catich (43 risultati)

Softcover. Condizione: Very Good. Offprint from "The Numismatist." ; 17 pages.

Hardcover. Condizione: Very Good -. Catich, E. (illustratore). A very rare volume. Exterior wear includes light rub marks and soils, with normal scuffs; very minor bowing; text block is clean and tight. A decent readable copy. 62 pages. Book.

Hardcover. Condizione: Near Fine. E. Catich (illustratore). illustrations (by E. Catich), 62, [1]p. Original brown faux leather. 18cm. Pictorial end[papers. No jacket.

Hardcover. Condizione: Near Fine. Quarter green cloth gilt with decorated-paper covered boards, tall 8vo., (36) pages. Beautifully designed and printed by Carroll Coleman, hand-set in Joanna and with initials in two colors. Bookplate, else a near fine copy in archival mylar.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Good. First Edition. Iowa City: The Prairie Press, 1964. not paginated. The author was an admired calligrapher and a letterer who delivered an address to the Society of Typographic Arts at the Newberry Library, Chicago at the opening of a comprehensive show of the work of Eric Gill. Each page is headed by a colorful large letter, Perpetua Tilting Capitals, designed by Gill. The book was designed by Carroll Coleman; the body type is Joanna; two decorative letters on the title page are Floriated Capitals. All types designed by Gill; all hand-set. Frontispiece brush-drawn portrait of Eric Gill by Fr. Catich after a self-portrait wood engraving by Gill. The jacket is price clipped and has a small hole in the back panel. First Edition. quarter-cloth w/ paper boards. Fine/Good. Slim 4to.

Hardcover. Condizione: Near Fine. 25x17cm, [28pp]. With initial letters printed in various colours. Printed on Curtis Rag paper, bound in quarter-teal cloth over green paste paper-covered boards, gilt title to backstrip, dustjacket of buff paper printed in black and red. Based on a talk by the calligrapher and letterer Father Catich at the opening of an Eric Gill exhibition at the Newberry Library, Chicago. It showcases some Gill faces: Joanna (body), Perpetua Titling Capitals and the decorative Floriated Capitals (in blue, on the title page). Nicely produced and presumably a limited edition, although this is not stated. Near Fine (externally Fine, some very faint foxing spots around the prelims up to and including the title page) in a Good (browning, a small ink mark and nicks around the edges with a little loss at the foot of the spine and one longer closed 6cm tear to the back) dustjacket.

Paperback. Condizione: Fine condition. NOT a library discard (illustratore). Second Edition. Davenport, Iowa: Catich Galley, St. Ambrose University, 1991. Appears unread. Fine condition. Only very light shelfwear to the cover. Flat, uncreased spine. NO chips, tears, creases or fading. Square and tight. Sharp corners. Hinges are perfect. NO owner's name or bookplate. NOT a library discard. NOT a remainder. 1991. Second Edition edited by Mary W. Gilroy. A handsomely illustrated look at the history, lineage, and development of our alphabet, which Philip Hofer called "a work of genius." Father Catich also surveys letter cutting in stone, the role played by the brush in shaping our classic Roman alphabet, and other topics related to the graphic arts and paleography. Well illustrated, and printed in colors. Bound in the original multi-color pictorial wraps. Oversize Softcover. 8" wide by 10.75" tall. This large, heavy book may require extra postage for Priority and International shipments, but only the standard charge for media mail. From the rear cover:"This handsomely illustrated book goes beyond a discussion of the serif. Here you will find a new approach to the history, lineage, and development of our alphabet, a detailed explanation of letter cutting in stone, the manner in which the brush differs from all other writing tools, and the role it played in the shaping of our classic Roman alphabet, with a wealth of other information pertinent to the graphic arts, including an account of the early twentieth century Chicago sign writing and its relation to Imperial Roman epigraphy. The serif is the short cross stroke at the beginning and end of letter parts. Its origin in Roman inscription letters is one of the uncharted areas of paleography. In this book the author questions accepted theories as to the serif's origin, and advances his own theory with skillful reasoning, detailed illustration, and epigraphic proof.". Second Edition. Oversize Softcover. Fine condition. Illus. by NOT a library discard. xi, 312pp. Great Packaging, Fast Shipping.

Trade Paperback. Condizione: Good. Catich, E. M.; de Bethune, A. (illustratore). text clean and unmarked. binding tight. covers have wear at head and foot of spine, along edges. head and foot of spine are chipped. name written on front free end paper. edges of book are heavily toned. spine stapled along front hinge.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Second Edition. Dust Jacket w/ minor tears. boards a bit discolored. Dust Jack in mylar guard. Quantity Available: 1. Category: Books on Books; Illustrated. ISBN: 0962974005. ISBN/EAN: 9780962974007. Pictures of this item not already displayed here available upon request. Inventory No: 22786. This book is extra heavy, and may involve extra shipping charges to some countries.

Condizione: Good. 2. Good++; Softcover; 2nd Edition; Covers are still glossy with a few light handling-marks; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (Quatro, 10.75" - 11.75" tall); 2.3 lbs; White covers with a green and orange "R" illustration, and title in white lettering; 1991, Catich Gallery Publishing; 311 pages; "The Origin of the Serif: Brush Writing and Roman Letters," by Edward M. Catich.

Hardcover. Condizione: Used Good. No Jacket. Hardback, no writing or marks, light wear, solid.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First Edition. In pictorial tan jacket over clothbacked decorative boards, 8vo, unpag. Illustrated with two color letters designed by Gill. (minor light shelfwear, rubbing to edges, sm. closed tear to jacket at corner - jacket now in new mylar). Size: 8vo - over 7¾" - 9¾". Book.

Condizione: New. Satisfaction Guaranteed or your money back.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Second Edition. cloth, hardcover in dust jacket., small, faint pencil with owner name place date and from who the book was given. the owner was a noted classics scholar. it is easily erased. no flaws or wear. clean. no other markings. no bumps, tears, creases. strong binding. a great copy.; english text.; xi-310pp., 235 figures. second edition of 1968 original. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condizione: As New. Condizione sovraccoperta: Very Good. 1st Edition. Original rubbing tipped in at rear; 13 pages with two additional pages of the inscription; 4to.

Hardcover. Condizione: Very Good. First Edition. A hard cover text volume and a matching, larger portfolio with 27 double-sided plates - one side the letters of the alphabet + ampersand and the other sides examples of various letter forms. Clean, bright, and unmarked. Blue cloth spines with marbled boards and paper cover labesl.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. 1st Edition. One of a limited edition of 1400 copies. Offset printed by the author. Top edges gilt. DJ has two 1/2" chips - top spine and top edge rear panel. Blue-gray cloth with gilt lettering. Clean, bright, and unmarked.

Trade Paperback. Condizione: Used Very Good. No writing or underlining.

Paperback. Condizione: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

hardcover. Condizione: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

paperback. Condizione: Good. Paperback. NOT Ex-library. Slight edgewear and bumping. Clean pages and tight binding. Until further notice, USPS Priority Mail only reliable option for Hawaii. Proceeds benefit the Pima County Public Library system, which serves Tucson and southern Arizona. B33.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. Set in Joanna with Perpetua Titling Capitals and two Floriated Capitals (all types designed by Eric Gill) and printed in coulours on Curtis Rag paper. Brush-drawn portrait frontispiece by Edward Catich. Decorative paper-covered boards, predominantly grey and yellow, sage-green cloth back titled in gilt. Manilla dust-jacket (slightly frayed at head), titled in red and black. Book label of Evan Gill with remains of packagingg from the Prairie Press to him tucked in at the rear. A very ood bright copy.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. Gill, Eric, 1882-1940. (illustratore). The uncommon American first edition. A very nice copy of a a typical Eric Gill offering, colophons and lettering. Fresh copy, with patterned boards, partial offset to front free end paper, pages excellent; in a protected complete dust jacket, one very short edge nick/closed, some tone to edges of the cover. [35] p. : 1 port. ; 26 cm. Note: An earlier draft of the . text was delivered by Father Catich several years ago as a talk at the opening of a comprehensive showing of the work of Eric Gill at the Newberry Library, Chicago . sponsored by the Society of Typographic Arts.Designed and printed by Carroll Coleman at the Prairie Press . all types designed by Eric Gill, and all hand-set."--Colophon.

Hardcover. Gill, Eric (illustratore). First edition. Unpaginated, approx. 36 pages. 25 x 16.5 cm. Designed and printed by Carroll Coleman, signed by him, the two decorative letters on the title page, Floriated Capitals are types designed by Gill. Marcus McCorison's (American Antiquarian Society) copy with his book label [Marcus Allen McCorison] and original publisher's invoice to him laid-in. Orig. gray cloth spine and decorated boards. Fine in nicked dust wrapper with loss at head spine.

Hardcover. Small 4to. Quarter green cloth with gilt spine lettering and green patterned paper over boards, pictorial price-clipped dust jacket. Frontispiece. (27pp). Fine/fine. This first edition of an important study is as pristine as it gets -- tight, bright. Publisher Carroll Coleman notes in rear colophon, "the large letters on each page are Perpetua Titling Capitals, and the two decorative letters on the title page are Floriated Capitals, all types designed by Eric Gill, and all hand-set." A-Z (one letter at top of each page) appear in various colors within varying color borders. Laid in is a fine glossy black-and-white 7" X 5" photograph showing Catich holding a brush and lettering a large sheet, captioned "Father E.M. Catich of Saint Ambrose College, demonstrates his views on The Origin of Serifs 25 June 1962 Rockefeller Institute, New York.".

Hardcover. Small 4to. Quarter green cloth with gilt spine lettering and green patterned paper over boards, pictorial price-clipped dust jacket. Frontispiece. (27pp). Fine/fine. Outstandingly tight 'n' bright, fresh and handsome first edition of this important study. As publisher Carroll Coleman notes in the rear colophon, "the large letters on each page are Perpetua Titling Capitals, and the two decorative letters on the title page are Floriated Capitals, all types designed by Eric Gill, and all hand-set." A-Z (one letter at top of each page) appear in various colors within varying color borders. Laid in is a pristine, glossy black-and-white 7" X 5" photograph showing the author holding brush lettering a large sheet, captioned "Father E.M. Catich of Saint Ambrose College, demonstrates his views on The Origin of Serifs 25 June 1962 Rockefeller Institute, New York.".

1 vols. Thin 8vo. Condizione sovraccoperta: dj. First edition, one of 400 copies. First edition, one of 400 copies. 1 vols. Thin 8vo. Cloth spine and boards. Fine in about fine dust jacket.

Soft cover. Condizione: Very Good. 2nd Edition. Printed in black, green and reddish-brown in Linotype Baskerville with upwards of 200 illustrations and alphabets. This, a paperback copy that has been bound up in black cloth with title label insets on the front board and spine. Actually quite attractive.

Soft cover. Condizione: Very Good. 1st Edition. Limited, numbered first edition of 1000 copies, this being copy 933, signed by Lloyd Reynold. Covers show some light soiling and very mild waviness. Interior is clean and unmarked. ix + 86 pages. 12 x 12 inches. A tribute to the master-calligrapher and Reed College professor, Lloyd J. Reynolds (1902-1978), with contributions from an exceptional array of calligraphers, poets, artists, and scholars, including Alfred Fairbank, Gary Snyder, John Cage, William Stafford, James Dickey, Philip Whalen, Lew Welch, Mary Barnard, Edward Catich, Raymond DaBoll, Jaki Svaren, William Dickey, Lou Harrison, Carolyn Kizer, Lucien Stryk, Vern Rutsala, and Jonathan Williams. Preface by Philip Whalen, who helped originate this volume along with the Reed senior (and author of the introduction), Mark Loeb. Additional contributors include: Jacob Avshalomov, Lois Baker, Arnold Bank, Ben Barzman, Yvonne Bianco, Robert Boardwell, Frank Paul Bowman, Bong Wai Chen, V.L.O. Chittick, Curtiss Cowan, Robert D. Crowley, Dorothy Dehn, Mark DeVoto, Jesse Green, Anne Gregory, Erik Gronborg, Kenneth O. Hanson, James Hayes, Jenny Hunter, Dell Hymes, Manuel Izquierdo, Frank Jones, Charles Leong, Mark Loeb, Sister Loyola Mary, Byron J. MacDonald, Edward Martin, James McGarrell, Monica Moseley-Pincus, Phiz Mozesson, Charles Munch, Maury Nemoy, Norman Paasche, Cindy Parker, Alton Pickens, David Ray, M.C. (Mary Caroline) Richards, Robert Ross, Sister Grace Taylor, Joshua C. Taylor, Ralph James Turner, and Clyde Van Cleve. Signed by Author(s).

quarto, cloth in dust jacket. Second edition, hardbound issue. Second edition, hardbound issue. quarto, cloth in dust jacket. (xii), 310pp. St. Ambrose University, Edited by Mary W. Gilroy. Illustrated and printed with accents and capitals and headlines in green or rust or both. The serif originated with Roman inscription letters, its history and development here detailed in letter cutting in stone, and the use of the brush in shaping the Roman letterform. The author "questions accepted theories as to the serif's origin, and advances his own theory with skillful reasoning, detailed illustration, and epigraphic proof." Very fine. "Origin of the Serif is a work of Genius." Philip Hofer. A very fine copy in a very fine, clean jacket which is not price clipped.