bormand (103 risultati)

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Oversized Hardcover. Condizione: Good. Published to accompany the exhibition installing @National Gallery of Art, Washington, DC. (2007). Desiderio da Settignano (ca. 1429/30-1464), like most sculptors before Michelangelo, was long overlooked by scholars, who focused their attention almost exclusively on Donatello. His impact is clear in the numerous replicas of his Virgin and Child reliefs as well as copies of the Bambino in the Basilica of San Lorenzo. His work, showing an early interest in sfumato, may even have influenced the paintings of Leonardo da Vinci. Glossary, Biblliography, Index. Hundreds of color/b&w illustrations. 287p.

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Condizione: New.

Condizione: New. Brand New.

Softcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. This volume collects the papers presented at the international study conference Sculpting in the Renaissance: an art to (com)move / Sculpter à la Renaissance. Un art pour (é)mouvoir organised by the Musée du Louvre in Paris and the Castello Sforzesco in Milan to accompany the exhibition Le corps et l'âme. De Donatello à Michel-Ange. Scultures italiennes de la Renaissance (Officina Libraria, 2020), held between 2020 and 2021. With the involvement of some of the most important specialists in Renaissance sculpture, the aim was to investigate the interactions, influences and exchanges between the plastic arts and other Renaissance art forms capable of revealing feelings through expressions of the body, through the works of Agostino di Duccio, Donatello, Michelangelo and other local sculptors. The aim is also to place within their social, devotional and intellectual context the different manifestations of feeling of which sculpture is one of the privileged media. Sacred art themes in particular were addressed, in an attempt to explain their formal evolution in relation to the socio-cultural transformations of the time, but also to local traditions and their dramatisation.Text in English, French and Italian.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. This volume collects the papers presented at the international study conference Sculpting in the Renaissance: an art to (com)move / Sculpter a la Renaissance. Un art pour (e)mouvoir organised by the Musee du Louvre in Paris and the Castello Sforzesco in Milan to accompany the exhibition Le corps et l'ame. De Donatello a Michel-Ange. Scultures italiennes de la Renaissance (Officina Libraria, 2020), held between 2020 and 2021. With the involvement of some of the most important specialists in Renaissance sculpture, the aim was to investigate the interactions, influences and exchanges between the plastic arts and other Renaissance art forms capable of revealing feelings through expressions of the body, trough the works of Agostino di Duccio, Donatello, Michelangelo and other local sculptors. The aim is also to place within their social, devotional and intellectual context the different manifestations of feeling of which sculpture is one of the privileged media. Sacred art themes in particular were addressed, in an attempt to explain their formal evolution in relation to the socio-cultural transformations of the time, but also to local traditions and their dramatisation. Text in English, French and Italian. AUTHORS: Marc Bormand is the conservator of the Louvre sculpture department, responsible for the Italian sculpture of Moyen Age and the Renaissance. Co-commissaire, among others, of the exhibition Desiderio da Settignano - La decouverte de la grace dans la sculpture de la Renaissance (Paris, Louvre, 2006-2007; Florence, Bargello, 2007; Washington, National Gallery of Art, 2007). In 2013, the exhibition TLa primavera del Rinascimento. La scultura e le arti a Firenze 1400-1460 was organised with Beatrice Paolozzi Strozzi at the Bargello National Museum in Florence and, between 2013 and 2014, at the Louvre in Paris. Beatrice Paolozzi Strozzi descendant of the historical Florentine Strozzi family, was the director of the national museum of Bargello in Florence in 2014. She is an ordinary academic of the art of design. These scientific publications are well-known, both in the domain of the Renaissance and in the art of the 20th century. She currently collaborates with the Louvre Museum. Monica Preti is currently the scientific director of Pistoia Museums. Historian of modern art, she worked on the history of the collection and on the relationship between art and literature in the Renaissance era. Francesca Tasso is currently director of the civic museums of Castello Sforzesco in Milan. She studied in particular Late Gothic and Renaissance art and the formation of the collections of the Milan museums. The most recent publications include: Vetri contemporanei al Castello Sforzesco. La collezione Bellini-Pezzoli (with Claudio Salsi, Marsilio, 2017), Leonardo Da Vinci. La sala delle Asse del Castello Sforzesco (with Michela Palazzo, Silvana, 2017). SELLING POINTS: . Studies accompanying a highly successful exhibition at the Louvre in Paris and the Castello Sforzesco in Milan . Essays by eminent specialists in Renaissance sculpture . An international and interdisciplinary perspective that brings different art forms into dialogue, and new readings of a subject that has been very much in vogue in recent years 85 colour illustrations Collection of historical-critical studies on Italian Renaissance sculpture with attention to its meanings and a re-semantisation of its forms. Text in English, French and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: Fine. Profusely illustrated, mostly in color. With a bibliography and index. 287 pages. 4to. Hardcover: pictorial boards. Fine.

Condizione: as new. Wie neu/Like new.

Condizione: NEW.

Hardcover. Condizione: Near Fine. 100s of color illustrations. Clean and unmarked in the interior. 4to.

Oversized Hardcover. Condizione: Good.

Brossura. Condizione: new. A cura di Beatrice Paolozzi Strozzi, Marc Bormand, Francesca Tasso e Monica Preti.Testo Italiano, Inglese e Francese.Milano, 2024; br., pp. 224, 85 ill. col., cm 16,5x24.(Saggi in Officina). Nella mostra e nel catalogo "Il Corpo e l'anima" si era cercato di sintetizzare la complessa storia della scultura in Italia a cavallo del Cinquecento, raccontata attraverso l'alternanza proposta da Aby Warburg tra l'ethos «apollineo» e il pathos «dionisiaco». Le giornate di studio che l'hanno accompagnata, tenutesi a Parigi e a Milano, hanno offerto l'opportunità a numerosi storici dell'arte e studiosi di approfondire alcuni argomenti e hanno dato vita a questo libro. Philippe Toussaint, prendendo spunto dalle interpretazioni warburghiane sull'antica figura del centauro, analizza il rito funebre nel rilievo della tomba di Francesco Sassetti in Santa Trinita a Firenze, evidenziandone il sincretismo tra mondo pagano e cristiano che ha dato origine a una «immortalità scolpita». Ulrich Pfisterer esplora la scultura come veicolo di piacere, sensualità ed emozione negli studioli, i luoghi in cui gli umanisti e i letterati si dedicavano allo studio, mentre Philippe Morel mostra come la figura della menade, in preda all'antica trance dionisiaca, sintetizzi dolore ed erotismo nell'opera di Agostino di Duccio e Bertoldo di Giovanni. Patricia Lee Rubin si concentra sulla scultura come espressione della malinconia associata alla morte a Roma, sia negli Schiavi per la tomba di Giulio II di Michelangelo sia nella tomba Tornabuoni di Andrea del Verrocchio. La rappresentazione del pathos e il tema dell'obbedienza a Dio e dell'atteggiamento nei confronti della morte sono i temi al centro dello studio di Gabriela Mazzon sul sacrificio di Isacco. Ludmila Acone, dal canto suo, mostra la natura virtuosa della danza nell'Italia del Quattrocento, dove l'immaginazione del movimento coreutico permetteva di dar forma a un mondo ideale. Nel suo studio sul teatro sacro nella Firenze del Quattrocento, Paola Ventrone dimostra come le innovazioni spaziali di Brunelleschi abbiano reso possibile una nuova efficacia espressiva del messaggio visivo per gli spettatori/credenti. Infine, Anne Lepoittevin mette in luce i legami tra il teatro sacro e i gruppi scultorei del Sacro Monte di Varallo. Libro.

. In-4. Broché. Couverture illustrée à rabats. 135 pages. Illustrations in et hors texte NB et couleurs. Texte en français, anglais et italien. Bon état.

Condizione: New. In English.

Paperback. Condizione: Brand New. 800 pages. 9.50x6.50x9.45 inches. In Stock.

Hardcover. Condizione: Near Fine. Edited by Marc Bormand, Beatrice Strozzi, and Nicholas Penny. Washington: National Gallery of Art, (2007). 11.5 x 8.5 in. 287pp, Index, Bibliography, Glossary. Illustrated blue boards, near fine condition (miniscule brief wear to an edge). ISBN 9788874393657. Catalogue for the first exhibition devoted the work of Desiderio da Settignano, one of the finest sculptors of 15th century Florence. Illustrated in full color and b&w. ; 11.5 x 9.75 inches; 288 pages.

Condizione: Neuf.

Condizione: new.

Taschenbuch. Condizione: Wie neu. Musà e du Louvre Ãditions - 1. Auf. 2008 : Donatello - tb 5P-K90O-F6JT Sprache: Französisch Gewicht in Gramm: 59.

Hardcover. Pale blue paper illustrated boards with white lettering, 287 pp, profusely illustrated in bw and color. Published to accompany the exhibition organized by Musée du Louvre, Paris, Oct. 27, 2006-Jan. 22, 2007, by the Museo nazionale del Bargello, Florence, Feb. 22, 2007-June 3, 2007, and by the National Gallery of Art, Washington, July 1, 2007-Oct. 8, 2007. Includes bibliographical references (pages 257-271) and index. VG (top corner of boards bumped).

Hardcover. Condizione: VG+. Hardcover white with image of a marble relief and gold embossed title 288 pages with a generous number of color reproductions. Director's Foreword / Tristram Hunt -- Contributors -- Editor's Preface / Peta Motture -- Introduction / Peta Motture -- Donatello's Origins : Sculpture and Goldsmithing / Amy R. Bloch -- Making and Viewing : Encountering Donatello's Scultpure / Alison Wright -- Devotion and Emotion in the Art of Donatello / Timothy Verdon -- Donatello : Past to Present / Marc Bormand -- The Many Faces of Patronage / John T. Paoletti -- Imitators, Copyists, Forgers : Emulating Donatello in the Nineteenth Century / Whitney Kerr-Lewis -- Catalogue -- Florentine Foundations -- Tradition and Innovation -- Bronzes : Sacred and Secular -- Padua and Northern Italy -- Devotion and Emotion -- Homage to Donatello -- Timeline / Laura Chase -- Notes -- Bibliography -- Picture Credits -- Acknowledgements -- Index. "Arguably the greatest sculptor of all time, Donatello (c. 1386-1466) was at the vanguard of a revolution in sculptural practice in the early Renaissance. Combining ideas from classical and medieval sculpture to create innovative sculptural forms, Donatello had an unparalleled ability to portray emotions in works intended to inspire spiritual devotion. Pieces such as the penitent St. Mary Magdalene and the bronze of David remain deeply affecting to audiences today. Working in marble, bronze, wood, terracotta, and stucco, he contributed to major commissions of church and state, was an intimate of the Medici family and their circle in Florence, and was highly sought after in other Italian cities. This book explores Donatello's extraordinary creativity within the vibrant artistic and cultural context of 15th-century Italy, surveying his early connection with goldsmiths' work and the collaborative nature of his workshop and processes. It also reflects on Donatello's legacy, reviewing how his sculpture inspired subsequent generations in the later Renaissance and beyond." Texts written by Amy R. Bloch, Alison Wright, Timothy Verdon, Marc Bormand, John T. Paoletti, Whitney Kerr-Lewis with a foreword by Tristram Hunt./ Published in conjunction with the exhibition Donatello: sculpting the Renaissance, 11 February - 11 June 2023, at the Victoria and Albert Museum, London./ Includes bibliographical references (pages 269-281) and index. Class Descriptors: LC: NB623.D7; Dewey: 730.92.

Hardcover. Condizione: Very good condition. Translated by Timothy Stroud. 287 pp.

Condizione: Muy Bueno. 22 x 29 cm. 296. This long-awaited monograph is dedicated to one of the most noted masters of Florentine Renaissance sculpture. "Desiderio da Settignano" (ca. 1429/30-1464), like most sculptors before Michelangelo, was long overlooked by scholars, who focused their attention almost exclusively on Donatello, the great master of the quattrocento. And yet Desiderio, who may have begun his career in Donatello's workshop, became one of the most original and influential sculptors in Florence. His impact is clear in the numerous replicas of his "Virgin and Child" reliefs as well as copies of the "Bambino in the Basilica" of San Lorenzo. His work, showing an early interest in sfumato, may even have influenced the paintings of Leonardo da Vinci.Sweetness, strength, and luminosity are the principal qualities of Desiderio's oeuvre. The expressive power, emotion, lightness, and grace visible in his work affirm the place he now occupies not only in the history of sculpture but also in the history of art. This retrospective catalogue devoted to Desiderio da Settignano - published in conjunction with the exhibition organised by the Musee du Louvre in Paris, the Museo Nazionale del Bargello in Florence, and at the National Gallery of Art in Washington - invites us to discover or rediscover one of the most important sculptors of the Florentine Renaissance.Ilustrado.

Condizione: Neuf.