catherine gudis (88 risultati)

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: Good.

hardcover. Condizione: Acceptable. In very good, unmarked condition. No dust jacket. Former library copy with typical markings Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Good. 1st Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

paperback. Condizione: Good. Very light moisture stain and bump to corner otherwiase internally clean. Always securely packed. Professional booksellers since 1994. Satisfaction guaranteed.

Condizione: good. Fast Free Shipping â" Good condition book with a firm cover and clean, readable pages. Shows normal use, including some light wear or limited notes highlighting, yet remains a dependable copy overall. Supplemental items like CDs or access codes may not be included.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Catherine Gudis, Editor (illustratore). Blue cloth hardcover boards, 103pp, in nature-type illustrated slipcase. Selected poems by Frost accompanied by dozens of color facsimiles of genre-related art works by Van Gogh, Marsden Hartley, Arthur Dove, Charles Burchfield, Wolf Kahn, Andre Derain, Thomas P. Anshutz, Albert Renger-Patzsch, Bernard Perlin , etc. All our books are triple wrapped or boxed, never shipped "naked" in a mylar bag!

First edition. Hardcover. Exhibition catalog for a group show that ran May 7 through August 14, 1989. Features a foreword by Richard Koshalek, an introduction by Ann Goldstein who also contributes an essay and with additional essays by Mary Jane Jacob, anne Rorimer, and Howard Singerman. Artists in the show included: Richard Baim, Judity Barry, Ericka Beckman, Gretchen Bender, Dara Birnbaum, Barbara Bloom, Tory Brauntuch, Sarah Charlesworth, Jack Goldstein, Jenny Holzer, Larry Johnson, Ronald Jones, Mike Kelley, Jeff Koons, Barbara Kruger, Louise Lawler, Thomas Lawson, Sherrie Levine, Robert Longo. Allan McCollum, Matt Mullican, Peter Nagy, Stephen Prina, Richard Prince, Cindy Sherman, Laurie Simmons, Haim Steinbach, Mitchell Syrop, James Welling and Christopher Williams. Includes numerous color and black and white illustrations. A clean very near fine copy in cloth boards. No dust jacket as issued.

Condizione: Fine. First printing. Hardcover. Fine condition in very good slipcase. Book as new; very slight ding to edge of slipcase.

Oversized Hardcover. Condizione: Good.

Hardcover. Condizione: Very Good. 1st Edition. Browning to left edge of front panel.

hardcover. Condizione: Very Good. First Edition. Publisher: MIT Press, Cambridge, 1989. NEAR FINE+ hardcover in green cloth-covered boards with titles in black and gilt, as issued. First Edition. First Printing. Faint scratch on front board, otherwise as new.

Hardcover. Condizione: Near Fine. First Edition. Book is in NF condition with owner's stamp to 1/2 title page, trace edge wear noted else a bright and solid copy. ARN W.03; 4to - over 9¾" - 12" tall.

Hardcover without dustjacket as issued, 176 pages; good condition; 3-inch tear to top of table of contents page; all pages a bit wavy along right edge; no internal marks. Includes the work of: Judith Barry, Ericka Beckman, Gretchen Bender, Dara Birnbuam, Barbara Bloom, Troy Brauntuch, Sarah Charlesworth, Jack Goldstein, Jenny Holzer, Larry Johnson, Ronald Jones, Mike Kelley, Jeff Koons, Barbara Kruger, Louise Lawler, Thoams Lawson, Sherrie Levine, Robert Longo, Allan McCollum, Matt Mullican, Peter Nagy, Stephen Prina, Richard Prince, Cindy Sherman, Laurie Simmons, Haim Steinbach, Mitchell Syrop, James Welling, Christopher Williams. Foreign shipping may be extra.

Condizione: Good. 4to. 176 pp. Very good. Hard cover. No dust jacket. Pen inscription and price tag on title page. Light green cloth boards with gilt spine and cover. Includes some color plates. Featuring works by Jenny Holzer, Mike Kelley, Jeff Koons, Laurie Simmons, Sherrie Levine, Cindy Sherman, Matt Mullican et al.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 224 pages.Very clean book and dust jacket with no marks. bottom right corners of book and dust jacket bumped. List of works and bibliography. In 1995, the resolutely reclusive Ray Johnson reemerged into the spotlight when he died in a mysterious and spectacular way, leading to the discovery of thousands of works of art in his house. Drawing upon this vast trove, Donna De Salvo, the Wexner Center's Curator at Large, has organized Ray Johnson: Correspondences, the first comprehensive exhibition to be mounted (with the complete cooperation of the artist's estate). Like Rauschenberg, Cy Twombly, Jasper Johns, and later Andy Warhol and Jim Rosenquist, Johnson combined the signs and symbols of contemporary culture with the lessons of abstraction to develop a new lexicon of forms. A pioneer in the use of 'found' images and techniques of mechanical reproduction, Johnson created in 1955 what may have been the first informal happening. Johnson first created 'mail art' in the fifties. These were part collage, part manifesto, part parody; he often instructed recipients to 'add to', 'return to', or 'send to', spawning an interactive art form, a continuous happening, that pre-figured electronic mail. Johnson was the nerve center of this pre-digital netscape that spread around the nation and, eventually, the world, which continues to flourish today. By the eighties, Johnson was a legend in the artistic community. Ray Johnson: correspondences, offers the first opportunity for in-depth examination of the work of an artist who reflected and dissected many of the aesthetic, cultural, and theoretical preoccupations of the last forty years; a figure whose impact and influence will finally be made known.

Hard cover. Condizione: Very good. Condizione sovraccoperta: Very good. Catalog published in association with the exhibition, "Ray Johnson: Correspondences," curated by Donna M. De Salvo and organized by the Wexner Center for the Arts, The Ohio State University, Columbus, Ohio. Sticker residue around barcode on jacket back cover. Covers are clean. Binding is tight. Page margins are lightly tanned, but pages are otherwise clean and unmarked.

Hardcover. VIII, 333 S. Ehem. Bibliotheksexemplar mit Bib.-Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature on spine. GOOD condition, some traces of use. JO570 Sprache: Englisch Gewicht in Gramm: 900.

Hardcover. Condizione: Very Good. Stated first printing. SLipcase present with very mild shelfwear. I note every flaw I find, so buy with confidence.

Softcover. Condizione: VG+. Quarto. Softcover. Illustrated wraps. viii, 333 pages : illustrations (some color) ; 25 cm.

Hardcover. Red casebound book. There is a dust jacket with the title printed in a small white graphic on a mostly red spine. Pages: (6), 7-224. Illustrated with both color and black-and-white images. "In 1995, the resolutely reclusive Ray Johnson reemerged into the spotlight when he died in a mysterious and spectacular way, leading to the discovery of thousands of works of art in his house. Drawing upon this vast trove, Donna De Salvo, the Wexner Center's Curator at Large, has organized Ray Johnson: Correspondences, the first comprehensive exhibition to be mounted (with the complete cooperation of the artist's estate). Like Rauschenberg, Cy Twombly, Jasper Johns, and later Andy Warhol and Jim Rosenquist, Johnson combined the signs and symbols of contemporary culture with the lessons of abstraction to develop a new lexicon of forms. A pioneer in the use of 'found' images and techniques of mechanical reproduction, Johnson created in 1955 what may have been the first informal happening. Johnson first created 'mail art' in the fifties. These were part collage, part manifesto, part parody; he often instructed recipients to 'add to', 'return to', or 'send to', spawning an interactive art form, a continuous happening, that pre-figured electronic mail. Johnson was the nerve center of this pre-digital netscape that spread around the nation and, eventually, the world, which continues to flourish today. By the eighties, Johnson was a legend in the artistic community. Ray Johnson: correspondences, offers the first opportunity for in-depth examination of the work of an artist who reflected and dissected many of the aesthetic, cultural, and theoretical preoccupations of the last forty years; a figure whose impact and influence will finally be made known." Contents are as follows: Correspondences / Donna De Salvo -- "To be sad, because I was once a child": the collages of Ray Johnson / Mason Klein -- The webmaster's solo : Ray Johnson invites us to the dance / Wendy Steiner -- Ray Johnson fan club / Jonathan Weinberg -- Ray Johnson's New York Correspondence School: the fine art of communication / Sharla Sava -- Special deliverance / Lucy R. Lippard -- Ray Johnson: the one and the other / William S. Wilson -- Should an eyelash last forever? an interview with Ray Johnson / Henry Martin. VG/VG: As new exlibrary copy in mylar with stamps.

Softcover. Condizione: VG-. Color illustrated wraps, 224 pp., BW and color illus. Issued in conjunction with several 1999-2000 exhibitions of artwork by American pop art, collage, and correspondence artist Ray Johnson (1927-1995). With six thematic and illustrated essays, and an artist interview conducted by Henry Martin. Includes illustrated chronology, exhibitions history, and selected bibliography, in addition to the many examples of Johnson's work. A nice introduction to an artist you may not know. In 1995, the resolutely reclusive Ray Johnson reemerged into the spotlight when he died in a mysterious and spectacular way, leading to the discovery of thousands of works of art in his house. Drawing upon this vast trove, Donna De Salvo, the Wexner Center's Curator at Large, has organized Ray Johnson: Correspondences, the first comprehensive exhibition to be mounted (with the complete cooperation of the artist's estate). Like Rauschenberg, Cy Twombly, Jasper Johns, and later Andy Warhol and Jim Rosenquist, Johnson combined the signs and symbols of contemporary culture with the lessons of abstraction to develop a new lexicon of forms. A pioneer in the use of 'found' images and techniques of mechanical reproduction, Johnson created in 1955 what may have been the first informal happening. Johnson first created 'mail art' in the fifties. These were part collage, part manifesto, part parody; he often instructed recipients to 'add to', 'return to', or 'send to', spawning an interactive art form, a continuous happening, that pre-figured electronic mail. Johnson was the nerve center of this pre-digital netscape that spread around the nation and, eventually, the world, which continues to flourish today. By the eighties, Johnson was a legend in the artistic community. Ray Johnson: correspondences, offers the first opportunity for in-depth examination of the work of an artist who reflected and dissected many of the aesthetic, cultural, and theoretical preoccupations of the last forty years; a figure whose impact and influence will finally be made known.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. A nice, bright copy. ; Color illustrations; 8.3 X 1 X 10.7 inches; 224 pages.

Condizione: New.

Soft cover. Condizione: Good. No Jacket. Brochure is 8.5 x 4.5 inches. Three folds; 8 pages. There is some yellowing and creasing and one ink mark in margin.

Condizione: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Very Good. 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.