bronson magee (2 risultati)

Paged as 1-48, 189-252, 49-68. Paperback: H 30.75cm x L 22.75cm. Green paper covers with light soiling and stains; some bumping and wear at edges. Interior leaves have some foxing, a few spots of soiling, and several creased corners. Binding is firm. Advertising on initial and rear sections, i.e. pages 1-68. Articles, b/w photos, plans etc. on pages 189-252 (published in sequence with preceding issues). Features: "The Hand Behind the Machine" by Harrison Gill (pages 191-196); "Hotel Rolyat, St. Petersburg, Fla.; Kiehnel & Elliott Architects" with photographs by Richard Southall Grant (pages 197-206); "The Basis of Greek Design: II" by Ernest Flagg (pages 207-210); "Number V in a Series of Working Drawings" by Jack G. Stewart (pages 215-216); "House of William Rutledge Bull, Pelham, N.Y. Pliny Rogers, Architect" (pages 217-222); "Two Interiors by Richard H. Dana, Jr." (pages 223-224); "Some Pitfalls in Supervision" by W.F. Bartles (pages 225-226); "Store of Sears, Roebuck & Co., Miami, Fla." by Nimmons, Carr & Wright, Architects (pages 227-228); "Rodeph Shalom Synagogue, Philadelphia, Pa." by Simon & Simon, Architects (pages 229-232); " The Editor's Diary" (pages 233-234); "Architecture's Portfolio of Casement Windows" (pages 235-250); "Floors for the Factory" by Bronson R. Magee (pages 251-252). Laid-in the magazine are two b/w photographic prints of the William Rutledge Bull House (front of house at different angles) both with blue ink stamps on their versos "Photograph by John Gass | Tuckahoe, N.Y." along with four Pliny Rogers folded plan sheets for Bull's Pelham house plus folded blueprint for a Pelham lot survey with typed letter signed by engineer/surveyor John F. Fairchild, Mount Vernon, NY and addressed William R. Bull.

Draft script for the 1970 film. One of the more notable scripts from character actor and writer Leo Gordon whose Hollywood career began after his dishonorable discharge during WWll for robbing patrons at a bar. Throughout his 40 years as an actor, art imitated life, as the burly Gordon typically played an outlaw, typecast predominately in Westerns. Peter Collinson fresh off "The Italian Job" was reportedly a brute force in addition to excruciating temperatures on a set that was 200 miles outside of Istanbul. The pairing of the leads was lauded as Charles Bronson was at the height of European fame alongside a well-established Tony Curtis. Set in 1922 Greco-Turkish War, shot on location in Turkey. Blue titled wrappers. Title page present, with credits for Leo V. Gordon. 129 leaves, with last page of text numbered 129. Xerographically reproduced. Pages Near Fine, wrapper Very Good plus, bound internally with three gold brads.