Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
EUR 18,50
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread copy in mint condition.
Condizione: New.
EUR 20,87
Quantità: 4 disponibili
Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
EUR 21,11
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
Condizione: New.
Hardback. Condizione: New. Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and "the fallen woman". Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg's own family. The catalogue sheds light on the subject matter of the exhibition, Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium.Text in English and Norwegian.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 20,86
Quantità: 17 disponibili
Aggiungi al carrelloCondizione: New.
EUR 26,89
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
EUR 39,64
Quantità: 2 disponibili
Aggiungi al carrelloHardback. Condizione: New. Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and "the fallen woman". Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg's own family. The catalogue sheds light on the subject matter of the exhibition, Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium.Text in English and Norwegian.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 22,97
Quantità: 17 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 23,95
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 208 pages. 10.83x8.51x10.88 inches. In Stock.
EUR 35,64
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 208 pages. 10.83x8.51x10.88 inches. In Stock.
EUR 18,42
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: NEW.
Hardback. Condizione: New. Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and "the fallen woman". Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg's own family. The catalogue sheds light on the subject matter of the exhibition, Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium.Text in English and Norwegian.
Editore: Nasjonalmuseet for kunst, arkitektur og design, Oslo, Norway, 2013
ISBN 10: 8281540834 ISBN 13: 9788281540835
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condizione: VG. Color illus. boards, 216 pp., BW & color illus. Text is in Norwegian and English. Issued in conjunction with a 2013-2014 exhibition featuring the provocative work of Norwegian-Swedish artist Kjartan Slettemark (1932-2008). With essays by Jan Erik Vold, Stina Hogkvist, Carl Stormer, Hans Esselius, Terje Borgersen, Karin Gronlund, Marie Gronlund, Fran Josef Petersson, and Karl Holmqvist. A major retrospective of an artist who was "associated first and foremost with his infamous Vietnam picture and his no-less politically controversial series of collages featuring the former American president Richard Nixon in a fictional commercial for Swedish coffee," (preface).
EUR 36,51
Quantità: 2 disponibili
Aggiungi al carrelloHardback. Condizione: New. Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and "the fallen woman". Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg's own family. The catalogue sheds light on the subject matter of the exhibition, Krohg's period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg's own use of photography as a model for his work and a medium.Text in English and Norwegian.