Bildhauer bettina (101 risultati)

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Near Fine. 1st Edition. First Edition. 8vo. 264 pp. Black cloth lettered in white at spine. Crown of spine bumped. Minor crease to crown of jacket spine. Very Good in Near Fine dust jacket.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: As New. Hardcover with dust jacket in Like New condition. Carefully packaged to avoid damage in shipping.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. This is the first interdisciplinary study of one of the crucial elements of medieval imaginations of the world: blood. It takes a theoretically informed approach to the subject and is thus the first to propose that blood shapes the body as a distinct identity. The author shows that by taking blood and bodies seriously, we gain significant new insights into medieval culture. The author's central thesis is that blood affirms the body as one of the major tenets of medieval thought and identity. 'The body' is not a given, enclosed, unified entity, always already different from the mind and from its surroundings. The concept of such an enclosed body is instead produced by various strategies, of which several use blood. This book will appeal to scholars and students who are interested in the history of the body across a wide range of disciplines: German studies, literature, medieval history, history of religion, history of medicine and gender studies.…

Condizione: New.

Softcover. Condizione: leichte Gebrauchsspuren. The figure of the monster in medieval culture functions as a vehicle for a range of intellectual and spiritual inquiries, from questions of language and representation to issues of moral, theological, and cultural value. Monstrosity is bound up with questions of body image and deformity, nature and knowledge, hybridity and horror. To explore a culture's attitudes to the monstrous is to comprehend one of its most important symbolic tools. The Monstrous Middle Ages looks at both the representation of literal monsters and the consumption and exploitation of monstrous metaphors in a wide variety of high and late-medieval cultural productions, from travel writings and mystical texts to sermons, manuscript illuminations and maps. Individual essays explore the ways in which monstrosity shaped the construction of gender and sexual identity, religious symbolism, and social prejudice in the Middle Ages. Reading the Middle Ages through its monsters provides an opportunity to view medieval culture from fresh perspectives. The Monstrous Middle Ages will be essential reading for anyone interested in the concept of monstrosity and its significance for both medieval cultural production and contemporary critical practice. In englischer Sprache. pages.…

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, and may have sticker on cover, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780719077029. …

Condizione: New. In English.

Paperback. Condizione: New. Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New. Presents an interdisciplinary study of one of the crucial elements of medieval imaginations of the world: blood. This book shows how blood affirms the body as one of the major tenets of medieval thought. It is suitable for those interested in the history of the body across a wide range of disciplines: medieval history, and history of religion. Series: Religion and Culture in the Middle Ages. Num Pages: 224 pages, Illustrations. BIC Classification: HRAX. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 216 x 142 x 18. Weight in Grams: 402. . 2010. Paperback. . . . .…

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture. -- . An interdisciplinary study of 'medieval film' and its cultural functions Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. Presents an interdisciplinary study of one of the crucial elements of medieval imaginations of the world: blood. This book shows how blood affirms the body as one of the major tenets of medieval thought. It is suitable for those interested in the history of the body across a wide range of disciplines: medieval history, and history of religion. Series: Religion and Culture in the Middle Ages. Num Pages: 224 pages, Illustrations. BIC Classification: HRAX. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 216 x 142 x 18. Weight in Grams: 402. . 2010. Paperback. . . . . Books ship from the US and Ireland.…

Condizione: New. In English.

Condizione: New.

paperback. Condizione: New.

Condizione: New. An interdisciplinary study of 'medieval film' and its cultural functions Editor(s): Bernau, Anke; Bildhauer, Bettina. Num Pages: 224 pages, Illustrations, black & white. BIC Classification: APF; HBLC1. Category: (UF) Further/Higher Education. Dimension: 145 x 218 x 16. Weight in Grams: 342. . 2012. New in paperback. paperback. . . . .…

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 264 pages : illustrations ; 24 cm. Summary:From inside cover - "In this groundbreaking account of film history, Bettina Bildhauer shows how, from the earliest silent film to recent blockbusters, medieval topics and plots have played an important but overlooked role in the development of cinema.".…