brooks norma (7 risultati)

Unknown. Condizione: Very Good. Binding tight and square, Pages are clean and unmarked, spiral bound book.

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condizione: Fair. Signed Copy . Hebrew and English. Inscribed by performer Ramon Tasat on title page. Dampstained.

Paperback. Condizione: As New. 4to, paperback. Spiral-bound. As new condition. Contents bright, crisp & clean, unread; covers glossy. 81 pp., music. Companion to the CD.

Soft cover. Condizione: Fine. 1st Edition. 518 pp., x. '10' in number line. Profusely illustrated with black and white illustrations. Following the Preface and "Introduction: The Expanding Discourse", Contents divided into 29 successive Essays: (1) Margaret R. Miles, "The Virgin's One Bare Breast: Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture"; (2) Patricia Simons, "Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture"; (3) Mary D. Garrard, "Leonardo da Vinci: Female Portraits, Female Nature"; (4) Patricia L. Reilly, The Taming of the Blue: Writing Out Color in Renaissance Theory"; (5) Lilian Zirpolo, "Botticelli's Primavera: A Lesson for the Bride"; (6) Rona Goffen, "Titian's Sacred and Profane Love and Marriage"; (7) Yael Even, "The Loggia dei Lanzi: A Showcase of Female Subjugation"; (8) Margaret D. Carroll, "The Erotics of Absolutism: Rubens and the Mystification of Sexual Violence"; (9) Natalie Boymel Kampen, "The Muted Other: Gender and Morality in Augustan Rome and Eighteenth-Century Europe"; (10) Anne Higonnet, "Secluded Visiion: Images of Feminine Experience in Nineteenth-Century Europe"; (11) James M. Saslow, " ' Disagreeably Hidden ' : Construction and Constriction of the Lesbian Body in Rosa Bonheur's Horse Fair"; (12) Tamar Garb, " ' L'Art Feminin ' : The Formation of a Critical Category in Late Nineteenth-Century France"; (13) Linda Nochlin, "Morisot's Wet Nurse: The Construction of Work and Leisure in Impressionist Painting"; (14) Griselda Pollock, "Modernity and the Spaces of Femininity"; (15) Norma Broude, "Edgar Degas and French Feminism, ca. 1880: ' The Young Spartans ', The Brothel Monotypes, and the Bathers Revisited"; (16) Tamar Garb, "Renoir and the Natural Woman"; (17) Abigail Solomon-Godeau, "Going Native: Paul Gauguin and the Invention of Primitivist Modernism"; (18) Peter Brooks,"Gauguin's Tahitian Body"; (19) Carol Duncan, "The MoMA's Hot Mamas"; (20) Marilyn Lincoln Board, "Constructing Myths and Ideologies in Matisse's Odalisques"; (21) Mary Ann Caws, "Ladies Shot and Painted: Female Embodiment in Surrealist Art"; (22) "Janice Helland, "Culture, Politics, and Identity in the Paintings of Frida Kahlo"; (23) Helen Langa, "Egalitarian Vision, Gendered Experience: Women Printmakers and the WPA/FAP Project"; (24) Anne M. Wagner, "Lee Krasner as L.K."; (25) Barbara Buhler Lynes, "Georgia O'Keeffe and Feminism: A Problem of Position"; (26) Josephine Withers, "Judy Chicago's Dinner Party: A Personal Vision of Women's History"; (27) Lowery S. Sims, "Race Riots, Cocktail Parties, Black Panthers, Moon Shots, and Feminists: Faith Ringgold's Observations on the 1960s in America"; (28) Freida High W. Tesfagiorgis, "Afrofemcentrism and Its Fruition in the Art of Elizabeth Catlett and Faith Ringgold"; (29) Craig Owens, "The Discourse of Others: Feminists and Postmodernism"; Notes on the Contributors, pp. 503-505; Index, pp. 506-518. Glossy decorative green wrappers with Title and Editor names in White letters across top third and bottom front cover, respectively. Subtitle in yellow, just above a large, middle-lower middle, front cover, color illustration of Edgar Degas' "Spartan Girls Challenging Boys". Tiny nick to lower left spine corner and similar tiny nick to left edge spine near midpoint; small, soft crease, diminishingly, at top corners, pp. 11-40, First three pages of #8 Essay (Carroll) have small amount of yellow highlighting and first five pages of Essay #14 (Pollock), similarly,(i.e., 8 pp of 518 pp) : describes worse than it is, but there you have it. Virtually As New: Tight binding (NO cracks); square corners; NO remainder marks; NO previous owner names. Essentially, Clean text. Solid copy.

170 pp.; 27.5 x 20.8 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; May 1986 issue of the periodical Art News. Edited by Milton Esterow. Contents include : "Special Section : Artists the Critics are Watching," by John Sturman, Nancy Grimes, Ruth Bass, Eleanor Heartney, Charlotte Moser, Elisa Turner, Roger Green, Janet Kutner, William Peterson, Lyn Smallwood, David Winter, Hunter Drohojowska, Merle Shipper; "Will the Real Impressionists Please Stand Up?" by Norma Broude; "Art in the (Re)Making," by Gerald Marzorati; "Mies at the MoMA : A Visionary in Context," by Joseph Giovanni; "Letters"; "Bringing a Classic Up to Date" by Richard B. Woodward; "A Texan Fantasia," by Katherine Gregor; "Left into Art," by Sarah McPhee; "Monoprints, Anyone?" by Eleanor Heartney; "What Does the IRS See in the Miró?; New York Cracks Down on Dali Forgeries; Art Bill Stalled," by Richard W. Walker; "How to Collect an Earthwork," by Valerie F. Brooks; "Los Angles," by Merle Schipper; "Chicago," by Charlotte Moser; "St. Paul," by Nancy Roth; "Austin," by Mel McCombie; "Houston," by Mel McCombie; "Miami," by Elisa Turner; "Washington, D.C." by Lee Fleming; "London : Leading British Art to Higher Things," by William Feaver; "Toronto : Jack Bush : Original in Spite of Himself," by Karen Wilkin; "New York Reviews" "New Sources, New Materials." Cover : Sherrie Levine photographed by Duane Michals. Good / Very Good. Scuffing of covers and minor edge wear. Pale foxing on the text block edge. Cut-out on page 149 measuring 12.8 x 13.5 cm. removing the advertising panel for Art News and a portion of advertisement image on verso of page 150. Contents clean and unmarked.

Spiral Bound. Condizione: Very Good. 80 pp. companion to a CD (do not have the CD) the music and lyrics oclc 56400482.