bildhauer (Oltre 2.200 risultati)

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Near Fine. 1st Edition. First Edition. 8vo. 264 pp. Black cloth lettered in white at spine. Crown of spine bumped. Minor crease to crown of jacket spine. Very Good in Near Fine dust jacket.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good. Text clean and tight; 1.02 x 8.58 x 5.51 Inches; 224 pages.

Paperback. Condizione: Fair. 2nd Revised edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Condizione: As New. Hardcover with dust jacket in Like New condition. Carefully packaged to avoid damage in shipping.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. Condizione: leichte Gebrauchsspuren. The figure of the monster in medieval culture functions as a vehicle for a range of intellectual and spiritual inquiries, from questions of language and representation to issues of moral, theological, and cultural value. Monstrosity is bound up with questions of body image and deformity, nature and knowledge, hybridity and horror. To explore a culture's attitudes to the monstrous is to comprehend one of its most important symbolic tools. The Monstrous Middle Ages looks at both the representation of literal monsters and the consumption and exploitation of monstrous metaphors in a wide variety of high and late-medieval cultural productions, from travel writings and mystical texts to sermons, manuscript illuminations and maps. Individual essays explore the ways in which monstrosity shaped the construction of gender and sexual identity, religious symbolism, and social prejudice in the Middle Ages. Reading the Middle Ages through its monsters provides an opportunity to view medieval culture from fresh perspectives. The Monstrous Middle Ages will be essential reading for anyone interested in the concept of monstrosity and its significance for both medieval cultural production and contemporary critical practice. In englischer Sprache. pages.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780719077029.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780719077029.

Farbiger OPpbd., Condizione: sehr guter Zustand. (s. Foto). 1. Aufl. Leipzig, Insel, 1969. 8°. 67 S. Farbiger OPpbd., sehr guter Zustand. (s. Foto). Insel - Bücherei Nr. 925. Sprache: de.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.

Condizione: Befriedigend. Loseblattwerk Vier farbige Produktblätter der Bonner Bildhauer- und Drechslerwaaren-Industrie Wilh. Streck auf dünnem, farbigen Papier, um 1880. 3 Blätter im Format ca. 29 x 20-23 cm, davon eines beidseitig bedruckt, 1 großes mehrfach gefaltetes Blatt ca. 25,5 x 85 cm. Die Blätter sind gelocht und haben teilw. Randläsuren. Dargestellte Produkte: Zimmerthürbekrönungen aus Weichholz,Treppenpfosten und Treppenbaluster, Stuhlleisten, Gesimse, Bau- und Möbelleisten, Consolen für Wand-Bretter, Complette Bettgarnituren, Schlafzimmer-Einrichtung. Sprache / Language: de.

Paperback. Condizione: new. Paperback. Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture. -- . An interdisciplinary study of 'medieval film' and its cultural functions Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Reproduktion einer Graphik von Robert van der Eycken auf rückseitig unbedrucktem Karton, Kartongröße ca. 29 x 23 cm, sauber und sehr gut erhalten 510 gr.

Condizione: New.

Taschenbuch / geringe Gebrauchsspuren Zustand gut.

paperback. Condizione: New.

ANRUFUNG DES HORIZONTS, SKAGEN-ZEIT Verlag: Bremerhaven: Edition Die Horen 1- Auflage 1987, ERSTAUSGABE, 112 SS. illustriertes Pb.(20,2 x 20 cm), gut erhalten.

Hans Angerer (1947) dt. Bildhauer in MurnauGrosse Einladungskarte (8°, mittig gefaltet) zur Ausstellungseröffnung der Bayernwerk AG, Nov. 1981Ausstellung Formen u. Wege bayerischer Künstler in Glas, Keramik, Holz , unter seinem Titelbild eigenhändig signiert.