bill dane (49 risultati)

Paperback. The Spring 1984 issue of Aperture magazine, No. 94, with: Ron Horning on the "Autobiography of Larry Clark;" photographs by Max Yavno of Morocco and Mexico; colonial photography in Africa with text by Nicolas Monti; portfolio of photographs by Bill Dane, introduced by John Fitzgibbon; photographs by William Larson of Tucson; photographs of the Wisconsin Dells by 19th-century photographer and naturalist H.H. Bennett and text by David A. Hanson; and much more. Edited by Michael Hoffman and Carole Kismaric. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Very Good+ paperback with light shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

paperback. Condizione: Very Good.

Condizione: New. Lorenz, Tony; Barrett, Dane (illustratore).

DVD. Condizione: Used - Good.

Condizione: New. Lorenz, Tony; Barrett, Dane (illustratore).

No Binding. Condizione: VG+. 1280-106. A VG or better original release 8 x 10 stills. Photographic Image.

Condizione: As New. Lorenz, Tony; Barrett, Dane (illustratore). Unread book in perfect condition.

No Binding. Condizione: VG+. 1280-106. A good or better original release 8 x 10 stills. Photographic Image.

No Binding. Condizione: VG+. 1280-65. A good or better original release 8 x 10 stills. Photographic Image.

No Binding. Condizione: VG+. 1280-65. A good or better original release 8 x 10 stills. Photographic Image.

No Binding. Condizione: VG+. 1280-12. A good or better original release 8 x 10 still. Photographic Image.

No Binding. Condizione: VG+. 1280-67. A good or better original release 8 x 10 still. Photographic Image.

No Binding. Condizione: VG+. 1280-67. A good or better original release 8 x 10 still. Photographic Image.

No Binding. Condizione: VG+. 1280-106. A good or better original release 8 x 10 stills. Photographic Image.

Paperback. Condizione: new. Lorenz, Tony; Barrett, Dane (illustratore). Paperback. The Citizen Kane of 80 outsider small press comics, published in its entirety for the first-time ever.THE COMPLETE JONTAR features nearly 300 pages of the full story, all-new creator interviews and never-before-released alternate issues by entirely different artists!Male stripper by night and street sanitation worker by even later-night, JONTAR finds his mulleted and naive existence is about to seriously change after the discovery of a disappearing elf in a trashcan. When a group of blackmailing mob heavies harass his best gym buddy, JONTAR intervenes only to be tragically and fatally stabbed. Before permanent death takes hold, his soul is transported to the "dream dimension" of Master Elf-Keeper, who resurrects JONTAR as his chosen earthly sword-bearing avenger to lead in some of the most delightfully WTF adventures comics has ever seen.Originally published at the height of the indie black-and-white comic boom of the '80s, the JONTAR series was self-published by creator Bill W. Miller. He enlisted five separate artists over the course of nine issues to realize his wildly warped and singular vision which includes disappearing camels, petrified elves, lizard lords, Christian punk cults, and even a gritty 90s-style reboot rebranding the franchise with era-appropriate anti-heroes. Foil and UV cover enhancements! Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

No Binding. Condizione: VG+. 1280-69. A good or better original release 8 x 10 still. Photographic Image.

Paperback. 195p., a short prefatory essay and an author vita, remain pages entirely consisting of full-page reproductions, softbound first edition in oblong 8x10 inch decorated wraps with an author photoportrait. Covers slightly edgeworn, first blank signed & inscribed to Barbara Dane, a companion lefty protester of Reagan's business as usual. Very good copy: sound, clean and otherwise unmarked.

No Binding. Condizione: VG+. 1280-60. A good or better original release 8 x 10 still. Photographic Image.

Softcover, 32 pages, very good condition, no internal marks, clean and crisp, exhibition postcard enclosed.

Soft cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. SIGNED and INSCRIBED by Dane to previous owner! Large, oblong paperback, b + w photographs throughout book. Condition: back cover and jacket have a couple of diagonal crease marks; there is some rubbing and scratching to the jacket at front and back. Otherwise, a very bright and solid copy overall. Collectible. Inscribed by Author.

Condizione: New. Lorenz, Tony; Barrett, Dane (illustratore). In.

Condizione: New. Lorenz, Tony; Barrett, Dane (illustratore). Special order direct from the distributor.

Paperback. Condizione: New. Lorenz, Tony; Barrett, Dane (illustratore).

Condizione: As New. Lorenz, Tony; Barrett, Dane (illustratore). Unread book in perfect condition.

Condizione: New. Lorenz, Tony; Barrett, Dane (illustratore).

Paperback / softback. Condizione: New. Lorenz, Tony; Barrett, Dane (illustratore). New copy - Usually dispatched within 4 working days.

Paperback. Condizione: Brand New. Lorenz, Tony; Barrett, Dane (illustratore). 256 pages. 10.50x7.50x0.20 inches. In Stock.

Soft cover. Condizione: Fine.

Condizione: Good. 8.5 x 11 in., oblong; original wrappers . 32 pages, 25 color illustrations New condition.Bill Dane (aka Bill Zulpo-Dane), born William Thacher Dane on November 12, 1938, is a North American street photographer best known for pioneering a way to subsidize his public by using photographic postcards. He has mailed over 50,000 of his pictures as photo-postcards since 1969.[ As of 2007, Dane's method for making his photographs available shifted from mailing photo-postcards to offering his entire body of work on the internet."What's that?" is not an uncommon response for viewers confronting one of Bill Dane's photographs. This is a curious question, given the fact that Dane approaches the "real world"with his camera as squarely as Atget, Evans, or Friedlander. He photographs what exists, with no manipulation or fabrication. So if the world does not make much sense in Dane's photographs, it is not his fault. He presents things as he sees them, and should not be held accountable for the unspeakably creepy landscape made of colored cotton (plate 21), nor for the misaligned segments of a Victorian dinner party (plate 7)?much less for the fact that the hosts's carafe appears to be pouring no wine.Dane rarely allows considerations of time or place to restrict his subject matter. Matthew Brady may have been limited to Civil War, but Dane's openness to all possibilities allows him to address such wide-ranging subjects as the myth of the Wild West (plates 17 and 22), Moses delivering the Ten Commandments (plate 13), and The End of Life as We Know It (plate 20). Clearly no subject is safe from Dane, least of all one which someone has bothered to depict before him. Consider his photographs of the excruciatingly bad painting of the Golden Gate Bridge (plate 19). We would not be surprised to learn that the painting was found, and photographed, in a dumpster. This particular view, as seen from the Marin Headlands, is grist for the mill of tens of thousands of tourist photographs every year. Dane accentuates the postcard motif by giving us an ersatz sunset reflected in the water, the by-product of the camera flash he makes no attempt to hide. No one would say of this photograph that is the next best thing to being there.Of course Dane's subject is how theses things are depicted as much as it is about the "subjects" themselves. Thus plate 19 may be in varying degrees about (a) the Golden Gate Bridge, (b) the torn and taped painting of the Golden Gate Bridge, (c) the strangely inept way in which the Golden Gate Bridge is painted, and (d) the way it all looks photographed. Try as we might, it is difficult to find plausible reasons why many such things exist as they do. Dane's universe is a place where appearances must be questioned, then questioned again. His work finally reminds us that the world is often and inexplicable place, and for our own piece of mind (and pleasure) we might was well get used to it.?from the introduction by Jeffrey Fraenkel.

Hardcover. Condizione: Fine. No jacket. Rebound in cloth. Inscribed by the photographer on the title page.