borggreen gunhild (19 risultati)

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardback. Condizione: New. The image is an ontological paradox; it is made of dead matter, yet appears to be alive. For centuries, artists have created images of the living world - images that are static and yet possess the power to bring to life a frozen moment in time. While this tension has constituted a fundamental challenge for as long as theories on the nature of images have existed, recent scholarship has rekindled interest in the question of what images 'do to us'. Despite the rational discourse of Modernity, we must acknowledge that we view images as half-living entities. Dead or Alive! addresses the perpetual relevance of images' enigmatic life-likeness. Each of the twelve chapters, written by scholars of art history and visual culture, conveys how the materiality of images generates this powerful effect of animation. Covering a wide range of practices, from early paleolithic stone engravings, medieval tomb sculpture, renaissance death masks and baroque painting to modern fashion, park design, early cinema, robots and bio art, the book demonstrates that the ontological paradox of the image is not limited to a specific historical period or certain types of images, but can be seen throughout the history of images across different cultures.

Condizione: new.

Hardcover. Condizione: Very good. Hardcover with pictorial cover in very good condition. Pages clean and free of wrinkles. This description was written by an actual person in an actual bookstore, with the book right in front of me for inspection, so you can buy with confidence. Please e-mail us with questions or to request photos.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2019. Hardcover. . . . . .

Hardcover. Condizione: new. Hardcover. The image is an ontological paradox; it is made of dead matter, yet appears to be alive. For centuries, artists have created images of the living world images that are static and yet possess the power to bring to life a frozen moment in time. While this tension has constituted a fundamental challenge for as long as theories on the nature of images have existed, recent scholarship has rekindled interest in the question of what images 'do to us'. Despite the rational discourse of Modernity, we must acknowledge that we view images as half-living entities. Dead or Alive! addresses the perpetual relevance of images' enigmatic life-likeness. Each of the twelve chapters, written by scholars of art history and visual culture, conveys how the materiality of images generates this powerful effect of animation. Covering a wide range of practices, from early paleolithic stone engravings, medieval tomb sculpture, renaissance death masks and baroque painting to modern fashion, park design, early cinema, robots and bio art, the book demonstrates that the ontological paradox of the image is not limited to a specific historical period or certain types of images, but can be seen throughout the history of images across different cultures. Images crafted from inert matter exude a mesmerizing animation that defies logic. Experts trace artistic practices from ancient stone engravings and medieval sculpture to modern cinema, park design and bio-art, revealing how frozen visuals dazzle and captivate across eras and cultures while challenging perception. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Brand New. 416 pages. 10.00x8.25x1.50 inches. In Stock.

Condizione: New.

Hardcover. Condizione: Brand New. 416 pages. 10.00x8.25x1.50 inches. In Stock.

Condizione: New.

Hardback. Condizione: New. The image is an ontological paradox; it is made of dead matter, yet appears to be alive. For centuries, artists have created images of the living world - images that are static and yet possess the power to bring to life a frozen moment in time. While this tension has constituted a fundamental challenge for as long as theories on the nature of images have existed, recent scholarship has rekindled interest in the question of what images 'do to us'. Despite the rational discourse of Modernity, we must acknowledge that we view images as half-living entities. Dead or Alive! addresses the perpetual relevance of images' enigmatic life-likeness. Each of the twelve chapters, written by scholars of art history and visual culture, conveys how the materiality of images generates this powerful effect of animation. Covering a wide range of practices, from early paleolithic stone engravings, medieval tomb sculpture, renaissance death masks and baroque painting to modern fashion, park design, early cinema, robots and bio art, the book demonstrates that the ontological paradox of the image is not limited to a specific historical period or certain types of images, but can be seen throughout the history of images across different cultures.

Hardcover. Condizione: new. Hardcover. The image is an ontological paradox; it is made of dead matter, yet appears to be alive. For centuries, artists have created images of the living world images that are static and yet possess the power to bring to life a frozen moment in time. While this tension has constituted a fundamental challenge for as long as theories on the nature of images have existed, recent scholarship has rekindled interest in the question of what images 'do to us'. Despite the rational discourse of Modernity, we must acknowledge that we view images as half-living entities. Dead or Alive! addresses the perpetual relevance of images' enigmatic life-likeness. Each of the twelve chapters, written by scholars of art history and visual culture, conveys how the materiality of images generates this powerful effect of animation. Covering a wide range of practices, from early paleolithic stone engravings, medieval tomb sculpture, renaissance death masks and baroque painting to modern fashion, park design, early cinema, robots and bio art, the book demonstrates that the ontological paradox of the image is not limited to a specific historical period or certain types of images, but can be seen throughout the history of images across different cultures. Images crafted from inert matter exude a mesmerizing animation that defies logic. Experts trace artistic practices from ancient stone engravings and medieval sculpture to modern cinema, park design and bio-art, revealing how frozen visuals dazzle and captivate across eras and cultures while challenging perception. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book examines the transcultural and global turn in art research as well as in curatorial and artistic practice. Bringing together contributions from scholars, curators, and artists, the volume approaches transculturation as a critical lens for understanding the complex flows of people, objects, and ideas across the globe. The authors examine how knowledge systems are challenged and reconfigured, how plural identities are negotiated within entangled communities, and how alternative historiographic frameworks take shape beyond western paradigms. Attention to material practices highlights the role of objects and artworks as carriers of memory and affective solidarity. In this way, transculturation emerges as both an analytical framework and a transformative practice shaped by movement across borders. Transdisciplinary approaches to modern and contemporary visual artIncludes interviews, photo essays, artworks, and scholarly articlesBroad outlook from different geographical positions and viewpoints; This book examines the transcultural and global turn in art research as well as in curatorial and artistic practice. Bringing together contributions from scholars, curators, and artists, the volume approaches transculturation as a critical lens for understanding the complex flows of people, objects, and ideas across the globe. The authors examine how knowledge systems are challenged and reconfigured, how plural identities are negotiated within entangled communities, and how alternative historiographic frameworks take shape beyond western paradigms. Attention to material practices highlights the role of objects and artworks as carriers of memory and affective solidarity. In this way, transculturation emerges as both an analytical framework and a transformative practice shaped by movement across borders. Transdisciplinary approaches to modern and contemporary visual artIncludes interviews, photo essays, artworks, and scholarly articlesBroad outlook from different geographical positions and viewpoints.

Buch. Condizione: Neu. Neuware.

Aarhus University Press, Aarhus 2020. 4to. 425 pages. Illustrated in b/w and colour. Orig. boards. Fine.

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book examines the transcultural and global turn in art research as well as in curatorial and artistic practice. Bringing together contributions from scholars, curators, and artists, the volume approaches transculturation as a critical lens for understanding the complex flows of people, objects, and ideas across the globe. The authors examine how knowledge systems are challenged and reconfigured, how plural identities are negotiated within entangled communities, and how alternative historiographic frameworks take shape beyond western paradigms. Attention to material practices highlights the role of objects and artworks as carriers of memory and affective solidarity. In this way, transculturation emerges as both an analytical framework and a transformative practice shaped by movement across borders. Transdisciplinary approaches to modern and contemporary visual artIncludes interviews, photo essays, artworks, and scholarly articlesBroad outlook from different geographical positions and viewpoints; This book examines the transcultural and global turn in art research as well as in curatorial and artistic practice. Bringing together contributions from scholars, curators, and artists, the volume approaches transculturation as a critical lens for understanding the complex flows of people, objects, and ideas across the globe. The authors examine how knowledge systems are challenged and reconfigured, how plural identities are negotiated within entangled communities, and how alternative historiographic frameworks take shape beyond western paradigms. Attention to material practices highlights the role of objects and artworks as carriers of memory and affective solidarity. In this way, transculturation emerges as both an analytical framework and a transformative practice shaped by movement across borders. Transdisciplinary approaches to modern and contemporary visual artIncludes interviews, photo essays, artworks, and scholarly articlesBroad outlook from different geographical positions and viewpoints 520 pp. Englisch.