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Aggiungi al carrelloCondizione: New. In English.
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Aggiungi al carrelloPaperback. Condizione: New. One of the traits that Arte Povera artists have in common is to deconstruct things and not to privilege the material as an end in itself. It is likely that, among the artists of the movement, there is also a distinction between material and materiality. Arte povera artists, for example, do not have sculpture as their goal.Rather, they seek the process, the experience; rather, they have a critical look at aesthetic production. To borrow the word, they are rather 'anaesthetic'. As in a certain way, moreover, Celant recognised in the intuition of his exhibition 'IM spatio, image, space' the search for a different dimension.Besides questioning the material, the primacy of experience, which seems to me absolutely fundamental, the duality between man and nature, there is the refutation of the concept of stability, the impermanence of things. This analytical and conceptual dimension is in Italy a way of positioning itself in relation to the dominance of a model that would come from America.Text in English and French.
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Aggiungi al carrellopaperback. Condizione: New. **PAPERBACK**.
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Aggiungi al carrelloPaperback. Condizione: Brand New. bilingual edition. 154 pages. 11.75x9.50x11.81 inches. In Stock.
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Da: libreriauniversitaria.it, Occhiobello, RO, Italia
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Lingua: Italiano
ISBN 10: 8891806366 ISBN 13: 9788891806369
Da: medimops, Berlin, Germania
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Aggiungi al carrelloCondizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Da: Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italia
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Aggiungi al carrelloRilegato. Condizione: new. Milano, 2024; ril., pp. 288, ill. col., cm 15x23,5.(Monografie del '900). Il libro, dedicato al padre da Agata Boetti, è "un ricamo" che tra testi ed immagini sa ben rendere la caleidoscopica personalità di un maestro assoluto dell'arte del Novecento. Tutto o quasi tutto si sa della sua opera. Ma chi era Alighiero come padre? In questo volume Agata, la secondogenita del maestro, racconta il Boetti più privato e azzarda una inedita interpretazione della sua arte. Scopriamo così una dimensione ludica che pervade non solo l'opera ma anche la vita stessa di Alighiero e ci offre un'immagine inedita del maestro, ben diversa dallo stereotipo di padre. Scritto per i nipoti, perché imparassero a conoscere davvero il nonno al di là di mostre, cataloghi, archivi, il libro è corredato da un ricchissimo apparato iconografico, quasi integralmente inedito, di proprietà di Agata Boetti. Libro.
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Aggiungi al carrelloHardcover. Condizione: Brand New. 208 pages. 11.75x11.75x1.10 inches. In Stock.
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Aggiungi al carrelloCondizione: new.
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Aggiungi al carrelloPaperback. Condizione: New. One of the traits that Arte Povera artists have in common is to deconstruct things and not to privilege the material as an end in itself. It is likely that, among the artists of the movement, there is also a distinction between material and materiality. Arte povera artists, for example, do not have sculpture as their goal.Rather, they seek the process, the experience; rather, they have a critical look at aesthetic production. To borrow the word, they are rather 'anaesthetic'. As in a certain way, moreover, Celant recognised in the intuition of his exhibition 'IM spatio, image, space' the search for a different dimension.Besides questioning the material, the primacy of experience, which seems to me absolutely fundamental, the duality between man and nature, there is the refutation of the concept of stability, the impermanence of things. This analytical and conceptual dimension is in Italy a way of positioning itself in relation to the dominance of a model that would come from America.Text in English and French.
Da: Studio Bibliografico Viborada, Roma, RM, Italia
EUR 35,00
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Aggiungi al carrellorilegato hardcover. Condizione: As New. In 8, pp. 285. Legatura cartonata rigida e sovraccoperta. Illustrazioni nel testo hardcover 285 8891806366 Perfetto (Mint) . Book.
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Editore: Electa, Milano, 2016
Da: Antonio Pennasilico, Carpiano, MI, Italia
EUR 152,00
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Aggiungi al carrelloPrima edizione, rilegata, cartonata, sovracoperta, formato 16x24, pagine 288, illustrata con tavole in nero e colore e fotografie in nero e colore nel testo e fuori testo, ottime condizioni - 53772 9788891806369 1.
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Da: CitiRetail, Stevenage, Regno Unito
EUR 72,79
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. In 1970, photographer Giorgio Colombo began a great relationship of friendship and esteem with Alighiero Boetti, to whom he dedicated this book. Certain biographical photos of Alighiero Boetti, taken by Colombo, have become iconic: when he is spraying cast iron, in the studio with Salman on his moped, drawing a comma on squared paper or in front of his Map in an exhibition. In catalogues and various publications, the few biographical images usually have the task of accompanying the photos of works and the critical texts in order to embellish the publication, to humanise it, to contextualise and 'lighten' it. One studies the texts and looks at the photos of the works and then relaxes and sees who made these works and in what context through the biographical photos. What the photographer Giorgio Colombo has done, following Alighiero Boetti over 30 years, photographing him regularly, capturing almost all his exhibitions, many of his works, his various studios, his career and his family is gold for art history, sacred material for archives and an object of documentation. By publishing this collection, Colombo also generously conveys Alighiero's thoughts, helping the public to enter Boetti's infinite world. Text in English and Italian. AUTHOR: Giorgio Colombo was born in Milan in 1945 and began photographing in 1959. From 1960 to 1965 he studied painting at the Castello Sforzesco School of Art in Milan. In 1963, he began his work on art documentation for personal and studio use. From 1965 he worked as a graphic designer at several Milanese publishing houses and later became Art Director and photographer for Olivetti. In 1971, he opened his own studio in Milan, today the home of the archive, and began working as a professional photographer. In 1984, he began digitising the photographic archive and all the documents now linked to it. Today this archive, which can be consulted online, is a point of reference and historical memory of the avant-garde movements from the 1960s to the present day, in particular of Arte Povera. 21 colour, 180 b/w illustrations This volume is photographer Giorgio Colombo's tribute to the memory of Alighiero Boetti, in the name of their 30-year friendship. Text in English and Italian. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.