for musicians to follow into a new mode, and as a journal of Mould's struggle toward adulthood. It opens conversations about rock, identity, spirituality, authenticity, and the perils and promises of mainstream culture. Walter Biggins and Daniel Couch, two critics who grew up with Workbook, extend these conversations-through letters and emails to each other, and through correspondence with Mould and Workbook's musicians and producers. That crosstalk leads to, through this seminal album, a deeper understanding of "alternative rock" at the moment of its inception, just before it took over the radio.