burch steven dedalus (33 risultati)

Paperback. Condizione: New. Paperback in like new condition. Unused shop stock with minor shelfwear, no other faults. AD. Used.

Paperback. Condizione: New. New paperback. An unread/unopened copy. May have VERY minor rubbing and scuffing from shelf wear.; 100% Satisfaction Guaranteed! Ships same or next business day!

Condizione: New.

Soft cover. Condizione: Very Good. 1st Edition. very minor shelf wear only.

Soft cover. Condizione: Very Good. 1st Edition. very minor shelf wear only.

Soft cover. Condizione: Very Good. 1st Edition. very minor shelf wear only.

Soft cover. Condizione: Very Good. 1st Edition. very minor shelf wear only.

Trade Paperback. Condizione: New. NEW BOOK, POSSIBLY WITH SLIGHT SHELF-WEAR.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Almost from the beginning, since 1970, new plays became part of the Focus's repertory. Starting with Peter Terson's Mooney and His Caravan, and Declan Burke-Kennedy's The Trespasser in 1973, new plays continued to be produced and some, such as actor-playwright Ena May (Out of the Beehive 1987; She's Your Mother, Too, You Know 1988; A Close Shave With the Devil 2001), finding an artistic home for their works, though not in the numbers that established plays and classics had been produced under Deirdre's leadership. Since 2002 under Joe Devlin's artistic direction, Focus has reversed the emphasis with new plays taking the lion's share of the theatre's performances and, in the process, reinvigorated itself during the past decade. Of the seven plays in this anthology, (five are from Joe's leadership) all exhibit a range in styles from Lewis Carroll's fantastical world (Alice in Wonderland by Mary Elizabeth Burke-Kennedy), to a couple on the brink of a philandering weekend disaster (The Day of the Mayfly by Declan Burke-Kennedy), to a one-man show about Jonathan Swift with several characters all played by the same actor (Talking Through His Hat by Michael Harding); an examination of two shoplifting thieves and the would-be writer who gets in their way (Pinching for My Soul by Elizabeth Moynihan), a battle royal between two sides of a world-famous painter (Francis and Frances by Brian McAvera), the reactions of multiple New Yorkers to that moment on September 11, 2001 when their world was changed forever (New York Monologues by Mike Poblete), to the final days of an iconic movie star (Hollywood Valhalla by Aidan Harney).Each of these scripts is followed by short notes from the playwright, a memory of the production and in some cases its aims by its author. As will become quite clear, there is no single Focus play, no play which perfectly captures the spirit, the aesthetic aims, the physical abilities of this continually surprising fifty-year-old company.

Condizione: New.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. Internally clean bright and tight. No pen marks or inscriptions. Not ex-lib. Externally the glossy pictorial wraps have a couple of light bumps and abrasions and shelf wear but no heavy creases or damage. Contains seven plays written by Michael Harding, Mary Elizabeth Burke-Kennedy and others. Please examine all seller photos.

Book has slight shelf-wear along corners of front cover. Otherwise in good condition.

Condizione: New.

Paperback. Condizione: Brand New. 368 pages. 9.00x6.00x1.00 inches. In Stock.

Paperback. Condizione: new. Paperback. Almost from the beginning, since 1970, new plays became part of the Focuss repertory. Starting with Peter Tersons Mooney and His Caravan, and Declan Burke-Kennedys The Trespasser in 1973, new plays continued to be produced and some, such as actor-playwright Ena May (Out of the Beehive 1987; Shes Your Mother, Too, You Know 1988; A Close Shave With the Devil 2001), finding an artistic home for their works, though not in the numbers that established plays and classics had been produced under Deirdres leadership. Since 2002 under Joe Devlins artistic direction, Focus has reversed the emphasis with new plays taking the lions share of the theatres performances and, in the process, reinvigorated itself during the past decade. Of the seven plays in this anthology, (five are from Joes leadership) all exhibit a range in styles from Lewis Carrolls fantastical world (Alice in Wonderland by Mary Elizabeth Burke-Kennedy), to a couple on the brink of a philandering weekend disaster (The Day of the Mayfly by Declan Burke-Kennedy), to a one-man show about Jonathan Swift with several characters all played by the same actor (Talking Through His Hat by Michael Harding); an examination of two shoplifting thieves and the would-be writer who gets in their way (Pinching for My Soul by Elizabeth Moynihan), a battle royal between two sides of a world-famous painter (Francis & Frances by Brian McAvera), the reactions of multiple New Yorkers to that moment on September 11, 2001 when their world was changed forever (New York Monologues by Mike Poblete), to the final days of an iconic movie star (Hollywood Valhalla by Aidan Harney).Each of these scripts is followed by short notes from the playwright, a memory of the production and in some cases its aims by its author. As will become quite clear, there is no single Focus play, no play which perfectly captures the spirit, the aesthetic aims, the physical abilities of this continually surprising fifty-year-old company. This collection of seven plays show that there is no singular Focus Theatre play or playwright, including various styles from monologues on New York, 2001 to the fantastical world of Lewis Carroll. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PF. Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Stanislavski in Ireland: Focus at Fifty is an insight into Ireland's only arthouse theatre from the people who were there. Through interviews, articles, short memoirs and photographs, the book tracks the theatre from its inception, detailing the period under its founder Deirdre O'Connell and then the period following Joe Devlin's arrival as its new artistic director. Many of Ireland's leading theatre and film artists trained and worked at Focus, including Gabriel Byrne, Joan Bergin, Olwen Fouéré, Brendan Coyle, Rebecca Schull, Johnny Murphy, Sean Campion, Tom Hickey, and Mary Elizabeth and Declan Burke-Kennedy. The book comes complete with a chronological list of Productions. It is aimed at students of theatre, actors, directors, academics, as well as the casual reader.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Almost from the beginning, since 1970, new plays became part of the Focus's repertory. Starting with Peter Terson's Mooney and His Caravan, and Declan Burke-Kennedy's The Trespasser in 1973, new plays continued to be produced and some, such as actor-playwright Ena May (Out of the Beehive 1987; She's Your Mother, Too, You Know 1988; A Close Shave With the Devil 2001), finding an artistic home for their works, though not in the numbers that established plays and classics had been produced under Deirdre's leadership. Since 2002 under Joe Devlin's artistic direction, Focus has reversed the emphasis with new plays taking the lion's share of the theatre's performances and, in the process, reinvigorated itself during the past decade. Of the seven plays in this anthology, (five are from Joe's leadership) all exhibit a range in styles from Lewis Carroll's fantastical world (Alice in Wonderland by Mary Elizabeth Burke-Kennedy), to a couple on the brink of a philandering weekend disaster (The Day of the Mayfly by Declan Burke-Kennedy), to a one-man show about Jonathan Swift with several characters all played by the same actor (Talking Through His Hat by Michael Harding); an examination of two shoplifting thieves and the would-be writer who gets in their way (Pinching for My Soul by Elizabeth Moynihan), a battle royal between two sides of a world-famous painter (Francis & Frances by Brian McAvera), the reactions of multiple New Yorkers to that moment on September 11, 2001 when their world was changed forever (New York Monologues by Mike Poblete), to the final days of an iconic movie star (Hollywood Valhalla by Aidan Harney).Each of these scripts is followed by short notes from the playwright, a memory of the production and in some cases its aims by its author. As will become quite clear, there is no single Focus play, no play which perfectly captures the spirit, the aesthetic aims, the physical abilities of this continually surprising fifty-year-old company.

Taschenbuch. Condizione: Neu. Stanislavski in Ireland | Focus at Fifty | Steven Dedalus Burch (u. a.) | Taschenbuch | 278 S. | Englisch | 2019 | Peter Lang | EAN 9781788748193 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu.

Paperback. Condizione: new. Paperback. Almost from the beginning, since 1970, new plays became part of the Focuss repertory. Starting with Peter Tersons Mooney and His Caravan, and Declan Burke-Kennedys The Trespasser in 1973, new plays continued to be produced and some, such as actor-playwright Ena May (Out of the Beehive 1987; Shes Your Mother, Too, You Know 1988; A Close Shave With the Devil 2001), finding an artistic home for their works, though not in the numbers that established plays and classics had been produced under Deirdres leadership. Since 2002 under Joe Devlins artistic direction, Focus has reversed the emphasis with new plays taking the lions share of the theatres performances and, in the process, reinvigorated itself during the past decade. Of the seven plays in this anthology, (five are from Joes leadership) all exhibit a range in styles from Lewis Carrolls fantastical world (Alice in Wonderland by Mary Elizabeth Burke-Kennedy), to a couple on the brink of a philandering weekend disaster (The Day of the Mayfly by Declan Burke-Kennedy), to a one-man show about Jonathan Swift with several characters all played by the same actor (Talking Through His Hat by Michael Harding); an examination of two shoplifting thieves and the would-be writer who gets in their way (Pinching for My Soul by Elizabeth Moynihan), a battle royal between two sides of a world-famous painter (Francis & Frances by Brian McAvera), the reactions of multiple New Yorkers to that moment on September 11, 2001 when their world was changed forever (New York Monologues by Mike Poblete), to the final days of an iconic movie star (Hollywood Valhalla by Aidan Harney).Each of these scripts is followed by short notes from the playwright, a memory of the production and in some cases its aims by its author. As will become quite clear, there is no single Focus play, no play which perfectly captures the spirit, the aesthetic aims, the physical abilities of this continually surprising fifty-year-old company. This collection of seven plays show that there is no singular Focus Theatre play or playwright, including various styles from monologues on New York, 2001 to the fantastical world of Lewis Carroll. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condizione: Neu. Breaking Boundaries | An Anthology of Original Plays from The Focus Theatre | Steven Dedalus Burch | Taschenbuch | 266 S. | Englisch | 2019 | Peter Lang | EAN 9781788747523 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Paperback. Condizione: New. Almost from the beginning, since 1970, new plays became part of the Focus's repertory. Starting with Peter Terson's Mooney and His Caravan, and Declan Burke-Kennedy's The Trespasser in 1973, new plays continued to be produced and some, such as actor-playwright Ena May (Out of the Beehive 1987; She's Your Mother, Too, You Know 1988; A Close Shave With the Devil 2001), finding an artistic home for their works, though not in the numbers that established plays and classics had been produced under Deirdre's leadership. Since 2002 under Joe Devlin's artistic direction, Focus has reversed the emphasis with new plays taking the lion's share of the theatre's performances and, in the process, reinvigorated itself during the past decade. Of the seven plays in this anthology, (five are from Joe's leadership) all exhibit a range in styles from Lewis Carroll's fantastical world (Alice in Wonderland by Mary Elizabeth Burke-Kennedy), to a couple on the brink of a philandering weekend disaster (The Day of the Mayfly by Declan Burke-Kennedy), to a one-man show about Jonathan Swift with several characters all played by the same actor (Talking Through His Hat by Michael Harding); an examination of two shoplifting thieves and the would-be writer who gets in their way (Pinching for My Soul by Elizabeth Moynihan), a battle royal between two sides of a world-famous painter (Francis and Frances by Brian McAvera), the reactions of multiple New Yorkers to that moment on September 11, 2001 when their world was changed forever (New York Monologues by Mike Poblete), to the final days of an iconic movie star (Hollywood Valhalla by Aidan Harney).Each of these scripts is followed by short notes from the playwright, a memory of the production and in some cases its aims by its author. As will become quite clear, there is no single Focus play, no play which perfectly captures the spirit, the aesthetic aims, the physical abilities of this continually surprising fifty-year-old company.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Stanislavski in Ireland: Focus at Fifty is an insight into Ireland's only arthouse theatre from the people who were there. Through interviews, articles, short memoirs and photographs, the book tracks the theatre from its inception, detailing the period under its founder Deirdre O'Connell and then the period following Joe Devlin's arrival as its new artistic director. Many of Ireland's leading theatre and film artists trained and worked at Focus, including Gabriel Byrne, Joan Bergin, Olwen Fouéré, Brendan Coyle, Rebecca Schull, Johnny Murphy, Sean Campion, Tom Hickey, and Mary Elizabeth and Declan Burke-Kennedy. The book comes complete with a chronological list of Productions. It is aimed at students of theatre, actors, directors, academics, as well as the casual reader. 278 pp. Englisch.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Almost from the beginning, since 1970, new plays became part of the Focus's repertory. Starting with Peter Terson's Mooney and His Caravan, and Declan Burke-Kennedy's The Trespasser in 1973, new plays continued to be produced and some, such as actor-playwright Ena May (Out of the Beehive 1987; She's Your Mother, Too, You Know 1988; A Close Shave With the Devil 2001), finding an artistic home for their works, though not in the numbers that established plays and classics had been produced under Deirdre's leadership. Since 2002 under Joe Devlin's artistic direction, Focus has reversed the emphasis with new plays taking the lion's share of the theatre's performances and, in the process, reinvigorated itself during the past decade. Of the seven plays in this anthology, (five are from Joe's leadership) all exhibit a range in styles from Lewis Carroll's fantastical world (Alice in Wonderland by Mary Elizabeth Burke-Kennedy), to a couple on the brink of a philandering weekend disaster (The Day of the Mayfly by Declan Burke-Kennedy), to a one-man show about Jonathan Swift with several characters all played by the same actor (Talking Through His Hat by Michael Harding); an examination of two shoplifting thieves and the would-be writer who gets in their way (Pinching for My Soul by Elizabeth Moynihan), a battle royal between two sides of a world-famous painter (Francis & Frances by Brian McAvera), the reactions of multiple New Yorkers to that moment on September 11, 2001 when their world was changed forever (New York Monologues by Mike Poblete), to the final days of an iconic movie star (Hollywood Valhalla by Aidan Harney).Each of these scripts is followed by short notes from the playwright, a memory of the production and in some cases its aims by its author. As will become quite clear, there is no single Focus play, no play which perfectly captures the spirit, the aesthetic aims, the physical abilities of this continually surprising fifty-year-old company. 266 pp. Englisch.